Mordred and Hildebrand: A Book of Tragedies

Mordred and Hildebrand: A Book of Tragedies
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"Mordred and Hildebrand: A Book of Tragedies" by Wilfred Campbell. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

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Wilfred Campbell. Mordred and Hildebrand: A Book of Tragedies

Mordred and Hildebrand: A Book of Tragedies

Table of Contents

MORDRED . . and . HILDEBRAND

MORDRED

ACT. I

SCENE I.—A Hermitage in the Woods

SCENE II.—Camelot. (Arthur crowned king.)

SCENE III

SCENE IV.—Leodegrance’s Castle at Camelard

SCENE V.—The apartment of Guinevere—Guinevere and a lady attendant

SCENE VI.—A rose garden adjoining the Castle

ACT II

SCENE I.—The forest of Bracliande

SCENE II.—Castle at Camelot

SCENE III.—Another part of the Castle

SCENE IV.—Enter Elaine and her retinue

SCENE V.—The Court

SCENE VI.—An outer room in the Castle—Guinevere walking back and forth. Enter Launcelot, kneels, would take her hand

SCENE VII.—Enter Vivien and Mordred

SCENE VIII.—Enter Dagonet

ACT III

SCENE I.—Arthur, Mordred, Dagonet, and Nobles

SCENE II.—Launcelot discovered seated almost naked amid swineherds

SCENE III.—Another part of the forest.—Launcelot and Gwaine

SCENE IV.—(Enter Court-ushers with trumpets, Soldiers and Knights. Enter the King: takes his State. Enter the Queen in a black robe surrounded by her Women, comes to the foot of the Throne, falls on her face.)

SCENE V.—Enter Mordred

SCENE VI.—An audience room in the Castle. Enter Mordred, Sir Agravaine and other Knights

SCENE VII.—A passage near the Queen’s apartments

ACT IV

SCENE I.—(Rise outer curtain.) Passage near the Queen’s apartments. Enter Dagonet

SCENE II.—Sir Launcelot’s apartment, midnight. Enter several Knights with torches and swords

SCENE III.—The King’s lodge in the forest. Arthur walking back and forth

SCENE IV.—(Rise outer curtain.) Court at Camelot

SCENE V.—A Corridor in the Palace. Enter two Gentlemen

SCENE VI.—France—A Tent on the Field near Launcelot’s Castle. Arthur paces to and fro

ACT V

SCENE I.—(Rise outer Curtain.) Enter two Soldiers

SCENE II.—The Kentish Coast. Landing of Arthur’s troops opposed by Mordred. Battle going on in the distance. Enter Gwaine borne ashore on a litter. Battle comes near

SCENE III.—Night on the battle field. The royal tent, Arthur’s Camp

SCENE IV.—Near the battlefield. Enter two Knights

HILDEBRAND

ACT I

SCENE I.—(Rise outer Curtain.) An Inn-yard in Milan. Two Burghers discovered seated at a table, drinking

SCENE II.—Place, Home of Pastor Gerbhert. Enter Catherine, Mother to Margaret

ACT II

SCENE I.—A room in the Papal Palace at Rome. Enter Hildebrand as Pope and Peter Damiani, a fanatic

SCENE II.—The German Court, a Room in the Castle

SCENE III.—An Audience Room in the Castle. Enter Attendant. Enter Henry in haste, with Gilbert a Lord

SCENE IV.—A monastery near Milan. Night. Enter two monks, Brun, a fat little monk, and Wast, a tall, lean one, with an extremely ugly face

SCENE V.—(Audience room in the Papal palace. Enter Hildebrand wearing his purple robe of state and with him Peter Damiani. Enter a page.)

ACT III

SCENE I.—(A deserted camp.) Enter Henry alone

SCENE II.—(Rise outer Curtain. A yard outside the castle at Canossa. Enter two Monks telling their beads.)

SCENE III.—(A poorly furnished room. Margaret seated by a meagre fire nursing her sick child.)

SCENE IV.—A battle-field. Enter troops marching. Fighting begins in the distance. Enter two officers

ACT IV

SCENE I.—(A fortress near Milan, where Gregory is in exile. Enter Margaret, crazed, with her dead babe in her arms.)

SCENE II.—(A chapel close near the castle. The grave of Margaret and her child marked by a cross.) Enter Hildebrand leaning on the arm of Peter

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Wilfred Campbell

Published by Good Press, 2021

.....

In outward simile in his whole life’s being,

As Christ did bear men’s sins upon the tree;

.....

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