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FEBRUARY


FEBRUARY 1

Not Good Enough

WHY, IT’S ONLY A GIRL!” [Shasta] exclaimed.

“And what business is it of yours if I am only a girl?” snapped the stranger [Aravis]. “You’re probably only a boy: a rude, common little boy – a slave probably, who’s stolen his master’s horse.”

“That’s all you know,” said Shasta. . . .

“Look here,” said the girl. “I don’t mind going with you, Mr War Horse, but what about this boy? How do I know he’s not a spy?”

“Why don’t you say at once that you think I’m not good enough for you?” said Shasta.

“Be quiet, Shasta,” said Bree. “The Tarkheena’s question is quite reasonable. I’ll vouch for the boy, Tarkheena. He’s been true to me and a good friend. And he’s certainly either a Narnian or an Archenlander.”

“All right, then. Let’s go together.” But she didn’t say anything to Shasta and it was obvious that she wanted Bree, not him.

“Splendid!” said Bree. . . .

Both the children unsaddled their horses and the horses had a little grass and Aravis produced rather nice things to eat from her saddle-bag. But Shasta sulked and said, No thanks, and that he wasn’t hungry. And he tried to put on what he thought very grand and stiff manners, but as a fisherman’s hut is not usually a good place for learning grand manners, the result was dreadful. And he half knew that it wasn’t a success and then became sulkier and more awkward than ever.

– The Horse and His Boy

What do Shasta and Aravis each do to make their first encounter less than ideal? Have you ever had to repair matters after a bad first encounter?

FEBRUARY 2

Good but Not Safe

YOU’LL UNDERSTAND when you see him.”

“But shall we see him?” asked Susan.

“Why, Daughter of Eve, that’s what I brought you here for. I’m to lead you where you shall meet him,” said Mr Beaver.

“Is – is he a man?” asked Lucy.

“Aslan a man!” said Mr Beaver sternly. “Certainly not. I tell you he is the King of the wood and the son of the great Emperor-beyond-the-Sea. Don’t you know who is the King of Beasts? Aslan is a lion – the Lion, the great Lion.”

“Ooh!” said Susan, “I’d thought he was a man. Is he – quite safe? I shall feel rather nervous about meeting a lion.”

“That you will, dearie, and no mistake,” said Mrs Beaver; “if there’s anyone who can appear before Aslan without their knees knocking, they’re either braver than most or else just silly.”

“Then he isn’t safe?” said Lucy.

“Safe?” said Mr Beaver; “don’t you hear what Mrs Beaver tells you? Who said anything about safe? ’Course he isn’t safe. But he’s good. He’s the King, I tell you.”

– The Lion, the Witch and the Wardrobe

What does it mean for someone to be good but not safe? Why do we value safety so much in our society? How can an overemphasis on safety cause us to miss what is good?

FEBRUARY 3

A Star at Rest

AND ARE WE NEAR the World’s End now, Sir?” asked Caspian. “Have you any knowledge of the seas and lands further east than this?”

“I saw them long ago,” said the Old Man, “but it was from a great height. I cannot tell you such things as sailors need to know.”

“Do you mean you were flying in the air?” Eustace blurted out.

“I was a long way above the air, my son,” replied the Old Man. “I am Ramandu. But I see that you stare at one another and have not heard this name. And no wonder, for the days when I was a star had ceased long before any of you knew this world, and all the constellations have changed.”

“Golly,” said Edmund under his breath. “He’s a retired star.”

“Aren’t you a star any longer?” asked Lucy.

“I am a star at rest, my daughter,” answered Ramandu. “When I set for the last time, decrepit and old beyond all that you can reckon, I was carried to this island. I am not so old now as I was then. Every morning a bird brings me a fire-berry from the valleys in the Sun, and each fire-berry takes away a little of my age. And when I have become as young as the child that was born yesterday, then I shall take my rising again (for we are at earth’s eastern rim) and once more tread the great dance.”

“In our world,” said Eustace, “a star is a huge ball of flaming gas.”

“Even in your world, my son, that is not what a star is but only what it is made of.”

– The Voyage of the Dawn Treader

What is the distinction between what something is and what it is made of? In what ways do we often mix these two?

FEBRUARY 4

Puzzle and Shift

IN THE LAST DAYS OF NARNIA, far up to the west beyond Lantern Waste and close beside the great waterfall, there lived an Ape. He was so old that no one could remember when he had first come to live in those parts, and he was the cleverest, ugliest, most wrinkled Ape you can imagine. He had a little house, built of wood and thatched with leaves, up in the fork of a great tree, and his name was Shift. There were very few Talking Beasts or Men or Dwarfs, or people of any sort, in that part of the wood, but Shift had one friend and neighbour who was a donkey called Puzzle. At least they both said they were friends, but from the way things went on you might have thought Puzzle was more like Shift’s servant than his friend. He did all the work. When they went together to the river, Shift filled the big skin bottles with water but it was Puzzle who carried them back. When they wanted anything from the towns farther down the river it was Puzzle who went down with empty panniers on his back and came back with the panniers full and heavy. And all the nicest things that Puzzle brought back were eaten by Shift; for as Shift said, “You see, Puzzle, I can’t eat grass and thistles like you, so it’s only fair I should make it up in other ways.” And Puzzle always said, “Of course, Shift, of course. I see that.” Puzzle never complained, because he knew that Shift was far cleverer than himself and he thought it was very kind of Shift to be friends with him at all. And if ever Puzzle did try to argue about anything, Shift would always say, “Now, Puzzle, I understand what needs to be done better than you. You know you’re not clever, Puzzle.” And Puzzle always said, “No, Shift. It’s quite true. I’m not clever.” Then he would sigh and do whatever Shift had said.

