A Parody Anthology
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Оглавление
Wells Carolyn. A Parody Anthology
AFTER OMAR KHAYYAM
THE GOLFER'S RUBAIYAT
AN OMAR FOR LADIES1
THE MODERN RUBAIYAT
LINES WRITTEN (“BY REQUEST") FOR A DINNER OF THE OMAR KHAYYAM CLUB
THE BABY'S OMAR
AFTER CHAUCER
YE CLERKE OF YE WETHERE
AFTER SPENSER
A PORTRAIT
AFTER SHAKESPEARE
THE BACHELOR'S SOLILOQUY
POKER
TOOTHACHE
A DREARY SONG
TO THE STALL-HOLDERS AT A FANCY FAIR
SONG
THE WHIST-PLAYER'S SOLILOQUY
AFTER WITHER
ANSWER TO MASTER WITHERS SONG, “SHALL I, WASTING IN DESPAIR?"
AFTER HERRICK
SONG
TO JULIA UNDER LOCK AND KEY
AFTER NURSERY RHYMES
AN IDYLL OF PHATTE AND LEENE
NURSERY SONG IN PIDGIN ENGLISH
THE HOUSE THAT JACK BUILT
BOSTON NURSERY RHYMES
A SONG OF A HEART
THE DOMICILE OF JOHN
MARY AND THE LAMB
AFTER WALLER
THE AESTHETE TO THE ROSE
AFTER DRYDEN
THREE BLESSINGS
OYSTER-CRABS
AFTER DR. WATTS
THE VOICE OF THE LOBSTER
THE CROCODILE
AFTER GOLDSMITH
WHEN LOVELY WOMAN
AFTER BURNS
GAELIC SPEECH; OR, “AULD LANG SYNE" DONE UP IN TARTAN
MY FOE
RIGID BODY SINGS
AFTER CATHERINE FANSHAWE
COCKNEY ENIGMA ON THE LETTER H
AFTER WORDSWORTH
ON WORDSWORTH
JACOB
FRAGMENT IN IMITATION OF WORDSWORTH
JANE SMITH
ONLY SEVEN
LUCY LAKE
AFTER SIR WALTER SCOTT
YOUNG LOCHINVAR
AFTER COLERIDGE
THE ANCIENT MARINER
STRIKING
AFTER SOUTHEY
THE OLD MAN'S COLD AND HOW HE GOT IT
FATHER WILLIAM
LADY JANE
AFTER CAMPBELL
THE NEW ARRIVAL
JOHN THOMPSON'S DAUGHTER
AFTER THOMAS MOORE
THE LAST CIGAR
'TWAS EVER THUS
"THERE'S A BOWER OF BEAN-VINES"
DISASTER
SARAH'S HALLS
'TWAS EVER THUS
AFTER JANE TAYLOR
THE BAT
AFTER BARRY CORNWALL
THE TEA
AFTER BYRON
THE ROUT OF BELGRAVIA
A GRIEVANCE
AFTER CHARLES WOLFE
THE BURIAL OF THE BACHELOR
NOT A SOU HAD HE GOT
THE MARRIAGE OF SIR JOHN SMITH
AFTER MRS. HEMANS
THE THYROID GLAND
AFTER KEATS
AFTER HEINE
IMITATION
COMMONPLACES
AFTER HOOD
SONG OF THE SHEET THE DRIPPING SHEET
I REMEMBER, I REMEMBER
AFTER ALFRED BUNN
A YULE-TIDE PARODY
SELF-EVIDENT
AFTER LORD MACAULAY
THE LAUREATE'S TOURNEY
AFTER EMERSON
MUTTON
AFTER MARY HOWITT
THE LOBSTER QUADRILLE
AFTER MRS. BROWNING
IN THE GLOAMING
GWENDOLINE
AFTER LONGFELLOW
THE MODERN HIAWATHA
HIGHER
TOPSIDE GALAH!
