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Lisa Caruccio Came | Melissa

Productions at the Finborough Theatre include Saturn Returns and Nothing is the End of the World (Except for the End of the World). Trained at Tisch School of The Arts, New York. Theatre includes Secret Cinema Presents The Grand Budapest Hotel (Secret Cinema), A Thousand Miles of History (Bussey Building), Rocket To The Moon (National Theatre), The Fever Chart (Trafalgar Studios and Theatre Royal York), The Six Wives of Timothy Leary (Riverside Studios and Pleasance Edinburgh), Richard III (The Drill Hall and Tour), The Woodsman (Old Red Lion Theatre), The Dybbuk (King’s Head Theatre), Time of The Tortoise (Theatre503), Oleanna (Mountview Directors’ Showcase) and Camel Station (Theatre Museum and National Tour).

Theatre in New York includes A Midsummer Night’s Dream, The Winter’s Tale (Lion Theatre, Theatre Row) and The Tempest (Looking Glass Theatre).

Film includes Mnemophrenia, Sprawlers, and That Samba Thing.

Radio includes Seeing In The Dark and The Hamam Bride.

Cory English | Robert

Theatre includes Urinetown (St. James Theatre), Somewhere in Time (Portland Centre Stage, Portland, Oregon), Chicago (Ambassador Theatre, Broadway), Young Frankenstein (Foxwoods Theatre, Broadway and National Tour), The Producers (Theatre Royal, Drury Lane and National Tour), A Funny Thing Happened on the Way to the Forum (St. James Theatre, Broadway), Hello Dolly (Lunt-Fontanne Theatre, Broadway), Damn Yankees (Marquis Theatre, Broadway), Guys and Dolls (Martin Beck Theatre, Broadway) and Gypsy (St James Theatre, Broadway).

Film includes Mountainaire.

Television includes Oz and Britain’s Got The Pop Factor.

Susan Tracy | Mary

Productions at the Finborough Theatre include Variation On A Theme.

Susan has been twice nominated for an Olivier Award.

Theatre includes Terence Rattigan’s Nijinsky, The Deep Blue Sea, Playhouse Creatures (Chichester Festival Theatre), The Relapse, Three Sisters, Anna Christie, Merry Wives of Windsor, Othello (Royal Shakespeare Company), Much Ado About Nothing (Open Air Theatre, Regent’s Park), Long Day’s Journey into Night (Cambridge Theatre Company), The Old Wives Tale (New Vic Theatre, Newcastle-under-Lyme), Denial (Bristol Old Vic), Anything Goes (National Theatre and Theatre Royal, Drury Lane), A Passage to India (Shared Experience, National Tour and BAM in New York), Richard II, Inherit the Wind (The Old Vic) and A Chorus of Disapproval (Harold Pinter Theatre). Television includes Midsomer Murders, The Stars Look Down, Born and Bred, The Diary of Anne Frank and Poirot.

Martin Wimbush | Gene

Productions at the Finborough Theatre include The Potting Shed and Outward Bound.

Trained at the Guildhall School of Music and Drama.

Theatre includes Outside Edge, The Mystery Of Edwin Drood, City Of Angels, The Importance Of Being Earnest (West End), Lady In The Van (Hull Truck Theatre and National Tour), Hot Property (Old Red Lion Theatre), Humble Boy (National Tour), The Shell Seekers (National Tour), The Beastly Chronicles Of Saki (Jermyn Street Theatre), Svejk (Gate Theatre), Me And My Girl (Alexandra Theatre, Birmingham), Charley’s Aunt (Northcott Theatre, Exeter) and most recently How To Build A Better Tulip (Tabard Theatre). His one-man show Wellington continues to tour.

Film includes The Iron Lady, Anna Karenina, Scar Tissue, Orlando, Gangster No1, Bridget Jones’s Diary, Shadowlands, Wimbledon, Mean Machine, Ali G In Da House and The Old Curiosity Shop. Television includes The Thirteenth Tale, Hustle, East Enders, Garrow’s Law, Hiroshima, Cape Wrath, The Lost Prince, Victoria and Albert, Micawber, Mystery Of Men, Vanity Fair, A Dance To The Music Of Time, Holding On, The Alleyn Mysteries, Natural Lies, Countess Alice, Lovejoy, Boon, Coronation Street, Glittering Prizes and Upstairs Downstairs.

Kevin Kautzman | Playwright

Playwright Kevin Kautzman is originally from North Dakota, an alumnus of the University of Minnesota and also holds an MFA from the University of Texas at Austin. His full-length plays include Coyote (Nouveau 47, Dallas), If You Start A Fire [Be Prepared To Burn] (45th Street Theatre, New York), Iris (Red Eye, Minneapolis), Wolf Cry Wolf (New Theatre Project, Ypsilanti), Life Electric, Then Waves and Vasilisa Most Lovely. His short plays include Clifton Mill (Nouveau 47), The Play is Memory, Rosemary (History Theatre), Strike, Solomon the King, and most recently $<0RP!0. Awards for Dream of Perfect Sleep include the Southwest Playwriting Award and The Kernodle New Play Award. Further honours for Kevin include the Jerome and Michener fellowships, the Tennessee Williams and Kenyon Institute scholarships, International Student Playscript Competition and Repertory Theatre Iowa’s Alpha Project Award. He has also received commissions from History Theatre and Red Eye, and his work has been performed and developed around the US.