– The Last Battle

How does Shift treat Puzzle and how does Puzzle respond? Have you ever played Shift’s or Puzzle’s role in a relationship?

FEBRUARY 5

Your Majesty’s Tender Years

CASPIAN [SAID], “I want to know why you have permitted this abominable and unnatural traffic in slaves to grow up here, contrary to the ancient custom and usage of our dominions.”

“Necessary, unavoidable,” said his Sufficiency. “An essential part of the economic development of the islands, I assure you. Our present burst of prosperity depends on it.”

“What need have you of slaves?”

“For export, your Majesty. Sell ’em to Calormen mostly; and we have other markets. We are a great centre of the trade.”

“In other words,” said Caspian, “you don’t need them. Tell me what purpose they serve except to put money into the pockets of such as Pug?”

“Your Majesty’s tender years,” said Gumpas, with what was meant to be a fatherly smile, “hardly make it possible that you should understand the economic problem involved. I have statistics, I have graphs, I have—”

“Tender as my years may be,” said Caspian, “I believe I understand the slave trade from within quite as well as your Sufficiency. And I do not see that it brings into the islands meat or bread or beer or wine or timber or cabbages or books or instruments of music or horses or armour or anything else worth having. But whether it does or not, it must be stopped.”

“But that would be putting the clock back,” gasped the governor. “Have you no idea of progress, of development?”

“I have seen them both in an egg,” said Caspian. “We call it ‘Going Bad’ in Narnia. This trade must stop.”

– The Voyage of the Dawn Treader

What is Caspian’s argument against the economic profit and prosperity of slavery? How do money and profit obscure morality in our world?

FEBRUARY 6

Narnia, Awake!

AND NOW, FOR THE FIRST TIME, the Lion was quite silent. He was going to and fro among the animals. And every now and then he would go up to two of them (always two at a time) and touch their noses with his. He would touch two beavers among all the beavers, two leopards among all the leopards, one stag and one deer among all the deer, and leave the rest. . . . [T]he creatures whom he had touched came and stood in a wide circle around him. . . .

The Lion, whose eyes never blinked, stared at the animals as hard as if he was going to burn them up with his mere stare. And gradually a change came over them. The smaller ones – the rabbits, moles, and such-like – grew a good deal larger. The very big ones – you noticed it most with the elephants – grew a little smaller. Many animals sat up on their hind legs. Most put their heads on one side as if they were trying very hard to understand. The Lion opened his mouth, but no sound came from it; he was breathing out, a long, warm breath; it seemed to sway all the beasts as the wind sways a line of trees. Far overhead from beyond the veil of blue sky which hid them the stars sang again; a pure, cold, difficult music. Then there came a swift flash like fire (but it burnt nobody) either from the sky or from the Lion itself, and every drop of blood tingled in the children’s bodies, and the deepest, wildest voice they had ever heard was saying:

“Narnia, Narnia, Narnia, awake. Love. Think. Speak. Be walking trees. Be talking beasts. Be divine waters.”

– The Magician’s Nephew

As Aslan calls the animals to “awake”, what three things does he command them to do? Why is this ordering significant? How would you measure yourself by these three commands?

FEBRUARY 7

Adam’s Flesh and Adam’s Bone

“When Adam’s flesh and Adam’s bone

Sits at Cair Paravel in throne,

The evil time will be over and done.

“So things must be drawing near their end now [Aslan’s] come and you’ve come[, said Mr Beaver]. We’ve heard of Aslan coming into these parts before – long ago, nobody can say when. But there’s never been any of your race here before.”

“That’s what I don’t understand, Mr Beaver,” said Peter, “I mean isn’t the Witch herself human?”

“She’d like us to believe it,” said Mr Beaver, “and it’s on that that she bases her claim to be Queen. But she’s no Daughter of Eve. She comes of your father Adam’s” – (here Mr Beaver bowed) “your father Adam’s first wife, her they called Lilith. And she was one of the Jinn. That’s what she comes from on one side. And on the other she comes of the giants. No, no, there isn’t a drop of real human blood in the Witch.”

“That’s why she’s bad all through, Mr Beaver,” said Mrs Beaver.

“True enough, Mrs Beaver,” replied he, “there may be two views about humans (meaning no offence to the present company). But there’s no two views about things that look like humans and aren’t.”

“I’ve known good Dwarfs,” said Mrs Beaver.

“So’ve I, now you come to speak of it,” said her husband, “but precious few, and they were the ones least like men. But in general, take my advice, when you meet anything that’s going to be human and isn’t yet, or used to be human once and isn’t now, or ought to be human and isn’t, you keep your eyes on it and feel for your hatchet.”

– The Lion, the Witch and the Wardrobe

How could Mr Beaver’s advice about watching out for anything that used to be human or ought to be human be applicable to our world?

