Shakspere & Typography

Shakspere & Typography
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William Blades. Shakspere & Typography

The INTRODUCTION

The PREFACE

I. SHAKSPERE IN THE PRINTING OFFICE

II. THE TECHNICALITIES OF PRINTING, AS USED BY SHAKSPERE

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The First Chapter of this Tractate is designed to show, in a succinct manner, the numerous and contradictory theories concerning Shakspere’s special knowledge, the evidence for which has been created by ‘selecting’ certain words and phrases from the mass of his writings.

The Second and Third Chapters, erected on a similar basis of ‘selection’, are intended to prove that Shakspere had an intimate and special knowledge of Typography.

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The Sonnets, although not printed until 1609, are generally acknowledged to be among Shakspere’s earliest efforts, and we cannot help imagining that Sonnet XXIV was written while in the employment of Vautrollier; or at any rate, while the shop, hung round with prints, was fresh in the Poet’s memory. May be some of their warmth was inspired by the charms of the buxom widow herself who was apostrophised by the Poet when wishing her

At any rate, we have here in three lines as many metaphors, and all derived from just such employment as we suppose Shakspere at that time to have been engaged in.

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