The Technique of the Mystery Story

The Technique of the Mystery Story
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The Technique of the Mystery Story Carolyn Wells – Do you love mystery stories, such as the Sherlock Holmes stories and those of Edgar Allan Poe and Agatha Christie? Do you ever yearn to be a good writer of mysteries?Carolyn Wells was a prolific author of mystery novels. In this detailed book, she teaches the history, types, principles, devices, plots, and structures of mystery writings. She gives advice to would-be authors of this genre, including ghost and riddle stories as well as detective and crime mysteries.This authoritative work begins with a justification of mystery as a legitimate literary art form, with numerous quotations from authorities. Then proceeding systematically through her topics, she explains and illustrates the mystery-writing craft with excerpts from mystery works and quotations of literary critics and notable authors.The lover of mystery will find many authors and stories cited and excerpted in this book, which would be a good resource for finding more material to satisfy the reader's thirst for the genre. Aspiring authors will find insights through the critical eyes of this successful mystery author and of the many authors whom she quotes.This is virtually a miniature course in creative writing of the mystery story.

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Carolyn Wells. The Technique of the Mystery Story

PUBLISHER NOTES:

THE ETERNAL CURIOUS

1. Inquisition into the Curious is Universal

2. Early Riddles

3. The Passion for Solving Mysteries

THE LITERATURE OF MYSTERY

1. The Rightful Place of the Mystery Story in Fiction

2. The Mystery Story Considered as Art

3. The Claims of Antagonists and Protagonists

THE HISTORY OF MYSTERY

1. Ancient Mystery Tales

GHOST STORIES

1. A Working Classification

2. The Ghost Story

3. Famous Ghost Stories

4. The Humorous Ghost Story

RIDDLE STORIES

1. Some Notable Riddle Stories

2. The Nature of the Riddle Story and its Types

DETECTIVE STORIES

1. What is a Detective Story

2. Rise of the Detective Story

3. The Detective-Fictive and Real

4. Fiction versus Fact

5. The Interest of the Detective Story

6. A Summing Up

THE DETECTIVE

1. The Real Detective and His Work

2. Fictive Detective Material

3. The Transcendent Detective

4. Pioneer Detectives of Fiction

5. Recent Detectives of Fiction

6. The Scientific Detective of Fiction

7. The New Psychology in Detective Stories

8. Other Types

DEDUCTION

1. Ratiocination in Early Detective Stories

2. Deduction Used in Every-day Life

3. The Analytical Element in the Detective Story

4. Poe's Detective—The Prototype

5. The Detective in the Novel

APPLIED PRINCIPLES

1. The Detectives of Poe, Doyle, and Gaboriau

2. Individuality of these Detectives

3. The Real Sherlock Holmes

THE RATIONALE OF RATIOCINATION

1. Sherlock Holmes' Method

2. Lecoq's Method

3. Other Methods

4. Holmes' Method Evaluated

5. The Inductive and the Deductive Methods

6. Two Striking Examples

CLOSE OBSERVATION

1. The Search for Clues

2. The Bizarre in Crime

3. The Value of the Trivial

4. The Tricks of Imitation

OTHER DETECTIVES OF FICTION

1. Some Original Traits

2. Two Unique Detectives

PORTRAITS

1. Some Early Detective Portraits

2. Some More Modern Portraits

3. Some Less Known Portraits

4. Idiosyncrasies of Fictional Detectives

5. Favorite Phrases of Detectives

DEVIOUS DEVICES

1. Snow and Rain

2. Some Particularly Hackneyed Devices

3. Devices Which Are Not Plausible

FOOTPRINTS AND FINGERPRINTS

1. The Omnipresence of Footprints

2. Other Miraculous Discoveries

3. Remarkable Deductions from Footprints

4. Fingerprints and Teethmarks

MORE DEVICES

1. Tabulated Clues

2. Worn-out Devices

3. The Use of Disguise

4. Other "Properties"

FALSE DEVICES

1. The "Trace" Fallacy

2. The Destruction of Evidence

3. False Hypotheses

4. Errors of Fact and of Inference

5. The Use of Illustrative Plans

6. The Locked and Barred Room

MURDER IN GENERAL

1. Murder Considered in the Abstract

2. Murder as a Fine Art

3. The Murder Theme

4. The Robbery Theme

5. The Mysterious Disappearance

PERSONS IN THE STORY

1. The Victim

2. The Criminal

3. Faulty Portrayal of the Criminal

4. The Secondary Detective

5. The Suspects

6. The Heroine and the Element of Romance

7. The Police

8. The Supernumeraries

THE HANDLING OF THE CRIME

THE MOTIVE

EVIDENCE

1. The Coroner

2. The Inquest

3. The Witnesses

4. Presentation of the Evidence

5. Circumstantial Evidence

6. Deductions from Evidence

7. Deductions from Clues

8. Evidence by Applied Psychology

9. Direct Observation

10. Exactness of Detail

11. Theories of Evidence

STRUCTURE

1. Length

2. The Short-Story and the Novel

3. Singleness of Plot in the Detective Story

4. The Question of Length

5. The Narrator in the Detective Story

6. The Setting

PLOTS

1. The Plot is the Story

2. Constructing the Plot

3. Maintaining Suspense

4. Planning the Story

5. The Question of Humor

6. Some Unique Devices

FURTHER ADVICES

1. The Use of Coincidences

2. The Use of Melodrama

3. Dullness

4. Unique Plots and Their Solubility

5. Women as Writers of Detective Stories

FINAL ADVICES

1. General Qualities of the Detective Story

2. Correctness

3. Names

4. Titles

PUBLISHER NOTES:

Disclaimer:

Table of Contents

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Carolyn Wells

The Technique of the Mystery Story

.....

The curiosity aroused by Mystery Fiction is not then, a mere idle curiosity but an intellectual interest.

As well as short-stories, there are many entire novels with a mystery interest but which are in no sense Detective Stories. "The Woman In White" is a good example. This book is said to have been the most popular serial story ever printed. On the publication day of the weekly in which the story was appearing in parts, the street in front of the office was thronged with people anxiously waiting for a new instalment of the adventures of Laura Fairleigh, Ann Catherick, the treacherous Baronet, and the diabolically fascinating Count Fosco.

.....

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