FEBRUARY 8

Do Not Destroy Yourself

[ARAVIS SAID,] “NOW it came to pass that my father’s wife, my stepmother, hated me, and the sun appeared dark in her eyes as long as I lived in my father’s house. And so she persuaded my father to promise me in marriage to Ahoshta Tarkaan. Now this Ahoshta is of base birth, though in these latter years he has won the favour of the Tisroc (may he live forever) by flattery and evil counsels, and is now made a Tarkaan and the lord of many cities and is likely to be chosen as the Grand Vizier when the present Grand Vizier dies. Moreover he is at least sixty years old and has a hump on his back and his face resembles that of an ape. Nevertheless my father, because of the wealth and power of this Ahoshta, and being persuaded by his wife, sent messengers offering me in marriage, and the offer was favourably accepted and Ahoshta sent word that he would marry me this very year at the time of high summer.

“When this news was brought to me the sun appeared dark in my eyes and I laid myself on my bed and wept for a day. But on the second day I rose up and washed my face and caused my mare Hwin to be saddled and took with me a sharp dagger which my brother had carried in the western wars and rode out alone. And when my father’s house was out of sight and I was come to a green open place in a certain wood where there were no dwellings of men, I dismounted from Hwin my mare and took out the dagger. Then I parted my clothes where I thought the readiest way lay to my heart and I prayed to all the gods that as soon as I was dead I might find myself with my brother. After that I shut my eyes and my teeth and prepared to drive the dagger into my heart. But before I had done so, this mare spoke with the voice of one of the daughters of men and said, ‘O my mistress, do not by any means destroy yourself, for if you live you may yet have good fortune but all the dead are dead alike.’”

– The Horse and His Boy

Would you find the mare’s words persuasive? What keeps you going on the days when the sun appears dark in your eyes?

FEBRUARY 9

Preparation

HULLO! WHAT’S THIS?” said Edmund suddenly.

In the green valley to which they were descending, six or seven rough-looking men, all armed, were sitting by a tree.

“Don’t tell them who we are,” said Caspian.

“And pray, your Majesty, why not?” said Reepicheep, who had consented to ride on Lucy’s shoulder.

“It just occurred to me,” replied Caspian, “that no one here can have heard from Narnia for a long time. It’s just possible they may not still acknowledge our over-lordship. In which case it might not be quite safe to be known as the King.”

“We have our swords, Sire,” said Reepicheep.

“Yes, Reep, I know we have,” said Caspian. “But if it is a question of re-conquering the three islands, I’d prefer to come back with a rather larger army.”

– The Voyage of the Dawn Treader

How does one balance a call to be brave with the wisdom of caution?

FEBRUARY 10

The Worst Faun

[MR TUMNUS THE FAUN] took out from its case on the dresser a strange little flute that looked as if it were made of straw and began to play. And the tune he played made Lucy want to cry and laugh and dance and go to sleep all at the same time. It must have been hours later when she shook herself and said:

“Oh, Mr Tumnus – I’m so sorry to stop you, and I do love that tune – but really, I must go home. I only meant to stay for a few minutes.”

“It’s no good now, you know,” said the Faun, laying down its flute and shaking its head at her very sorrowfully.

“No good?” said Lucy, jumping up and feeling rather frightened. “What do you mean? I’ve got to go home at once. The others will be wondering what has happened to me.” But a moment later she asked, “Mr Tumnus! Whatever is the matter?” for the Faun’s brown eyes had filled with tears and then the tears began trickling down its cheeks, and soon they were running off the end of its nose; and at last it covered its face with its hands and began to howl.

“Mr Tumnus! Mr Tumnus!” said Lucy in great distress. “Don’t! Don’t! What is the matter? Aren’t you well? Dear Mr Tumnus, do tell me what is wrong.” But the Faun continued sobbing as if its heart would break. And even when Lucy went over and put her arms round him and lent him her handkerchief, he did not stop. He merely took the handkerchief and kept on using it, wringing it out with both hands whenever it got too wet to be any more use, so that presently Lucy was standing in a damp patch.

“Mr Tumnus!” bawled Lucy in his ear, shaking him. “Do stop. Stop it at once! You ought to be ashamed of yourself, a great big Faun like you. What on earth are you crying about?”

“Oh – oh – oh!” sobbed Mr Tumnus. “I’m crying because I’m such a bad Faun.”

“I don’t think you’re a bad Faun at all,” said Lucy. “I think you are a very good Faun. You are the nicest Faun I’ve ever met.”

“Oh – oh – you wouldn’t say that if you knew,” replied Mr Tumnus between his sobs. “No, I’m a bad Faun. I don’t suppose there ever was a worse Faun since the beginning of the world.”

“But what have you done?” asked Lucy.

“My old father, now,” said Mr Tumnus; “that’s his picture over the mantelpiece. He would never have done a thing like this.”

“A thing like what?” said Lucy.

“Like what I’ve done,” said the Faun. “Taken service under the White Witch. That’s what I am. I’m in the pay of the White Witch.”

“The White Witch? Who is she?”

“Why, it is she that has got all Narnia under her thumb. It’s she that makes it always winter. Always winter and never Christmas; think of that!”

“How awful!” said Lucy. “But what does she pay you for?”

“That’s the worst of it,” said Mr Tumnus with a deep groan. “I’m a kidnapper for her, that’s what I am. Look at me, Daughter of Eve. Would you believe that I’m the sort of Faun to meet a poor innocent child in the wood, one that had never done me any harm, and pretend to be friendly with it, and invite it home to my cave, all for the sake of lulling it asleep and then handing it over to the White Witch?”

“No,” said Lucy. “I’m sure you wouldn’t do anything of the sort.”

“But I have,” said the Faun.

