Читать книгу The Tatler (Vol. 1-4) - Joseph Addison - Страница 18

From my own Apartment, April 15.

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It is a very natural passion in all good members of the commonwealth, to take what care they can of their families. Therefore I hope the reader will forgive me, that I desire he would go to the play, called the "Stratagem,"93 this evening, which is to be acted for the benefit of my near kinsman, Mr. John Bickerstaff.94 I protest to you the gentleman has not spoken to me to desire this favour; but I have a respect for him, as well in regard to consanguinity, as that he is an intimate friend of that famous and heroic actor, Mr. George Powell, who formerly played Alexander the Great in all places, though he is lately grown so reserved as to act it only on the stage.95

85. By Wycherley, first acted in 1683.

86. Mrs. Bicknell (or Bignell) was born about 1695. It is not clear whether she was married, or whether the name Bicknell was taken to distinguish her from her sister, Mrs. Young, who was also an actress. We first hear of her acting in 1706; she took parts in which sauciness and coquetry were the chief features. Her last recorded appearance was on the 2nd of April, 1723; and she died in May. She signed a petition "M. Bicknell"; probably her name was Margaret, her mother's name. Steele alludes to her as "pretty Mrs. Bignell" in No. 11, and as his friend in the Guardian, No. 50. She was Miss Prue in Congreve's "Love for Love," and Miss Hoyden in Vanbrugh's "Relapse." In the Spectator (No. 370) Steele praises her dancing.

87. Cibber writes thus of this actress: "Mrs. Mountford, whose second marriage gave her the name of Verbruggen, was mistress of more variety of humour than I ever knew in any one woman actress. This variety, too, was attended with an equal vivacity, which made her excellent in characters extremely different. … She was so fond of humour, in what low part soever to be found, that she would make no scruple of defacing her fair form to come heartily into it." She could act admirably as a Devonshire lass, a pretty fellow, or a fine lady. Mrs. Verbruggen's first husband, the actor Mountford, was killed by Captain Hill, with the assistance of Lord Mohun, in 1692, because Hill, who was making unsuccessful suit to Mrs. Bracegirdle was jealous of her fellow-actor. Mountford was then in his thirty-third year. Mrs. Mountford's second husband, John Verbruggen, is described by Tony Aston as "nature without extravagance." … "That rough diamond shone more bright than all the artful polished brilliants that ever sparkled on our stage." The same writer says of Mrs. Verbruggen: "She was all art, but dressed so nice, it looked like nature. She was the most easy actress in the world. Her maiden name was Percival."

88. Various Societies for the Reformation of Manners were founded in the reign of William III. An "Account" of these societies was published in 1699, and Defoe often wrote on the subject. In 1708 the Society for London and Westminster secured the conviction of 3299 "lewd and scandalous" persons, guilty of Sunday trading swearing, drunkenness, &c.

89. See Steele's apology to Blackmore, author of this poem, in No. 14. Sir Richard Blackmore (died 1729) was a Whig physician who wrote epics on religious and other subjects, and was often at loggerheads with the actors and wits. Though he was not a poet, Addison and Steele praised him on account of the religious tone of his work (see Spectator, Nos. 6, 339).

90. Vanderbank, or as his father sometimes wrote his name, Vandrebanc, was a son of Peter Vanderbank, a Parisian, who came into England with Gascar the painter, about 1674, and died at Bradfield, in Hertfordshire, in 1697. His father was admired for the softness of his prints, and still more for the size of them, some of his heads being the largest that had then appeared in England; but the prices he received by no means compensated for the time employed on his works, and he was reduced to want, and died at the house of Mr. Forester, his brother-in-law. After his death, his widow sold his plates to one Brown, a print-seller, who made a great profit by them. His eldest son had some share in the theatre at Dublin; the youngest, William, was a poor labourer, who gave an account of his father and the family to Vertue. The person mentioned in this paper was probably his father's name-son, and might be, as Walpole conjectures, an engraver. Whatever concern the father might have had in any manufacture of tapestry, he could not be the person meant here, for at this time he had been dead above ten years. The suite of tapestry, in the Duke of Ancaster's sale, with Vanderbank's name to it, mentioned by Walpole, must therefore be supposed to belong to the son, who is said, upon the authority of the French translator of the Tatler, to have represented nature very happily in works of tapestry, and to have been a man inimitable in this way. (See Walpole's "Anecdotes of Painting," 1782, vol. v. p. 166.)

91. Trick (the early editions have "gigg").

92. Waller wrote "Instructions to a Painter" and "Advice to a Painter," and Denham "Directions to a Painter."

93. Farquhar's "Beaux' Stratagem," 1707.

94. Bickerstaff acted the part of the Captain in Mrs. Centlivre's farce, "A Bickerstaff's Burying; or, Work for the Upholders" (1713), which was dedicated to the "magnificent Company of Upholders, whom the judicious Censor of Great Britain has so often condescended to mention." In the "British Apollo," vol. ii. No. 107 (Feb. 27 to March 1, 1710), is a "New Prologue to 'Don Quixote' for Mr. Bickerstaff's Benefit at the Theatre Royal, spoken by himself." The prologue ends:

"I need not from the ladies fear my doom,

When it shall thus be said, in my behalf,

He bears the awful name of BICKERSTAFF."

In the Daily Courant for Feb. 4, 1710, there was advertised a performance of the "Comical History of Don Quixote" at Drury Lane, "at the desire of Isaac Bickerstaff, Esq., for the benefit of his cousin, John Bickerstaff."

95. George Powell, actor and dramatist, gave way often to drink. He died in 1714. Addison praised his acting of tragic parts in No. 40 of the Spectator. See also No. 31. An order to the comedians in Dorset Gardens forbade them acting till further order, because they had allowed Powell to play after he was committed for drawing his sword on Colonel Stanhope and Mr. Davenant. This is dated May 3, 10 Will. III. (1698); but on May 4 there was another order for the comedians to resume acting. (Lord Chamberlain's Records, Warrant Book No. 19, p. 80.) Cibber's remarks on this incident will be found in his "Apology," chap. x.

The Tatler (Vol. 1-4)

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