Caleb Williams; Or, Things as They Are

Caleb Williams; Or, Things as They Are
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"Caleb Williams; Or, Things as They Are" by William Godwin. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

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William Godwin. Caleb Williams; Or, Things as They Are

Caleb Williams; Or, Things as They Are

Table of Contents

DRAMATIS PERSONAE

INTRODUCTION

PREFACE

BY THE AUTHOR

AUTHOR'S LATEST PREFACE

PREFACE TO THE FIRST EDITION

VOLUME THE FIRST

CHAPTER I

CHAPTER II

CHAPTER III

CHAPTER IV

CHAPTER V

CHAPTER VI

CHAPTER VII

CHAPTER VIII

CHAPTER IX

CHAPTER X

CHAPTER XI

CHAPTER XII

VOLUME THE SECOND

CHAPTER I

CHAPTER II

CHAPTER III

CHAPTER IV

CHAPTER V

CHAPTER VI

CHAPTER VII

CHAPTER VIII

CHAPTER IX

CHAPTER X

CHAPTER XI

CHAPTER XII

CHAPTER XIII

CHAPTER XIV

VOLUME THE THIRD

CHAPTER I

CHAPTER II

CHAPTER III

CHAPTER IV

CHAPTER V

CHAPTER VI

CHAPTER VII

CHAPTER VIII

CHAPTER IX

CHAPTER X

CHAPTER XI

CHAPTER XII

CHAPTER XIII

CHAPTER XIV

CHAPTER XV

POSTSCRIPT

THE END

FOOTNOTES

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William Godwin

Published by Good Press, 2019

.....

I began my narrative, as is the more usual way, in the third person. But I speedily became dissatisfied. I then assumed the first person, making the hero of my tale his own historian; and in this mode I have persisted in all my subsequent attempts at works of fiction. It was infinitely the best adapted, at least, to my vein of delineation, where the thing in which my imagination revelled the most freely was the analysis of the private and internal operations of the mind, employing my metaphysical dissecting knife in tracing and laying bare the involutions of motive, and recording the gradually accumulating impulses which led the personages I had to describe primarily to adopt the particular way of proceeding in which they afterwards embarked.

When I had determined on the main purpose of my story, it was ever my method to get about me any productions of former authors that seemed to bear on my subject. I never entertained the fear that in this way of proceeding I should be in danger of servilely copying my predecessors. I imagined that I had a vein of thinking that was properly my own, which would always preserve me from plagiarism. I read other authors, that I might see what they had done, or, more properly, that I might forcibly hold my mind and occupy my thoughts in a particular train, I and my predecessors travelling in some sense to the same goal, at the same time that I struck out a path of my own, without ultimately heeding the direction they pursued, and disdaining to inquire whether by any chance it for a few steps coincided or did not coincide with mine.

.....

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