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William De Morgan
Published by Good Press, 2019
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"You have had an accident, sir. … On the railway. … In the Twopenny Tube. … Yes, you'll remember all about it presently. … Yes, I'm a doctor. … Yes, we want you to come in and sit down and rest till you're better. … No, it won't be a long job. You'll soon come round. … What? … Oh no, no trouble at all! It's this lady's house, and she wants you to come in." The speaker seems to guess at the right meanings, as one guesses in the jaws of the telephone, perhaps with more confidence. But there was but little audible articulation on the other's part.
He seemed not to want much support—chiefly guidance. He was taken down the half-dozen steps that flanked a grass slope down to a stone paving, and through a door under the more numerous steps he had escaped climbing, and into a breakfast-room flush with the kitchen, opening on a small garden at the back. There was the marriage of Queen Victoria and Prince Albert over the chimney-piece, and a tortoiseshell cat with a collar on the oilskin cover of a square table, who rose as though half resenting strange visitors; then, after stretching, decided on some haven less liable to disturbance, and went through the window to it without effort, emotion, or sound. There was a clock under a glass cover on the chimney-piece whose works you could see through, with a fascinating ratchet movement of perfect grace and punctuality. Also a vertical orange-yellow glass vase, twisted to a spiral, and full of spills. Also the leaning tower of Pisa, done small in alabaster. He could see all these things quite plainly, and but that his tongue seemed to have struck work, could have described them. But he could not make himself out, nor how and why he came to be there at all. Where ought he to have been, he asked himself? And, to his horror, he could not make that out either. Never mind. Patience was the word, clearly. Let him shut his eyes as he sat there, in the little breakfast-room, with the flies continually droning in the ceiling, and an especially large bluebottle busy in the window, who might just as easily have gone out and enjoyed the last hour of a long evening in a glorious sunshine, but who mysteriously preferred to beat himself for ever against a closed pane of glass, a self-constituted prisoner between it and a gauze blind—let him shut his eyes, and try to think out what it all meant, what it was all about.
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