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CHAPTER III – Friends and Enemies

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Standing outside in the dark passage for a moment, Polly hesitated with her hand on the door-knob, having already opened the door a few inches. From the inside she could plainly hear the voices of the two girls who shared the dressing room with her. Neither one of them had an important place in the cast. They merely came on in one of the scenes as members of a group and without speaking. However, they were both clever, ambitious girls whom Polly liked. Now her attention had been arrested by hearing the sound of her own name.

“Polly O’Neill was a dreadful failure, wasn’t she?” one of them was saying. “Well, I am not in the least surprised. Indeed, it was just what I expected. Of course, she was only given the part of Belinda because of favoritism. Miss Adams is such a great friend of hers!”

Then before Polly could make her presence known the second girl replied:

“So far as I can see, Polly O’Neill has never shown a particle of ability at any of the rehearsals that would justify her being placed over the rest of us. I am sure that either you or I would have done far better. But never mind; perhaps some day we may be famous actresses and she nothing at all, when there is no Miss Adams to help her along.”

But at this same instant Polly walked into the room.

“I am so sorry I overheard what you said, but it was entirely my fault, not yours,” she began directly. “Only please don’t think I intended to be eavesdropping. It was quite an accident my appearing just at the wrong moment. Of course I am hurt by your thinking I acted Belinda so poorly. Perhaps one of you would have been more successful. But do please understand that I realize perfectly that I had the chance given me because of Miss Adams’ friendship and not because of my own talents.” Then, though Polly’s cheeks were flaming during her long speech and her tones not always steady, she smiled at her companions in entire good fellowship.

Immediately the older girl, walking across the floor, laid her hand on Polly’s shoulder. “I am not going to take back all I said a while ago, for I meant a part of it,” she declared half apologetically and half with bravado. “Honestly, I don’t think you were very good as Belinda. But I have seen you act rather well at rehearsals now and then. I think you failed tonight because you suddenly grew so frightened. Don’t be discouraged; goodness knows it has happened to many an actor before who afterwards became famous,” she ended in an effort to be comforting.

“Yes, and it is all very well for us to talk here in our dressing rooms about being more successful than you were,” the second girl added, “but there is no way of our proving that we would not have had even worse cases of stage fright.” She gave Polly’s hand a gentle squeeze. “Of course, you must know we are both jealous of Miss Adams’ affection for you or we would never have been such horrid cats.” The girl blushed. “Do try and forget what we said, it was horrid not to have been kinder and more sympathetic. You may have a chance to pay us back with interest some day. Anyhow, you are a splendid sport not to be angry. I am sure it is the people who take things as you have this who will win out in the end.”

Then no one referred to the subject again. For it was plain that Polly was exhausted and that her nerves had nearly reached the breaking point. Instead, both girls now did their best to assist her in taking off the costume of the ill-fated Belinda and in getting into an ordinary street costume. For Polly was to meet her family and friends in a small reception room adjoining Miss Adams’ dressing room, five minutes after the close of the play. She would have preferred to have marched up to the cannon’s mouth, and she was much too tired at present either for congratulations or censure. She heard Mollie and Betty Ashton coming toward the door to seek for her.

Of course they were both immediately enthusiastic over Polly’s début and were sure that she had been a pronounced success. For in the minds of her sister and friend, Polly was simply incapable of failure. And perhaps they did succeed in making the rest of the evening easier for her. But then all of her old Camp Fire and Woodford friends were as kind as possible. To have one of their own girls acting on a real stage seemed fame enough in itself.

But from two of her friends, from Sylvia Wharton and from Billy Webster, Polly received the truth as they saw it. Sylvia’s came with spoken words, and Billy’s by a more painful silence.

As Polly entered the room, Sylvia came forward, and kissed her solemnly. The two girls had not seen each other for a number of weeks. Sylvia had only arrived in New York a few hours before.