EXCELSIOR
"THE DAY IS DONE"
A PSALM OF LIFE
HOW OFTEN
DESOLATION
THE BIRDS AND THE PHEASANT
AFTER WHITTIER
HIRAM HOVER
AFTER MRS. NORTON
THE HORSE AND HIS MASTER
THE NEW VERSION
AFTER POE
WHAT TROUBLED POE'S RAVEN
THE AMATEUR FLUTE
SAMUEL BROWN
THE PROMISSORY NOTE
THE CANNIBAL FLEA
ANNABEL LEE
THE BELLS
THE GOBLIN GOOSE
AFTER LORD HOUGHTON
LOVE AND SCIENCE
AFTER TENNYSON
THE BATHER'S DIRGE
LITTLE MISS MUFFET
THE MUSICAL PITCH
TO AN IMPORTUNATE HOST
THE VILLAGE CHOIR
THE BITER BIT
THE LAUREATE
THE LAY OF THE LOVELORN
IN IMMEMORIAM
SIR EGGNOGG
GODIVA
A LAUREATE'S LOG
THE RECOGNITION
THE HIGHER PANTHEISM IN A NUTSHELL
TIMBUCTOO. – PART I
AFTER TUPPER
OF FRIENDSHIP
OF READING
AFTER THACKERAY
THE WILLOW-TREE
AFTER CHARLES DICKENS
MAN'S PLACE IN NATURE
AFTER ROBERT BROWNING
HOME TRUTHS FROM ABROAD
AFTER BROWNING
THE COCK AND THE BULL
A STACCATO TO O LE LUPE
BY THE SEA
ANGELO ORDERS HIS DINNER
THE FLIGHT OF THE BUCKET
THE JAM-POT
IMITATION OF ROBERT BROWNING
THE LAST RIDE TOGETHER
UP THE SPOUT
AFTER WHITMAN
AN AMERICAN, ONE OF THE ROUGHS, A KOSMOS
CAMERADOS
IMITATION OF WALT WHITMAN
IMITATION OF WALT WHITMAN
THE POET AND THE WOODLOUSE
AFTER CHARLES KINGSLEY
THREE LITTLE FISHERS
THE THREE POETS
AFTER MRS. R. H. STODDARD
THE NETTLE
AFTER BAYARD TAYLOR
HADRAMAUT
AFTER WILLIAM MORRIS
ESTUNT THE GRIFF
AFTER ALFRED AUSTIN
AN ODE
AFTER W. S. GILBERT
ODE TO A LONDON FOG
PRESIDENT GARFIELD
PROPINQUITY NEEDED
AFTER R. H. STODDARD
THE CANTELOPE
AFTER A. A. PROCTOR
THE LOST VOICE
THE LOST APE
THE LOST WORD
AFTER GEORGE MEREDITH
AT THE SIGN OF THE COCK
AFTER DANTE GABRIEL. ROSSETTI
A CHRISTMAS WAIL
BALLAD
CIMABUELLA
THE POSTER GIRL
AFTER JEAN INGELOW
LOVERS, AND A REFLECTION
THE SHRIMP-GATHERERS
AFTER CHRISTINA ROSSETTI
REMEMBER
AFTER LEWIS CARROLL
WAGGAWOCKY
THE VULTURE AND THE HUSBANDMAN
AFTER A. C. SWINBURNE
GILLIAN
ATALANTA IN CAMDEN-TOWN
THE MANLET
IF!
THE MAID OF THE MEERSCHAUM
QUAERITUR
A MELTON MOWBRAY PORK-PIE
FOAM AND FANGS
A SONG OF RENUNCIATION
NEPHELIDIA
THE LAY OF MACARONI
AFTER BRET HARTE
THE HEATHEN PASS-EE
DE TEA FABULA
AFTER AUSTIN DOBSON
THE PRODIGALS
AFTER ANDREW LANG
BO-PEEP
AFTER W. E. HENLEY
IMITATION
AFTER R. L. STEVENSON
BED DURING EXAMS
AFTER OSCAR WILDE
MORE IMPRESSIONS
NURSERY RHYMES À LA MODE
A MAUDLE-IN BALLAD
QUITE THE CHEESE
AFTER WILLIAM WATSON
THE THREE MICE
AFTER KIPLING
FUZZY WUZZY LEAVES US
A BALLAD
JACK AND JILL
THE LEGEND OF REALISM
AFTER STEPHEN PHILLIPS
LITTLE JACK HORNER
AFTER FIONA McLEOD, W. B. YEATS, AND OTHERS
THE CULT OF THE CELTIC
AFTER VARIOUS WRITERS OF VERS DE SOCIÉTÉ
BEHOLD THE DEEDS!
CULTURE IN THE SLUMS
A BALLADE OF BALLADE-MONGERS
AFTER VARIOUS POPULAR SONGS
BEAUTIFUL SNOW
THE NEWEST THING IN CHRISTMAS CAROLS
THE TALE OF LORD LOVELL
"SONGS WITHOUT WORDS"
THE ELDERLY GENTLEMAN
TURTLE SOUP
SOME DAY
IF I SHOULD DIE TO-NIGHT
A LOVE SONG
OLD FASHIONED FUN
THEMES WITH VARIATIONS
HOME SWEET HOME WITH VARIATIONS
MODERN VERSIFICATION ON ANCIENT THEMES
GOOSE À LA MODE
THREE CHILDREN SLIDING
JACK AND JILL
JACK AND JILL
THE REJECTED "NATIONAL HYMNS"
A THEME WITH VARIATIONS
THE POETS AT TEA
THE POETS AT A HOUSE-PARTY
AN OLD SONG BY NEW SINGERS
Отрывок из книги
THE fact that parody has been ably defended by many of the world's best minds proves that it is an offensive measure, at least from some viewpoints. But an analysis of the arguments for and against seems to show that parody is a true and legitimate branch of art, whose appreciation depends upon the mental bias of the individual.
To enjoy parody, one must have an intense sense of the humorous and a humorous sense of the intense; and this, of course, presupposes a mental attitude of wide tolerance and liberal judgments.
.....
Miss Cary was a pioneer of parody in America and one of the few women writers who have done clever work of this sort. Miss Cary's parodies are numerous and uniformly first-class examples of their kind. They are collected in a small book, now out of print, and are well worth reading.
Of course, parodies which burlesque the actual words of the original are necessarily parodies of some particular poem, and often not so good an imitation of the style of the author.
.....