Konnakkol Manual

Konnakkol Manual
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<P>David Nelson wrote and compiled Konnakkol Manual to assist teaching an advanced course in the rhythmic compositions of Karnatak (South Indian) music. This new instructional book picks up where his previous book, Solkattu Manual, left off. It includes advanced exercises for developing control of odd pulse divisions, such as three and five notes per beat. There is a chapter on the sources of Karnatak tāas (meters), and another on the evolution of rhythmic compositions—told through the work of three generations of musicians. The main body of the book comprises full tani āvartanams (spoken percussion solos) in three tāas, together with instructions for practice, and Solkattu notation. Nelson created 150 instructional videos to accompany the text. They are accessible at wesleyan.edu/wespress/konnakkol/.</P>

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David P. Nelson. Konnakkol Manual

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Konnakkol Manual

AN ADVANCED COURSE IN SOLKAṬṬU

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Chapter 4 is a personal account of the evolution of three mṛdaṅgam compositions that Palani Subramania Pillai taught to T. Ranganathan, who discovered ways to re-invent them that his teacher had not seen. Ranga taught both the original versions and his logical extensions of them to me, and I in turn found further applications of them that he had not seen. I share these developments in order to demonstrate the continuity of a style and its growth from one generation to the next. The three compositions I discuss in this chapter appear later in the book in the three tani āvartanams.

Chapter 5: Solkaṭṭu Manual, chapter 5, details exercises in four of the five versions, or jātis, of ēka tāḷa: tiśra (three beats), khaṇḍa (five beats), miśra (seven beats), and sankīrṇa (nine beats). In this book, chapter 5 adapts the same exercises for use in developing control in different pulse rates within each beat, known as gati in Sanskrit and naḍai in Tamil.

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