“Well,” said Lucy rather slowly (for she wanted to be truthful and yet not be too hard on him), “well, that was pretty bad. But you’re so sorry for it that I’m sure you will never do it again.”

“Daughter of Eve, don’t you understand?” said the Faun. “It isn’t something I have done. I’m doing it now, this very moment.”

– The Lion, the Witch and the Wardrobe

Why do you think the Faun confesses to Lucy? When has your conscience prevented you from doing something you fully intended to do?

FEBRUARY 11

A Disagreeable Condition

HWIN SAID it looked to her as if the safest thing was to go right through the city itself from gate to gate because one was less likely to be noticed in the crowd. But she approved of the idea of disguise as well. She said, “Both the humans will have to dress in rags and look like peasants or slaves. And all Aravis’s armour and our saddles and things must be made into bundles and put on our backs, and the children must pretend to drive us and people will think we’re only pack-horses.”

“My dear Hwin!” said Aravis rather scornfully. “As if anyone could mistake Bree for anything but a war horse however you disguised him!”

“I should think not, indeed,” said Bree, snorting and letting his ears go ever so little back.

“I know it’s not a very good plan,” said Hwin. “But I think it’s our only chance. And we haven’t been groomed for ages and we’re not looking quite ourselves (at least, I’m sure I’m not). I do think if we get well plastered with mud and go along with our heads down as if we’re tired and lazy – and don’t lift our hoofs hardly at all – we might not be noticed. And our tails ought to be cut shorter: not neatly, you know, but all ragged.”

“My dear Madam,” said Bree. “Have you pictured to yourself how very disagreeable it would be to arrive in Narnia in that condition?”

“Well,” said Hwin humbly (she was a very sensible mare), “the main thing is to get there.”

– The Horse and His Boy

What is at the heart of Bree’s reluctance to accept Hwin’s plan? How do such feelings block out common sense? How do you allow similar feelings to get in your way?

FEBRUARY 12

Always a Way Through

DO NOT FLY TOO HIGH,” said Aslan. “Do not try to go over the tops of the great ice-mountains. Look out for the valleys, the green places, and fly through them. There will always be a way through. And now, begone with my blessing.”

– The Magician’s Nephew

Do you believe, as Aslan asserts, that there is always a way through? How have you seen this to be true in your own life?

FEBRUARY 13

The Solitary Journey

IF YOU GO BACK to the others now, and wake them up; and tell them you have seen me again; and that you must all get up at once and follow me – what will happen? There is only one way of finding out.”

“Do you mean that is what you want me to do?” gasped Lucy.

“Yes, little one,” said Aslan.

“Will the others see you too?” asked Lucy.

“Certainly not at first,” said Aslan. “Later on, it depends.”

“But they won’t believe me!” said Lucy.

“It doesn’t matter,” said Aslan. . . .

Lucy buried her head in his mane to hide from his face. But there must have been magic in his mane. She could feel lion-strength going into her. Quite suddenly she sat up.

“I’m sorry, Aslan,” she said. “I’m ready now.”

“Now you are a lioness,” said Aslan. “And now all Narnia will be renewed. But come. We have no time to lose.”

He got up and walked with stately, noiseless paces back to the belt of dancing trees through which she had just come: and Lucy went with him, laying a rather tremulous hand on his mane. . . .

“Now, child,” said Aslan, when they had left the trees behind them, “I will wait here. Go and wake the others and tell them to follow. If they will not, then you at least must follow me alone.”

– Prince Caspian

Why doesn’t Aslan care whether Lucy’s siblings believe her? Have you ever felt like you had to move forward on your own, without the support of others?

FEBRUARY 14

The Slave Dealer and Reepicheep

THEN THE FOUR HUMAN PRISONERS were roped together, not cruelly but securely, and made to march down to the shore. Reepicheep was carried. He had stopped biting on a threat of having his mouth tied up, but he had a great deal to say, and Lucy really wondered how any man could bear to have the things said to him which were said to the slave dealer by the Mouse. But the slave dealer, far from objecting, only said “Go on” whenever Reepicheep paused for breath, occasionally adding, “It’s as good as a play,” or, “Blimey, you can’t help almost thinking it knows what it’s saying!” or, “Was it one of you what trained it?” This so infuriated Reepicheep that in the end the number of things he thought of saying all at once nearly suffocated him and he became silent.

– The Voyage of the Dawn Treader

Is Reepicheep brave or foolish to speak so boldly to the slave dealer? What is it about the dealer’s response that infuriates Reepicheep so much? When have you been so angry that you were at a loss for words?

FEBRUARY 15

The Two Lords Plot

AN HOUR LATER two great lords in the army of Miraz, the Lord Glozelle and the Lord Sopespian, strolling along their lines and picking their teeth after breakfast, looked up and saw coming down to them from the wood the Centaur and Giant Wimbleweather, whom they had seen before in battle, and between them a figure they could not recognize. Nor indeed would the other boys at Edmund’s school have recognized him if they could have seen him at that moment. For Aslan had breathed on him at their meeting and a kind of greatness hung about him.

“What’s to do?” said the Lord Glozelle. “An attack?”

“A parley, rather,” said Sopespian. “See, they carry green branches. They are coming to surrender most likely.”

“He that is walking between the Centaur and the Giant has no look of surrender in his face,” said Glozelle. “Who can he be? It is not the boy Caspian.”

