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Chapter V.
The Release from Prison

Оглавление

A.D. 1794-A.D. 1795

Robespierre

M. Tallien

The overthrow of Robespierre, and the consequent escape of Josephine from the doom impending over her, was in the following manner most strangely accomplished. The tyranny of Robespierre had become nearly insupportable. Conspiracies were beginning to be formed to attempt his overthrow. A lady of great beauty and celebrity, Madame de Fontenay, was imprisoned with Josephine. M. Tallien, a man of much influence with a new party then rising into power, had conceived a strong attachment for this lady, and, though he could not safely indulge himself in interviews with her in prison, he was in the habit of coming daily to the Convent of the Carmelites that he might have the satisfaction of catching a glimpse of the one he loved through her grated window.

Madame de Fontenay

A lover's device

Madame de Fontenay had received secret intelligence that she was soon to be led before the Convention for trial. This she knew to be but the prelude of her execution. That evening M. Tallien appeared as usual before the guarded casement of the Carmelites. Madame de Fontenay and Josephine, arm in arm, leaned against the bars of the window, as if to breathe the fresh evening air, and made a sign to arrest M. Tallien's particular attention. They then dropped from the window a piece of cabbage-leaf, in which Madame de Fontenay had inclosed the following note:

"My trial is decreed – the result is certain. If you love me as you say, urge every means to save France and me."

Execution of Robespierre decreed

He is guillotined

With intense interest, they watched the motions of M. Tallien until they saw him take the cabbage-leaf from the ground. Roused by the billet to the consciousness of the necessity of immediate action, he proceeded to the Convention, and, with the impassioned energy which love for Madame de Fontenay and hatred of Robespierre inspired, made an energetic and fearless assault upon the tyrant. Robespierre, pale and trembling, saw that his hour had come. A decree of accusation was preferred against him, and the head of the merciless despot fell upon that guillotine where he had already caused so many thousands to perish. The day before Josephine was to have been executed, he was led, mangled and bleeding, to the scaffold. He had attempted to commit suicide. The ball missed its aim, but shattered his jaw. The wretched man ascended the ladder, and stood upon the platform of the guillotine. The executioners tore the bandage from his mangled face, that the linen might not impede the blow of the ax. Their rude treatment of the inflamed wound extorted a cry of agony, which thrilled upon the ear of the assembled crowd, and produced a silence as of the grave. The next moment the slide fell, and the mutilated head was severed from the body. Then the very heavens seemed rent by one long, loud, exulting shout, which proclaimed that Robespierre was no more!

Singular mode of conveying information

Pantomimic representation of Robespierre's fall

The death of Robespierre arrested the ax which was just about to fall upon the head of Josephine. The first intimation of his overthrow was communicated to her in the following singular manner. Madame d'Aiguillon was weeping bitterly, and sinking down with faintness in view of the bloody death to which her friend was to be led on the morrow. Josephine, whose fortitude had not forsaken her, drew her almost senseless companion to the window, that she might be revived by the fresh air. Her attention was arrested by a woman of the lower orders in the street, who was continually looking up to the window, beckoning to Josephine, and making many very singular gestures. She seemed to desire to call her attention particularly to the robe which she wore, holding it up, and pointing to it again and again. Josephine, through the iron grating, cried out Robe. The woman eagerly gave signs of assent, and immediately took up a stone, which in French is Pierre. Josephine again cried out pierre. The woman appeared overjoyed on perceiving that her pantomime began to be understood. She then put the two together, pointing alternately to the one and to the other. Josephine cried out Robespierre. The woman then began to dance and shout with delight, and made signs of cutting off a head.

This pantomime excited emotions in the bosom of Josephine which cannot be described. She hardly dared to believe that the tyrant had actually fallen, and yet she knew not how else to account for the singular conduct of the woman. But a few moments elapsed before a great noise was heard in the corridor of the prison. The turnkey, in loud and fearless tones, cried out to his dog, "Get out, you cursed brute of a Robespierre!" This emphatic phraseology convinced them that the sanguinary monster before whom all France had trembled was no longer to be feared. In a few moments the glad tidings were resounding through the prison, and many were in an instant raised from the abyss of despair to almost a delirium of bliss. Josephine's bed was restored to her, and she placed her head upon her pillow that night, and sank down to the most calm and delightful repose.

Universal joy caused by the death of the tyrant

No language can describe the transports excited throughout all France by the tidings of the fall of Robespierre. Three hundred thousand captives were then lingering in the prisons of Paris awaiting death. As the glittering steel severed the head of the tyrant from his body, their prison doors burst open, and France was filled with hearts throbbing with ecstasy, and with eyes overflowing with tears of rapture. Five hundred thousand fugitives were trembling in their retreats, apprehensive of arrest. They issued from their hiding-places frantic with joy, and every village witnessed their tears and embraces.

Josephine released from captivity

Gloomy prospect

The new party which now came into power with Tallien at its head, immediately liberated those who had been condemned by their opponents, and the prison doors of Josephine were thrown open to her. But from the gloom of her cell she returned to a world still dark and clouded. Her husband had been beheaded, and all his property confiscated. She found herself a widow and penniless. Nearly all of her friends had perished in the storms which had swept over France. The Reign of Terror had passed away, but gaunt famine was staring the nation in the face. They were moments of ecstasy when Josephine, again free, pressed Eugene and Hortense to her heart. But the most serious embarrassments immediately crowded upon her. Poverty, stern and apparently remediless, was her lot. She had no friends upon whom she had any right to call for aid. There was no employment open before her by which she could obtain her subsistence; and it appeared that she and her children were to be reduced to absolute beggary. These were among the darkest hours of her earthly career. It was from this abyss of obscurity and want that she was to be raised to a position of splendor and of power such as the wildest dreams of earthly ambition could hardly have conceived.