Max Pappenheim | Director

Productions at the Finborough Theatre include Nothing is the End of the World (Except for the End of the World), nominated for three Off West End Awards, Perchance to Dream and Avow as part of Vibrant 2013 – A Festival of Finborough Playwrights. Directing includes Siegfried (Fulham Opera), Finchley Road (LOST Theatre), Quid Pro Quo (Riverside Studios), San Giuda (Southwark Cathedral). Associate and Assistant Direction includes Feathers in the Snow (Southwark Playhouse) and Kafka v Kafka (Brockley Jack Theatre). Max was a runner-up for Best Director in the 2013 OffWestEnd Awards.

Holly Seager | Designer

Productions at the Finborough Theatre include The Goodnight Bird and Hindle Wakes, nominated for five OffWestEnd Awards including Best Designer.

Designs include The Marriage of Figaro (Hampstead Garden Opera at Upstairs at the Gatehouse), Beats North, winner of the 2013 Northern Stage Title Pending Award (Northern Stage, Newcastle), Harlesden High Street (Tara Arts), Mansfield Park, nominated for Best Opera in the OffWestEnd Awards 2013 (Hampstead Garden Opera at Upstairs at the Gatehouse), Carmen (Epsom Playhouse), The Upstairs Room (King’s Head Theatre), Chapel Street, winner of Old Vic New Voices Edinburgh 2012 (Underbelly at the Edinburgh Festival), Geronimo (Company TSU at the ARC Stockton), Into The Woods (Royal Conservatoire of Scotland), Stag (Courtyard Theatre), The Rising (Gecko at the New Wolsey Theatre), Sweeney Todd 2011 (National Youth Music Theatre at the Rose Theatre, Kingston). Holly was Costume Assistant to Kerry Bradley on Tu i Teraz [Here and Now] (Hampstead Theatre), Associate Designer to Mark Friend on the site-specific Sweeney Todd 2010 (National Youth Music Theatre and Village Underground), Costume Supervisor to Jean-Marc Puissant on God’s Garden (Linbury Studio Theatre, Royal Opera House, Covent Garden), Assistant Costume Designer for A Celebration of Young People in the Performing Arts (National Youth Music Theatre at Buckingham Palace), and Assistant Set and Costume Designer to Jason Denvir on Who’s Afraid of Virginia Woolf, New Boy and Life Coach (Trafalgar Studios), The Revenger’s Tragedy (Rose Theatre, Kingston), All Bob’s Women (Arts Theatre), New Boy (Tabard Theatre), and Model Maker for David Bowie Exhibition (59 Productions at the V&A Museum).

Elliot Griggs | Lighting Designer

Productions at the Finborough Theatre include Facts, Somersaults, The Soft of Her Palm, Crush, Perchance to Dream, Portraits, And I and Silence and Northern Star.

Trained at the Royal Academy of Dramatic Art.

Other theatre includes Fleabag (Soho Theatre and Tour), Common Wealth (Almeida Theatre), The Boy Who Kicked Pigs (Jackson’s Lane Theatre and The Lowry, Manchester), MEAT (Theatre503), Belleville Rendez-Vous (Greenwich Theatre), Lagan (Ovalhouse), Folk Contraption (Southbank Centre), Infanticide (Camden People’s Theatre), Bitter Pleasures for a Sour Generation (Soho Theatre), Blues In The Night, Joe/Boy (The Last Refuge), Love Re:Imagined (Only Connect Central), Big Sean, Mikey and Me (Tristan Bates Theatre), The Custard Boys (Tabard Theatre), Brightest and Best (Half Moon Theatre), Dealing With Clair, One Minute, Nocturnal, Dirty Butterfly, Our Town (Royal Academy of Dramatic Art), The Mercy Seat (Royal Shakespeare Company at the Capital Centre, Warwick), The Lady’s Not For Burning, West Side Story, By the Bog of Cats, ’Tis Pity She’s a Whore, Elephant’s Graveyard (Warwick Arts Centre), Much Ado About Nothing (Belgrade Theatre, Coventry) and Dido and Aeneas (St. Paul’s Church, London and Tour).

His awards for lighting design include the Francis Reid Award from the Association of Lighting Designers and the Show Light Award from the National Student Drama Festival.

Angus MacRae | Composer

At the Finborough Theatre, Angus has composed for Nothing is the End of the World (Except the End of the World), Armstrong’s War, Lee Harvey Oswald and John Ferguson.