“No indeed,” said Sopespian. “This is a fell warrior, I warrant you, wherever the rebels have got him from. He is (in your Lordship’s private ear) a kinglier man than ever Miraz was. And what mail he wears! None of our smiths can make the like.”

“I’ll wager my dappled Pomely he brings a challenge, not a surrender,” said Glozelle.

“How then?” said Sopespian. “We hold the enemy in our fist here. Miraz would never be so hare-brained as to throw away his advantage on a combat.”

“He might be brought to it,” said Glozelle in a much lower voice.

“Softly,” said Sopespian. “Step a little aside here out of earshot of those sentries. Now. Have I taken your Lordship’s meaning aright?”

“If the King undertook wager of battle,” whispered Glozelle, “why, either he would kill or be killed.”

“So,” said Sopespian, nodding his head.

“And if he killed we should have won this war.”

“Certainly. And if not?”

“Why, if not, we should be as able to win it without the King’s grace as with him. For I need not tell your Lordship that Miraz is no very great captain. And after that, we should be both victorious and kingless.”

“And it is your meaning, my Lord, that you and I could hold this land quite as conveniently without a King as with one?”

Glozelle’s face grew ugly. “Not forgetting,” said he, “that it was we who first put him on the throne. And in all the years that he has enjoyed it, what fruits have come our way? What gratitude has he shown us?”

“Say no more,” answered Sopespian.

– Prince Caspian

Why do the two lords feel the way they do towards King Miraz? When is it appropriate to break loyalty with a King or ruler and when is it betrayal?

FEBRUARY 16

The Two Lords Goad Miraz

AS TOUCHING THE CHALLENGE,” [said Miraz,] “I suppose there is only one opinion between us?”

“I suppose so, indeed, Sire,” said Glozelle.

“And what is that?” asked the King.

“Most infallibly to refuse it,” said Glozelle. “For though I have never been called a coward, I must plainly say that to meet that young man in battle is more than my heart would serve me for. And if (as is likely) his brother, the High King, is more dangerous than he – why, on your life, my Lord King, have nothing to do with him.”

“Plague on you!” cried Miraz. “It was not that sort of counsel I wanted. Do you think I am asking you if I should be afraid to meet this Peter (if there is such a man)? Do you think I fear him? I wanted your counsel of the policy of the matter; whether we, having the advantage, should hazard it on a wager of battle.”

“To which I can only answer, your Majesty,” said Glozelle, “that for all reasons the challenge should be refused. There is death in the strange knight’s face.”

“There you are again!” said Miraz, now thoroughly angry. “Are you trying to make it appear that I am as great a coward as your Lordship?”

“Your Majesty may say your pleasure,” said Glozelle sulkily.

“You talk like an old woman, Glozelle,” said the King. “What say you, my Lord Sopespian?”

“Do not touch it, Sire,” was the reply. “And what your Majesty says of the policy of the thing comes in very happily. It gives your Majesty excellent grounds for a refusal without any cause for questioning your Majesty’s honour or courage.”

“Great Heaven!” exclaimed Miraz, jumping to his feet. “Are you also bewitched today? Do you think I am looking for grounds to refuse it? You might as well call me coward to my face.”

The conversation was going exactly as the two lords wished, so they said nothing.

“I see what it is,” said Miraz, after staring at them as if his eyes would start out of his head, “you are as lily-livered as hares yourselves and have the effrontery to imagine my heart after the likeness of yours! Grounds for a refusal, indeed! Excuses for not fighting! Are you soldiers? Are you Telmarines? Are you men? And if I do refuse it (as all good reasons of captaincy and martial policy urge me to do) you will think, and teach others to think, I was afraid. Is it not so?”

“No man of your Majesty’s age,” said Glozelle, “would be called coward by any wise soldier for refusing the combat with a great warrior in the flower of his youth.”

“So I’m to be a dotard with one foot in the grave, as well as a dastard,” roared Miraz. “I’ll tell you what it is, my Lords. With your womanish counsels (ever shying from the true point, which is one of policy) you have done the very opposite of your intent. I had meant to refuse it. But I’ll accept it. Do you hear, accept it! I’ll not be shamed because some witchcraft or treason has frozen both your bloods.”

– Prince Caspian

What tactics do the two lords use to convince Miraz to accept Peter’s challenge of a single, person-to-person combat? When have you allowed yourself to be convinced by peer pressure to do something you might otherwise not have done?

FEBRUARY 17

Approaching Aslan

ASLAN STOOD IN THE CENTRE of a crowd of creatures who had grouped themselves round him in the shape of a half-moon. There were Tree-Women there and Well-Women (Dryads and Naiads as they used to be called in our world) who had stringed instruments; it was they who had made the music. There were four great centaurs. The horse part of them was like huge English farm horses, and the man part was like stern but beautiful giants. There was also a unicorn, and a bull with the head of a man, and a pelican, and an eagle, and a great Dog. And next to Aslan stood two leopards of whom one carried his crown and the other his standard.

But as for Aslan himself, the Beavers and the children didn’t know what to do or say when they saw him. People who have not been in Narnia sometimes think that a thing cannot be good and terrible at the same time. If the children had ever thought so, they were cured of it now. For when they tried to look at Aslan’s face they just caught a glimpse of the golden mane and the great, royal, solemn, overwhelming eyes; and then they found they couldn’t look at him and went all trembly.

“Go on,” whispered Mr Beaver.

“No,” whispered Peter, “you first.”

“No, Sons of Adam before animals,” whispered Mr Beaver back again.

