Оглавление
Wassily Kandinsky. Concerning the Spiritual in Art
Concerning the Spiritual in Art
Table of Contents
LIST OF FULL-PAGE ILLUSTRATIONS [NOT IN E-TEXT] TRANSLATOR'S INTRODUCTION. PART I. ABOUT GENERAL AESTHETIC. I. INTRODUCTION II. THE MOVEMENT OF THE TRIANGLE III. SPIRITUAL REVOLUTION IV. THE PYRAMID. PART II. ABOUT PAINTING. V. THE PSYCHOLOGICAL WORKING OF COLOUR VI. THE LANGUAGE OF FORM AND COLOUR VII. THEORY VIII. ART AND ARTISTS IX. CONCLUSION. LIST OF FULL-PAGE ILLUSTRATIONS [NOT IN E-TEXT]
TRANSLATOR'S INTRODUCTION
MICHAEL T. H. SADLER. REFERENCE
DEDICATED TO THE MEMORY OF ELISABETH TICHEJEFF
PART 1: ABOUT GENERAL AESTHETIC
I. INTRODUCTION
II. THE MOVEMENT OF THE TRIANGLE
THIS "WHAT" IS THE INTERNAL TRUTH WHICH ONLY ART CAN DIVINE, WHICH ONLY ART CAN EXPRESS BY THOSE MEANS OF EXPRESSION WHICH ARE HERS ALONE. III. SPIRITUAL REVOLUTION
IV. THE PYRAMID
PART II: ABOUT PAINTING
V. THE PSYCHOLOGICAL WORKING OF COLOUR
IT IS EVIDENT THEREFORE THAT COLOUR HARMONY MUST REST ONLY ON A CORRESPONDING VIBRATION IN THE HUMAN SOUL; AND THIS IS ONE OF THE GUIDING PRINCIPLES OF THE INNER NEED
VI. THE LANGUAGE OF FORM AND COLOUR
FIGURE I
FIGURE II
FIGURE III
VII. THEORY
VIII. ART AND ARTISTS
THE ARTIST MUST HAVE SOMETHING TO SAY, FOR MASTERY OVER FORM IS NOT HIS GOAL BUT RATHER THE ADAPTING OF FORM TO ITS INNER MEANING
IX. CONCLUSION