“You were dreadfully nervous, Polly, just as I thought you would be,” Sylvia remarked quietly, holding her step-sister’s attention by the intensity and concentration of her gaze behind the gold-rimmed spectacles. “Now I am afraid you are fearfully tired and upset. I do wish you would go home immediately and go to bed instead of talking to all these people. But I suppose you have already decided because you did not act as well as you expected this evening that you will never do any better. Promise me to be reasonable this one time, Polly, and may I see you alone and have a talk with you tomorrow?”

Then there was only time for the older girl to nod agreement and to place her hot hand for an instant into Sylvia’s large, strong one, that already had a kind of healing touch.

For Mrs. Wharton was now demanding her daughter’s attention, wishing to introduce her to friends. Since she had finally made up her mind to allow Polly to try her fate as an actress, Mrs. Wharton had no doubt of her ultimate brilliant success.

Five minutes afterwards, quite by accident, Richard Hunt found himself standing near enough to Polly to feel that he must also say something in regard to her début.

“I am glad Belinda did not run away today, Miss Polly,” he whispered. “Do you know I almost believed she intended to for a few moments this morning?” And the man smiled at the absurdity of his idea.

Polly glanced quickly up toward her companion, a warm flush coloring her tired face. “It might have been better for the play if I had, Mr. Hunt, I’m a-thinking,” she answered with a mellow Irish intonation in the low tones of her voice. “But you need not think I did not mean what I said. Don’t tell on me, but I had a ticket bought and my bag packed and all my plans made for running away and then at the last even I could not be quite such a coward.” The girl’s expression changed. “Perhaps, after all, I may yet be forced into using that ticket some day,” she added, half laughing and half serious, as she turned to speak to some one else who had joined them.

For another idle moment the man still thought of his recent companion. How much or how little of her rash statements did the child mean? Yet he might have spared himself the trouble of this reflection, for this question about Polly was never to be satisfactorily answered.

Although by this time the greater number of persons in Margaret Adams’ reception room had spoken to Polly either to say kind things or the reverse, there was, however, one individual who had devoted his best efforts to avoiding her. Yet there had never been such an occasion before tonight. For whether he chanced to be angry with her at the moment or pleased, Billy Webster had always enjoyed the opportunity of talking to Polly, since she always stirred his deepest emotions, no matter what the emotions chanced to be. Tonight he had no desire to repeat the fatal words, “I told you so.”

Of course he had always known that Polly O’Neill would never be a successful actress; she was far too erratic, too emotional. If only she had been sensible for once and listened to him that day in the woods long ago! Suddenly Billy squared his broad shoulders and closed his firm young lips. For, separating herself from every one else, Polly was actually marching directly toward him, and she had ever an uncanny fashion of guessing what was going on in other people’s heads.

Underneath his country tan Billy Webster blushed furiously and honestly.

“You think I was a rank failure, don’t you?” Polly demanded at once.

Still speechless, the young man nodded his head.

“You don’t believe I ever will do much better?” Again Billy nodded agreement.

“And that I had much better have stayed at home in Woodford and learned to cook and sew and – and – well, some day try to be somebody’s wife?” the girl ended a little breathlessly.

This time Billy Webster did not mince matters. “I most assuredly do,” he answered with praiseworthy bluntness.

Now for the first time since her fiasco as Belinda, Polly’s eyes flashed with something of their old fire. And there in the presence of the company, though unheeded by them, she stamped her foot just as she always had as a naughty child.

“I will succeed, Billy Webster, I will, I will! I don’t care how many failures I may make in learning! And just because I want to be a good actress is no reason why I can’t marry some day, if there is any man in the world who could both love and understand me and who would not wish to make me over according to his own particular pattern.” Then Polly smiled. “Thank you a thousand times, though, Billy, for you are the solitary person who has done me any good tonight. It is quite like old times, isn’t it, for us to start quarreling as soon as we meet. But, farewell, I must go home now and to bed.” Polly held out her hand. “You are an obstinate soul, Billy, but I can’t help admiring you for the steadfast way in which you disapprove of me.”

The Camp Fire Girls' Careers

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