“Susan,” whispered Peter, “what about you? Ladies first.”

“No, you’re the eldest,” whispered Susan. And of course the longer they went on doing this the more awkward they felt. Then at last Peter realized that it was up to him. He drew his sword and raised it to the salute and hastily saying to the others “Come on. Pull yourselves together,” he advanced to the Lion and said:

“We have come – Aslan.”

– The Lion, the Witch and the Wardrobe

Why is it so hard for them to approach Aslan? Who or what in your life has required a great deal of courage for you to face?

FEBRUARY 18

Not Your Horse

ALL RIGHT THEN,” said Aravis. “You’ve guessed it. Hwin and I are running away. We are trying to get to Narnia. And now, what about it?”

“Why, in that case, what is to prevent us all going together?” said Bree. “I trust, Madam Hwin, you will accept such assistance and protection as I may be able to give you on the journey?”

“Why do you keep talking to my horse instead of to me?” asked the girl.

“Excuse me, Tarkheena,” said Bree (with just the slightest backward tilt of his ears), “but that’s Calormene talk. We’re free Narnians, Hwin and I, and I suppose, if you’re running away to Narnia, you want to be one too. In that case Hwin isn’t your horse any longer. One might just as well say you’re her human.”

The girl opened her mouth to speak and then stopped. Obviously she had not quite seen it in that light before.

– The Horse and His Boy

How do you think Aravis feels to hear the radical Narnian view of horse ownership? Have you ever felt possessive of another person as she felt about her horse, Hwin? If so, what can you do to view him or her more as a free person and less as yours?

FEBRUARY 19

We Simply Must Try

[MR TUMNUS’S] door had been wrenched off its hinges and broken to bits. Inside, the cave was dark and cold and had the damp feel and smell of a place that had not been lived in for several days. Snow had drifted in from the doorway and was heaped on the floor, mixed with something black, which turned out to be the charred sticks and ashes from the fire. Someone had apparently flung it about the room and then stamped it out. The crockery lay smashed on the floor and the picture of the Faun’s father had been slashed into shreds with a knife.

“This is a pretty good washout,” said Edmund; “not much good coming here.”

“What is this?” said Peter, stooping down. He had just noticed a piece of paper which had been nailed through the carpet to the floor.

“Is there anything written on it?” asked Susan.

“Yes, I think there is,” answered Peter, “but I can’t read it in this light. Let’s get out into the open air.”

They all went out in the daylight and crowded round Peter as he read out the following words:

The former occupant of these premises, the Faun Tumnus, is under arrest and awaiting his trial on a charge of High Treason against her Imperial Majesty Jadis, Queen of Narnia, Chatelaine of Cair Paravel, Empress of the Lone Islands, etc., also of comforting her said Majesty’s enemies, harboring spies and fraternizing with Humans.

signed MAUGRIM, Captain of the Secret Police,

LONG LIVE THE QUEEN!

The children stared at each other.

“I don’t know that I’m going to like this place after all,” said Susan.

“Who is this Queen, Lu?” said Peter. “Do you know anything about her?”

“She isn’t a real queen at all,” answered Lucy; “she’s a horrible witch, the White Witch. Everyone – all the wood people – hate her. She has made an enchantment over the whole country so that it is always winter here and never Christmas.”

“I – I wonder if there’s any point in going on,” said Susan. “I mean, it doesn’t seem particularly safe here and it looks as if it won’t be much fun either. And it’s getting colder every minute, and we’ve brought nothing to eat. What about just going home?”

“Oh, but we can’t, we can’t,” said Lucy suddenly; “don’t you see? We can’t just go home, not after this. It is all on my account that the poor Faun has got into this trouble. He hid me from the Witch and showed me the way back. That’s what it means by comforting the Queen’s enemies and fraternizing with Humans. We simply must try to rescue him.”

– The Lion, the Witch and the Wardrobe

Why does Lucy feel that they must try to rescue Mr Tumnus? What would you do in her situation? How should we balance loyalty with a concern for our own safety?

FEBRUARY 20

Eustace Clarence Scrubb

THERE WAS A BOY CALLED Eustace Clarence Scrubb, and he almost deserved it. His parents called him Eustace Clarence and masters called him Scrubb. I can’t tell you how his friends spoke to him, for he had none. He didn’t call his father and mother “Father” and “Mother”, but Harold and Alberta. They were very up-to-date and advanced people. They were vegetarians, non-smokers and teetotallers and wore a special kind of underclothes. In their house there was very little furniture and very few clothes on beds and the windows were always open.

Eustace Clarence liked animals, especially beetles, if they were dead and pinned on a card. He liked books if they were books of information and had pictures of grain elevators or of fat foreign children doing exercises in model schools.

Eustace Clarence disliked his cousins, the four Pevensies, Peter, Susan, Edmund and Lucy. But he was quite glad when he heard that Edmund and Lucy were coming to stay. For deep down inside him he liked bossing and bullying; and, though he was a puny little person who couldn’t have stood up even to Lucy, let alone Edmund, in a fight, he knew that there are dozens of ways to give people a bad time if you are in your own home and they are only visitors.

– The Voyage of the Dawn Treader

Why would Eustace Clarence Scrubb almost deserve his name? Why might someone like Eustace want to give Edmund and Lucy a bad time? Have you come across people in your life who fit Eustace’s description?

