Читать книгу Man, Past and Present - A. H. Keane - Страница 15
THE AFRICAN NEGRO: I. SUDANESE
ОглавлениеConspectus—The Negro-Caucasic "Great Divide"—The Negro Domain—Negro Origins—Persistence of the Negro Type—Two Main Sections: Sudanese and Bantus—Contrasts and Analogies—Sudanese and Bantu Linguistic Areas—The "Drum Language"—West Sudanese Groups—The Wolofs: Primitive Speech and Pottery; Religious Notions—The Mandingans: Culture and Industries; History; the Guiné and Mali Empires—The Felups: Contrasts between the Inland and Coast Peoples; Felup Type and Mental Characters—Timni—African Freemasonry—The Sierra Leonese—Social Relations—The Liberians—The Krumen—The Upper Guinea Peoples—Table of the Gold Coast and Slave Coast Tribes—Ashanti Folklore—Fetishism; its true inwardness—Ancestry Worship and the "Customs"—The Benin Bronzes—The Mossi—African Agnostics—Central Sudanese—General Ethnical and Social Relations—The Songhai—Domain—Origins—Egyptian Theories—Songhai Records—The Hausas—Dominant Social Position—Speech and Mental Qualities—Origins—Kanembu; Kanuri; Baghirmi; Mosgu—Ethnical and Political Relations in the Chad Basin—The Aborigines—Islám and Heathendom—Slave-Hunting—Arboreal Strongholds—Mosgu Types and Contrasts—The Cultured Peoples of Central Sudan—Kanem-Bornu Records—Eastern Sudanese—Range of the Negro in Eastern Sudan—The Mabas—Ethnical Relations in Wadai—The Nubas—The Nubian Problem—Nubian Origins and Affinities—The Negro Peoples of the Nile-Congo Watersheds—Political Relations—Two Physical Types—The Dinka—Linguistic Groups—Mental Qualities—Cannibalism—The African Cannibal Zone—Arts and Industries—High Appreciation of Pictorial Art—Sense of Humour.