Theatre includes Holiday/The Eisteddfod (Bussey Building), Bear (Old Red Lion Theatre), Keepsake (Old Red Lion Theatre), I Am A Camera (Southwark Playhouse), Vessel (the Space in Edinburgh and Tour), This Near Darkness, Near Silence (Workshop at the National Theatre Studio), Meeting (The Place), Kimalia (Bernie Grant Arts Centre), Scarborough (White Bear Theatre), Joseph K (LAMDA) and Out Of Nowhere (Yvonne Arnaud Theatre, Guildford).

Film includes The Fifth (winner, Raindance 48 hour film competition), The Listener, The Other Side of Home, Thirst and Touch of Blue.

Television includes music for Toyota, Sony and Sky.

Angus is currently working on an EP of his own music, due for release later in 2014.

Lucy Cullingford | Movement Director

Productions at the Finborough Theatre include Nothing is the End of the World (Except for the End of the World), Bed and Sofa and Beating Heart Cadaver.

Theatre includes Constellations (Royal Court Theatre), Dance Repetiteur on Matilda the Musical (Royal Shakespeare Company at the Cambridge Theatre), The Spanish Golden Age, The Double and The Phoenix of Madrid (Ustinov Studio at the Theatre Royal Bath), The Revenger’s Tragedy (Hoxton Hall), The Hairy Ape (Southwark Playhouse), 20 Tiny Plays About Sheffield, Leaner, Faster, Stronger and Happy Days (Crucible Studio, Sheffield), Lives in Art (Crucible Theatre, Sheffield), Yerma (Hull Truck Theatre and the Gate Theatre), Othello (Rose Theatre, Kingston), The Winter’s Tale (Camley National Park), Movement Assistant for The Grain Store and The Drunks (Royal Shakespeare Company at the Courtyard Theatre), A Tender Thing (Royal Shakespeare Company at Northern Stage, Newcastle), Not For All the Tea in China (Chol Theatre), Mikey the Pikey (Pleasance Edinburgh), Moby Dick, Pigs, Thick As A Brick and Bouncers (Hull Truck Theatre).

Artyzan Productions | Producer and General Manager Artyzan Productions Ltd. was founded in 2011 by Maximillian Bittleston, Tim Colegate, Louise Goodman and Will Rathbone. Previous productions include The Hard Man (Finborough Theatre), Twelfth Night (Whitstable Playhouse), Martin Sherman’s Bent (Senate Building, Canterbury) and Rock Bottom (Whitstable Playhouse).

Maximillian Bittleston has worked for the last 18 months for the Ambassador Theatre Group assisting with finance management for over twenty productions including Old Times, Merrily We Roll Along, Chimerica and Mojo (all at Harold Pinter Theatre), Jamie Lloyd’s Macbeth, The Hothouse, The Pride and Richard III (all at Trafalgar Studios), Dirty Rotten Scoundrels (Savoy Theatre), 1984 (Playhouse Theatre) and national tours of Priscilla: Queen of the Desert, Ghost: The Musical, The Rocky Horror Show, West Side Story and Jersey Boys UK Tour.

Tim Colegate has worked for Playful Productions since January 2014, where current and recent productions include Wicked (Apollo Victoria Theatre), Charlie and the Chocolate Factory (Theatre Royal, Drury Lane), The Weir (Wyndham’s Theatre), Dirty Dancing (Piccadilly Theatre and National Tour), Blithe Spirit (Gielgud Theatre) and Wolf Hall and Bring Up the Bodies (Aldwych Theatre).

Louise Goodman has company managed at Stagecoach Theatre Arts, Oxford, since February 2013. Louise has had a major role working on national tours such as Joseph and the Amazing Technicolor Dreamcoat (Bill Kenwright Ltd.), Carmen, Tosca, Aida and Nabucco (Ellen Kent Opera Ltd.) and Evita (The Really Useful Group). Louise was also responsible for managing the audition and casting of Young Simba in the current National Tour of Disney Presents The Lion King.

Will Rathbone has worked at the Ambassador Theatre Group for the last year on touring promotions for shows including Rock of Ages, Disney Presents The Lion King and Wicked (National Tours) as well as Dirty Rotten Scoundrels (Savoy Theatre) and Jersey Boys (Piccadilly Theatre). Will has assisted at Sonia Friedman Productions on productions including The Book of Mormon (Prince of Wales Theatre), Old Times, Chimerica, Merrily We Roll Along (Harold Pinter Theatre) and Richard III/Twelfth Night (Belasco Theatre, Broadway).

Production Acknowledgements

Graphic Design | Jina Kiem

Production Photography | Robert Boulton

Special thanks to:

Suko Akulin, Valerie and Barry Ashwood, Becca and Jonny Allen, Elly and David Bittleston, John Bittleston, Dan Brodie, Lucy Casson, Ashley Cook, Alex Ewan, Debbie and Mark Goodman, Dorothy and Colin Graham, Max Grossman, Ruth and Andrew Harris, Helenka Hewitt, Mike Havies, Lisa Lange, Tom Littler, Jane Norman, Jo and Mike Millar Ray Morgan, Charles Pappenheim, Jim Peterson, Lorna Rathbone, Dennis Smith, Chris Smyrnios, Conrad Strabone, Tim Warmath.