FEBRUARY 21

Edmund Enters Narnia

[EDMUND] CAME INTO THE ROOM just in time to see Lucy vanishing into the wardrobe. He at once decided to get into it himself – not because he thought it a particularly good place to hide but because he wanted to go on teasing her about her imaginary country. He opened the door. There were the coats hanging up as usual, and a smell of moth-balls, and darkness and silence, and no sign of Lucy. “She thinks I’m Susan come to catch her,” said Edmund to himself, “and so she’s keeping very quiet in at the back.” He jumped in and shut the door, forgetting what a very foolish thing this is to do. Then he began feeling about for Lucy in the dark. He had expected to find her in a few seconds and was very surprised when he did not. He decided to open the door again and let in some light. But he could not find the door either. He didn’t like this at all and began groping wildly in every direction; he even shouted out, “Lucy! Lu! Where are you? I know you’re here.”

There was no answer and Edmund noticed that his own voice had a curious sound – not the sound you expect in a cupboard, but a kind of open-air sound. He also noticed that he was unexpectedly cold; and then he saw a light.

“Thank goodness,” said Edmund, “the door must have swung open of its own accord.” He forgot all about Lucy and went towards the light, which he thought was the open door of the wardrobe. But instead of finding himself stepping out into the spare room he found himself stepping out from the shadow of some thick dark fir trees into an open place in the middle of a wood.

There was crisp, dry snow under his feet and more snow lying on the branches of the trees. Overhead there was a pale blue sky, the sort of sky one sees on a fine winter day in the morning. Straight ahead of him he saw between the tree-trunks the sun, just rising, very red and clear. Everything was perfectly still, as if he were the only living creature in that country. There was not even a robin or a squirrel among the trees, and the wood stretched as far as he could see in every direction. He shivered.

He now remembered that he had been looking for Lucy; and also how unpleasant he had been to her about her “imaginary country” which now turned out not to have been imaginary at all. He thought that she must be somewhere quite close and so he shouted, “Lucy! Lucy! I’m here too – Edmund.”

There was no answer.

“She’s angry about all the things I’ve been saying lately,” thought Edmund. And though he did not like to admit that he had been wrong, he also did not much like being alone in this strange, cold, quiet place; so he shouted again.

“I say, Lu! I’m sorry I didn’t believe you. I see now you were right all along. Do come out. Make it Pax.”

Still there was no answer.

– The Lion, the Witch and the Wardrobe

Do you think Edmund’s apology is sincere? When have you had trouble admitting you were wrong?

FEBRUARY 22

Talking Beasts

CREATURES, I GIVE YOU YOURSELVES,” said the strong, happy voice of Aslan. “I give to you forever this land of Narnia. I give you the woods, the fruits, the rivers. I give you the stars and I give you myself. The Dumb Beasts whom I have not chosen are yours also. Treat them gently and cherish them but do not go back to their ways lest you cease to be Talking Beasts. For out of them you were taken and into them you can return. Do not so.”

– The Magician’s Nephew

What would it mean for the Talking Beasts to go back to their former ways? How could they prevent that from happening?

FEBRUARY 23

How Can I Help It?

SHASTA HAD SO ENJOYED HIS DINNER and all the things Tumnus had been telling him that when he was left alone his thoughts took a different turn. He only hoped now that the real Prince Corin would not turn up until it was too late and that he would be taken away to Narnia by ship. I am afraid he did not think at all of what might happen to the real Corin when he was left behind in Tashbaan. He was a little worried about Aravis and Bree waiting for him at the Tombs. But then he said to himself, “Well, how can I help it?” and, “Anyway, that Aravis thinks she’s too good to go about with me, so she can jolly well go alone,” and at the same time he couldn’t help feeling that it would be much nicer going to Narnia by sea than toiling across the desert.

– The Horse and His Boy

What are the excuses Shasta tells himself for not worrying about what may happen to the others? When have you left others at risk by putting your own interests first?

FEBRUARY 24

Happy Is the Horse

ASLAN,” SAID BREE in a shaken voice, “I’m afraid I must be rather a fool.”

“Happy is the Horse who knows that while he is still young. Or the Human either.”

– The Horse and His Boy

How could knowing we are fools make us happy?

FEBRUARY 25

Deathwater Island

GET BACK!” [shouted Edmund.] “Back from the water. All of you. At once!!”

They all did and stared at him.

“Look,” said Edmund, “look at the toes of my boots.”

“They look a bit yellow,” began Eustace.

“They’re gold, solid gold,” interrupted Edmund. “Look at them. Feel them. The leather’s pulled away from it already. And they’re as heavy as lead.”

“By Aslan!” said Caspian. “You don’t mean to say—?”

“Yes, I do,” said Edmund. “That water turns things into gold. It turned the spear into gold, that’s why it got so heavy. And it was just lapping against my feet (it’s a good thing I wasn’t barefoot) and it turned the toe-caps into gold. . . . And what a narrow shave we’ve had.”

“Narrow indeed,” said Reepicheep. “Anyone’s finger, anyone’s foot, anyone’s whisker, or anyone’s tail, might have slipped into the water at any moment.”

“All the same,” said Caspian, “we may as well test it.” He stooped down and wrenched up a spray of heather. Then, very cautiously, he knelt beside the pool and dipped it in. It was heather that he dipped; what he drew out was a perfect model of heather made of the purest gold, heavy and soft as lead.

“The King who owned this island,” said Caspian slowly, and his face flushed as he spoke, “would soon be the richest of all Kings of the world. I claim this land forever as a Narnian possession. It shall be called Goldwater Island. And I bind all of you to secrecy. No one must know of this. Not even Drinian – on pain of death, do you hear?”

