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Prologue.

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It is a cold wintry night in the year 1524, the fifteenth of the high and mighty Lord, Henry, Eighth of that name, “by the grace of God King of Great Britain, France, and Ireland,” as the heralds vainly style him.

All day long the clouds have been hanging over the forest of Avalon, heavy and dull as lead, and now towards eventide they descend in snow, an east wind arises, which blows the flakes before it, with such frantic violence, that their direction seems almost parallel to the earth, penetrating every nook of the forest, filling each hollow.

Darkness descends upon the earth, as the storm increases; it is dark everywhere, but darkest in the depths of the sombre wood, amidst the tangled copse, beneath the bare branches of the huge oaks, which wave wildly as if in torture, and anon fall with a crash which startles the boldest beasts of the forest.

A road leads through the heart of this mighty wood, leads towards the famous Abbey-town of Glastonbury, where as folks say Joseph of Arimathæa arrived long ago, and planting his staff, which grew like Aaron’s rod, and put forth buds, determined the site of the future Benedictine Monastery. Do they not yet show the strange foreign thorn tree which grew from that holy staff?[3]

But we are in the wood, and happy were it for us, if we could but rest before the huge fire which imagination pictures in that far off great chamber of the Abbey.

Through the darkness comes a step softly falling on the snow; it draws nearer, and dim outlines become distinct. It is a woman and she carries an infant.

A woman and her child out to-night! the Saints preserve them, especially S. Joseph of Glastonbury; with what a timid glance too she looks behind her from time to time. Does she fear pursuit?

See how she clasps the child to her breast, how she wraps her robe around it, regardless of the exposure of her own person: poor mother, what has brought her out in this wild night? Alas, her strength seems failing: see she stumbles, almost falls, the wind blows so fiercely that she can hardly stand against it—she stumbles again.

We, as invisible spectators, stand beneath the shade, or what would be in summer the shade of a spreading beech; around its base there is a mossy bank, gently rising, or rather would be were it not covered with snow.

She approaches the tree and falls on the slope as one who can do no more, who gives up the struggle.

Still she shelters the poor babe.

An hour passes away, she lies as if dead, only there is a ceaseless cry from the child, and from time to time a faint moan from the mother.

Look, there is a light in the wood; it is moving, and now a heavy step, crushing the frozen snow; it is a countryman, and he carries a horn lantern.

A dog, a shepherd’s dog, runs by his side.

Will the man pass the tree?—yes he may but the dog will not; see he is “pointing,” and now he runs to his master, and takes hold of the skirts of his smock.

“What have we here? S. Joseph help us! a woman! Why mistress what doest thou here? Get up, or thou wilt be frozen stiff and stark before morning.”

Only a moan in answer: he stoops down and gently, for a rustic, looks at her face; he does not know her, but he sees by the dress and by something indescribable in the face, that she is one of “gentle blood.”

“Canst thou not move?”

Another moan.

He strives to raise her, and the dog looks wistfully on, as if in full sympathy. Thy canine heart, poor Tray, is softer than that of the men who drove her forth to-night.

Ah, that is right; she takes courage, strives to rise—no, she is down again.

“I cannot,” she says, “my limbs are frozen; take the child, save my Cuthbert.”

“I would fain save you both,” says the man, but he strives in vain to do so, it is beyond his power to carry them, and she can move no further; she but rises to sink again on the bank, her limbs have lost their power.

“Take my child,” she says once more, “and leave me to die; heaven is kinder than man, and the good angels are very near.”

The yeoman, for such he is, hesitates, “No one shall say that Giles Hodge forsook thee in thy strait, yet, there is the keeper’s cottage within a mile, if I run and take the babe, I may come back and save thee.”

“Go, go, for heaven’s sake, my boy must live, his precious life must be saved, then come back for me; he is the heir of”—

Here her voice failed her.

“She speaks the words of wisdom,” says Giles, and he takes the babe, leaving the shawl wrapped round the mother.

“Nay, the shawl, take the shawl for the babe.”

“I can carry it ’neath my smock, and ’twill come to no harm, thou wouldst die without it.”

She starts up, imprints one fervent kiss upon the babe ere it leaves her; alas, it is the last feeble outcome of strength.

Giles runs along the road, as fast as the ground, heavy with snow, and the wind, will permit him; he reaches the house of Stephen Ringwood, the deputy keeper; it is now Curfew time, and the honest woodman is just putting out his fire to go to bed.

“Stephen, Stephen,” shouts Giles, as he knocks at the door.

A loud and heavy barking from the throats of deep-chested dogs.

“Who is there?”

“Thy old crony, Giles Hodge; open to me at once.”

The door opens. “What Saint has sent thee here! and a babe too?”

“Oh, Stephen, come directly, and help me bring the mother in; she is out in the snow, spent with toil, and if we arrive not soon she will be dead.”

“I have some warm milk on the fire; here, Susan, give some to the babe and give me the rest,” and putting it into a horn, the two started back, leaving the infant with the keeper’s wife.

They reach the tree again.

How still she is.

Giles trembles, bless his tender heart. It is no discredit to thy manhood, Giles.

“Yes, she is dead, she has given her last kiss to the babe.”

They put together some short poles and cord they have brought, which make a sort of litter.

“Carry her gently, Stephen,” says Giles as he wipes his eyes with the sleeves of his smock, “carry her gently, she said the good angels were near her, and I believe they are watching us now, if they are not on the road to paradise with her soul.”


The Last Abbot of Glastonbury: A Tale of the Dissolution of the Monasteries

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