Heartlessness of Marat

Eugene apprenticed to an artisan

Though Robespierre was dead, the strife of rancorous parties raged with unabated violence, and blood flowed freely. The reign of the mob still continued, and it was a mark of patriotism demanded by the clamors of haggard want and degradation to persecute all of noble blood. Young girls from the boarding-schools, and boys just emerging from the period of childhood, were beheaded by the guillotine. "We must exterminate," said Marat, "all the whelps of aristocracy." Josephine trembled for her children. Poverty, and the desire of concealing Eugene among the mass of the people, induced her to apprentice her son to a house-carpenter. For several months Eugene cheerfully and laboriously toiled in this humble occupation. But the sentiments he had imbibed from both father and mother ennobled him, and every day produced new developments of a lofty character, which no circumstances could long depress.

Kindness of Josephine's friends

Let such a woman as Josephine, with her cheerful, magnanimous, self-sacrificing, and generous spirit, be left destitute in any place where human beings are congregated, and she will soon inevitably meet with those who will feel honored in securing her friendship and in offering her a home. Every fireside has a welcome for a noble heart. Madame Dumoulin, a lady of great elevation of character, whose large fortune had by some chance escaped the general wreck, invited Josephine to her house, and freely supplied her wants. Madame Fontenay, also, who was a woman of great beauty and accomplishments, soon after her liberation was married to M. Tallien, to whom she had tossed the note, inclosed in a cabbage-leaf, from her prison window. It was this note which had so suddenly secured the overthrow of the tyrant, and had rescued so many from the guillotine. They both became the firm friends of Josephine. Others, also, soon became strongly attracted to her by the loveliness of her character, and were ambitious to supply all her wants.

She recovers her property

Through M. Tallien, she urged her claim upon the National Convention for the restoration of her confiscated property. After a long and tedious process, she succeeded in regaining such a portion of her estate as to provide her amply with all the comforts of life. Again she had her own peaceful home, with Eugene and Hortense by her side. Her natural buoyancy of spirits rose superior to the storms which had swept so mercilessly over her, and in the love of her idolized children, and surrounded by the sympathies of appreciative friends, days of serenity, and even of joy, began to shine upon her.

A domestic scene

A domestic scene occurred in the dwelling of Josephine on the anniversary of the death of M. Beauharnais peculiarly characteristic of the times and of the French people. Josephine called Eugene to her room, and presented to him a portrait of his father. "Carry it to your chamber, my son," she said, "and often let it be the object of your contemplations. Above all, let him whose image it presents be your constant model. He was the most amiable of men; he would have been the best of fathers."

Eugene was a young man of that enthusiastic genius which is the almost invariable accompaniment of a noble character. His emotions were deeply excited. With the characteristic ardor of his countrymen, he covered the portrait with kisses, and wept freely. Josephine folded her noble boy in her embrace, and they mingled their tears together.

A new order of knighthood

In the evening, as Josephine was sitting alone in her parlor, her son entered, accompanied by six young men, his companions, each decorated with a copy of the portrait of M. Beauharnais suspended from the neck by a black and white ribbon. "You see," said Eugene to his mother, "the founders of a new order of knighthood. Behold our tutelary saint," pointing to the portrait of his father. "And these are the first members." He then introduced his youthful companions to his mother.

The Order of Filial Love

"Ours," he continued, "is named the Order of Filial Love; and, if you would witness the first inauguration, pass with these gentlemen into the small drawing-room."

Inauguration

Decorations of the room

Josephine entered the drawing-room with the youthful group, and found it very tastefully ornamented with garlands of ivy, roses, and laurels. Inscriptions, taken from the printed discourses or remarkable sayings of M. Beauharnais, were suspended upon the walls. Girandoles, with lighted tapers, brilliantly illuminated the room. An altar was erected, hung with festoons of flowers, and upon this altar was placed the full-length portrait of M. Beauharnais. Three crowns of white and red roses were suspended from the picture-frame, and in front were placed two vases with perfumes.

The oath

The young gentlemen ranged themselves about the altar in perfect silence, and, at a concerted signal, eagerly unsheathed the swords which they wore at their sides, and, clasping hands, solemnly took the oath, "To love their parents, succor each other, and to defend their country." At this moment, Eugene, unfurling and waving a small banner, with its folds shaded the head of his father. "We then embraced each other," says Josephine, "mingling tears with smiles, and the most amiable disorder succeeded to the ceremonial of inauguration."

New organisation of social society

The fascination of Josephine's person and address drew multitudes of friends around her, and her society was ever coveted. As time softened the poignancy of her past sorrows, she mingled more and more in the social circles of that metropolis where pleasure and gayety ever reign. The terrible convulsions of the times had thrown the whole fabric of society into confusion. Great efforts were now made to revive the festivities of former days. Two centers of society were naturally established. The first included that in which Josephine moved. It was composed of the remains of the ancient nobility, who had returned to Paris with the fragments of their families and their shattered fortunes. Rigid economy was necessary to keep up any appearance of elegance. But that polish of manners which almost invariably descends from an illustrious ancestry marked all their intercourse. The humiliations through which the nobles had passed had not diminished the exclusiveness of their tastes. The other circle was composed of merchants and bankers who had acquired opulence in the midst of the confiscations and storms of revolution. The passion for display was prominent in all their assemblies, as is necessarily the case with those whose passport to distinction is wealth.

Josephine

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