“Who are you talking to?” said Edmund. “I’m no subject of yours. If anything it’s the other way round. I am one of the four ancient sovereigns of Narnia and you are under allegiance to the High King my brother.”

“So it has come to that, King Edmund, has it?” said Caspian, laying his hand on his sword-hilt.

“Oh, stop it, both of you,” said Lucy. “That’s the worst of doing anything with boys. You’re all such swaggering, bullying idiots – oooh!—” Her voice died away into a gasp. And everyone else saw what she had seen.

Across the grey hillside above them – grey, for the heather was not yet in bloom – without noise, and without looking at them, and shining as if he were in bright sunlight though the sun had in fact gone in, passed with slow pace the hugest lion that human eyes have ever seen. . . . They knew it was Aslan.

And nobody ever saw how or where he went. They looked at one another like people waking from sleep.

“What were we talking about?” said Caspian. “Have I been making rather an ass of myself?”

“Sire,” said Reepicheep, “this is a place with a curse on it. Let us get back on board at once. And if I might have the honour of naming this island, I should call it Deathwater.”

– The Voyage of the Dawn Treader

What is the effect of the gold transformation on Caspian, Edmund, and Lucy in turn? When have you been transfixed by the potential for wealth and riches?

FEBRUARY 26

Do You Feel Yourself Sufficient?

THEN PETER, leading CASPIAN, forced his way through the crowd of animals.

“This is Caspian, Sir,” he said. And Caspian knelt and kissed the Lion’s paw.

“Welcome, Prince,” said Aslan. “Do you feel yourself sufficient to take up the Kingship of Narnia?”

“I – I don’t think I do, Sir,” said Caspian. “I’m only a kid.”

“Good,” said Aslan. “If you had felt yourself sufficient, it would have been a proof that you were not. Therefore, under us and under the High King, you shall be King of Narnia, Lord of Cair Paravel, and Emperor of the Lone Islands. You and your heirs while your race lasts.”

– Prince Caspian

Why would feeling sufficient be proof that Caspian was not? When have you had to step up to a task for which you did not feel sufficient?

FEBRUARY 27

Into the Pool

LOOK! WHAT’S THAT?”

“What’s what?” said Puzzle.

“That yellow thing that’s just come down the waterfall. Look! There it is again, it’s floating. We must find out what it is.”

“Must we?” said Puzzle.

“Of course we must,” said Shift. “It may be something useful. Just hop into the Pool like a good fellow and fish it out. Then we can have a proper look at it.”

“Hop into the Pool?” said Puzzle, twitching his long ears.

“Well how are we to get it if you don’t?” said the Ape.

“But – but,” said Puzzle, “wouldn’t it be better if you went in? Because, you see, it’s you who wants to know what it is, and I don’t much. And you’ve got hands, you see. You’re as good as a Man or a Dwarf when it comes to catching hold of things. I’ve only got hoofs.”

“Really, Puzzle,” said Shift, “I didn’t think you’d ever say a thing like that. I didn’t think it of you, really.”

“Why, what have I said wrong?” said the Ass, speaking in rather a humble voice, for he saw that Shift was very deeply offended. “All I meant was—”

“Wanting me to go into the water,” said the Ape. “As if you didn’t know perfectly well what weak chests Apes always have and how easily they catch cold! Very well. I will go in. I’m feeling cold enough already in this cruel wind. But I’ll go in. I shall probably die. Then you’ll be sorry.” And Shift’s voice sounded as if he was just going to burst into tears.

“Please don’t, please don’t, please don’t,” said Puzzle, half braying, and half talking. “I never meant anything of the sort, Shift, really I didn’t. You know how stupid I am and how I can’t think of more than one thing at a time. I’d forgotten about your weak chest. Of course I’ll go in. You mustn’t think of doing it yourself. Promise me you won’t, Shift.”

– The Last Battle

Why does Puzzle give in? How do you attempt to get others to do something you know that you should do yourself?

FEBRUARY 28

We Can Only Ask Him

WHEN WE CAME BACK FROM That Place, Someone said that the two Pevensie kids (that’s my two cousins) could never go there again. It was their third time, you see. I suppose they’ve had their share. But he never said I couldn’t. Surely he would have said so, unless he meant that I was to get back? And I can’t help wondering, can we – could we—?”

“Do you mean, do something to make it happen?” [Jill asked.]

Eustace nodded.

“You mean we might draw a circle on the ground – and write in queer letters in it – and stand inside it – and recite charms and spells?”

“Well,” said Eustace after he had thought hard for a bit. “I believe that was the sort of thing I was thinking of, though I never did it. But now that it comes to the point, I’ve an idea that all those circles and things are rather rot. I don’t think he’d like them. It would look as if we thought we could make him do things. But really, we can only ask him.”

“Who is this person you keep on talking about?”

“They call him Aslan in That Place,” said Eustace.

“What a curious name!”

“Not half so curious as himself,” said Eustace solemnly. “But let’s get on. It can’t do any harm, just asking.”

– The Silver Chair

Why wouldn’t drawing circles and reciting spells help Eustace and his friend Jill get to Narnia? How would that be different from asking? Do you sometimes find yourself trying to make something happen rather than asking for it outright?

A Year With Aslan: Words of Wisdom and Reflection from the Chronicles of Narnia

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