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William Dean Howells
Published by Good Press, 2019
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“'But, gentlemen, I've no time to make money.'” Barker received the anecdote in absolute silence, standing helplessly with the photograph in his hand; and Sewell with a hasty sigh forbore to make the application to the ordinary American ambition to be rich that he had intended. “That's a photograph of the singer Nilsson,” he said, cataloguing the other objects on the chimney-piece. “She was a peasant, you know, a country girl in Norway. That's Grévy, the President of the French Republic; his father was a peasant. Lincoln, of course. Sforza, throwing his hoe into the oak,” he said, explaining the picture that had caught Barker's eye on the wall above the mantel. “He was working in the field, when a band of adventurers came by, and he tossed his hoe at the tree. If it fell to the ground, he would keep on hoeing; if it caught in the branches and hung there, he would follow the adventurers. It caught, and he went with the soldiers and became Duke of Milan. I like to keep the pictures of these great Originals about me,” said Sewell, “because in our time, when we refer so constantly to law, we are apt to forget that God is creative as well as operative.” He used these phrases involuntarily; they slipped from his tongue because he was in the habit of saying this about these pictures, and he made no effort to adapt them to Barker's comprehension, because he could not see that the idea would be of any use to him. He went on pointing out the different objects in the quiet room, and he took down several books from the shelves that covered the whole wall, and showed them to Barker, who, however, made no effort to look at them for himself, and did not say anything about them. He did what Sewell bade him do in admiring this thing or that; but if he had been an Indian he could not have regarded them with a greater reticence. Sewell made him sit down from time to time, but in a sitting posture Barker's silence became so deathlike that Sewell hastened to get him on his legs again, and to walk him about from one point to another, as if to keep life in him. At the end of one of these otherwise aimless excursions Mrs. Sewell appeared, and infused a gleam of hope into her husband's breast. Apparently she brought none to Barker; or perhaps he did not conceive it polite to show any sort of liveliness before a lady. He did what he could with the hand she gave him to shake, and answered the brief questions she put to him about his family to precisely the same effect as he had already reported its condition to Sewell.
“Dinner's ready now,” said Mrs. Sewell, for all comment. She left the expansiveness of sympathy and gratulation to her husband on most occasions, and on this she felt that she had less than the usual obligation to make polite conversation. Her two children came downstairs after her, and as she unfolded her napkin across her lap after grace she said, “This is my son, Alfred, Mr. Barker; and this is Edith.” Barker took the acquaintance offered in silence, the young Sewells smiled with the wise kindliness of children taught to be good to all manner of strange guests, and the girl cumbered the helpless country boy with offers of different dishes.
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