The Story Within - Myth and Fairy Tale in Therapy
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Yehudit Silverman. The Story Within - Myth and Fairy Tale in Therapy
Contents
Foreword
Reference
Author’s Note
The Story Within—Myth and Fairy Tale in Therapy © 2004
CHAPTER 1. Introduction
Finding Meaning
Stories
The Story Within Approach
About This Book
Creativity
CHAPTER 2. Creative Arts Therapies, Creative Projection, and. Aesthetic Distance
Creative Projection
Aesthetic Distance
CHAPTER 3. Creative DNA and. Perception Differences
Each Person’s Unique Way of Experiencing the World
Perceptions
Visual
Auditory
Tactile
Kinesthetic
Emotional
Conceptual
Smell
Taste
Working with Clients — Perceptions
Creative DNA. Focal Lens. CLOSE UP
DISTANT FOCUS
Time Factor. Quick/Immediate/Spontaneous
Slow/Gradual/Thought Out
Product/Process. Product as Most Important
Process as Most Important
Internal/External. Internally Focussed
Externally Focussed
Emergent/Structured. Emergent
Structured
Working with Clients — Creative DNA
Questionnaire for Finding Your Perception Preferences
CHAPTER 4. Stages of Creative Process
1. Preparation
The Studio
Supplies
Schedule
Circle of Support
2. Immersion
3. Incubation
4. Illumination
5. Verification
Stages of the Creative Process as a Therapeutic Frame
1. Preparation. CLIENTS
THERAPIST
2. Immersion. CLIENTS
THERAPIST
3. Incubation. CLIENTS
THERAPIST
4. Illumination. CLIENTS
THERAPIST
5. Verification. CLIENTS
THERAPIST
CHAPTER 5. Therapeutic Frame
Compassion, Empathy, Imperfection
Question
Comfort and Ability to Work with Story, Myth, and Metaphor
Question
Comfort with No Interpretation, No Agenda, Entering the Unknown
Question
Comfort with the Creative Process
Art-to-Art Response
Question
The Power of Being a Witness and Containment
Question
Safety First
Question
Open Attention and Direct Intention
Question
CHAPTER 6. Elements in Myths, Fairy. Tales, and Traditional Stories
The 12 Stages of the Hero’s Journey, Based on Campbell (2008) and Vogel (2007) 1. Ordinary World. STORY
THE STORY WITHIN PROCESS
2. Call to Adventure. STORY
THE STORY WITHIN PROCESS
3. Refusal of the Call. STORY
THE STORY WITHIN PROCESS
4. Meeting with the Mentor, Supernatural Aid, Magical Allies. STORY
THE STORY WITHIN PROCESS
5. Crossing the First Threshold. STORY
THE STORY WITHIN PROCESS
6. Trials and Tribulations. STORY
THE STORY WITHIN PROCESS
7. Approaching the Inmost Cave. STORY
THE STORY WITHIN PROCESS
8. Ordeal. STORY
THE STORY WITHIN PROCESS
9. Revelation, Transformation. STORY
THE STORY WITHIN PROCESS
10. The Road Back. STORY
THE STORY WITHIN PROCESS
11. Death and Resurrection. STORY
THE STORY WITHIN PROCESS
12. Return with Elixir. STORY
THE STORY WITHIN PROCESS
Key Archetypal Themes, Based on da Silva (2017) and Others
Resurrection
Miraculous Birth and Dangers from the Environment
Childhood: Fighting Monsters and Meeting the Divine
Meditation, Withdrawal, Reflection
Quest
Descent
Trickster/Shapeshifter
CHAPTER 7. How to Go Through. the Steps
Circle of Support
Circle of Support Guidelines
Supplies
Art
Music
Drama/Dance
Writing
The Studio
Not Knowing
Ritual for Entering and Exiting the Process
Objects and Documentation
Attitude
CHAPTER 8. Encounter
Stages of Encounter (According to Rollo May 1994)
Relationship to Creativity
Working with Clients
Things to Watch Out For
Homework
My Process (using three golden goblets and a red scarf draped over a stool)
CHAPTER 9. Chaos and Order
Working with Clients
Things to Watch Out For
Homework
My Process. Chaos
Order
CHAPTER 10. Finding and Telling the Story
Finding the Story
The Process for Finding Your Story
Telling the Story
Working with Clients
Things to Watch Out For
My Process
Finding the Story
La Loba Sings the Bones
CHAPTER 11. Making a Mask
Working with Clients
Things to Watch Out For
My Process
CHAPTER 12. Placing and Embodying. the Mask
Working with Clients
Things to Watch Out For
Homework
My Process. Placement of My Mask
Embodiment
CHAPTER 13. Finding the Moment
Working with Clients
Things to Watch Out For
My Moment
CHAPTER 14. Soundscape
Working with Clients
Things to Watch Out For
Homework
My Process
CHAPTER 15. Environment
Life-Size Environment: Questions for Reflection
Small-Size Environment: Questions for Reflection
Working with Clients
Things to Watch Out For
My Process. Life-Size Environment Exercise
Small-Size Environment Exercise. TITLE: COMING ALIVE
CHAPTER 16. Directing Someone Else
Finding the Movements, Sounds, and Words
Working with Clients
Things to Watch Out For
My Process. Finding the Character’s Movements, Sounds, and Words Exercise
Directing Someone Else Exercise
My Reaction
CHAPTER 17. Obstacle and Helper
Working with Clients
Obstacle
Helper
Things to Watch Out For
My Process. Obstacle
Helper
My Response to Finding the Obstacle and Helper
Obstacle and Helper Scene Embodied
Feedback from Person Playing the Obstacle
Feedback from Person Playing the Helper
CHAPTER 18. The Edge
Working with Clients
Things to Watch Out For
My Process. The Edge Creation
Embodiment. AS CHARACTER
AS MYSELF
CHAPTER 19. Final Presentation/Ritual. My Process
Responses from My Circle of Support
Student Final Presentations/Rituals
For the Therapist—Some Things to Reflect On
CHAPTER 20. Afterwards
Part III. ALUMNI. WRITINGS
Longer Reflections
Part IV. ADDITIONAL. RESOURCES
The Story Within. Film
Publications
Work Around the Issue of Suicide. Film
Publications
Seeds of Hope Project
Creative Arts Therapies Organizations
Australia
Canada
UK
US
References
Subject Index
Author Index
Acknowledgments