No Thoroughfare
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Оглавление
Wilkie Collins. No Thoroughfare
THE OVERTURE
ACT I
THE CURTAIN RISES
ENTER THE HOUSEKEEPER
THE HOUSEKEEPER SPEAKS
NEW CHARACTERS ON THE SCENE
EXIT WILDING
ACT II
VENDALE MAKES LOVE
VENDALE MAKES MISCHIEF
ACT III
IN THE VALLEY
ON THE MOUNTAIN
ACT IV
THE CLOCK-LOCK
OBENREIZER’S VICTORY
THE CURTAIN FALLS
Отрывок из книги
In a court-yard in the City of London, which was No Thoroughfare either for vehicles or foot-passengers; a court-yard diverging from a steep, a slippery, and a winding street connecting Tower Street with the Middlesex shore of the Thames; stood the place of business of Wilding & Co., Wine Merchants. Probably as a jocose acknowledgment of the obstructive character of this main approach, the point nearest to its base at which one could take the river (if so inodorously minded) bore the appellation Break-Neck-Stairs. The court-yard itself had likewise been descriptively entitled in old time, Cripple Corner.
Years before the year one thousand eight hundred and sixty-one, people had left off taking boat at Break-Neck-Stairs, and watermen had ceased to ply there. The slimy little causeway had dropped into the river by a slow process of suicide, and two or three stumps of piles and a rusty iron mooring-ring were all that remained of the departed Break-Neck glories. Sometimes, indeed, a laden coal barge would bump itself into the place, and certain laborious heavers, seemingly mud-engendered, would arise, deliver the cargo in the neighbourhood, shove off, and vanish; but at most times the only commerce of Break-Neck-Stairs arose out of the conveyance of casks and bottles, both full and empty, both to and from the cellars of Wilding & Co., Wine Merchants. Even that commerce was but occasional, and through three-fourths of its rising tides the dirty indecorous drab of a river would come solitarily oozing and lapping at the rusty ring, as if it had heard of the Doge and the Adriatic, and wanted to be married to the great conserver of its filthiness, the Right Honourable the Lord Mayor.
.....
“My late dear mother, when she was five-and-twenty.”
Mrs. Goldstraw thanked him with a movement of the head for being at the pains to explain the picture, and said, with a cleared brow, that it was the portrait of a very beautiful lady.
.....