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II

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My Dear O.D.—I was so glad to get your letter, because I was just going to write to you. What do you think? No, you'll never guess—shall I tell you?—no—yes—no; well, I've bought a pianola! It's really rather difficult to play it properly. I know people like Paderewski and—I can only think of Paderewski for the moment, I know that sort of person doesn't think much of the pianola artist; but they are quite wrong about it all. The mechanical agility with the fingers is nothing, the soul is everything. Now you can get the soul, the con molto expressione feeling, just as well in the pianola as in the piano. Of course you have to keep a sharp eye on the music. Some people roll it off just like a barrel-organ; but when I see Allegro or Andante or anything of that kind on the score, I'm on it like a bird. No time for more now, as I've just got a new lot of music in. Your loving, Thankyou. P.S.—When are you coming to hear me play? I did "Mumbling Mose" just now, with one hand and lots of soul. (Signed) Paderewski. P.P.S.—I am glad you can walk.

Happy Days

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