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THE ENGLISH STAGE COMPANYAT THE ROYAL COURT THEATRE

‘For me the theatre is really a religion or way of life. You must decide what you feel the world is about and what you want to say about it, so that everything in the theatre you work in is saying the same thing … A theatre must have a recognisable attitude. It will have one, whether you like it or not.’

George Devine, first artistic director of the English Stage Company: notes for an unwritten book.


photo: Stephen Cummiskey

As Britain’ leading national company dedicated to new work, the Royal Court Theatre produces new plays of the highest quality, working with writers from all backgrounds, and addressing the problems and possibilities of our time.

“The Royal Court has been at the centre of British cultural life for the past 50 years, an engine room for new writing and constantly transforming the theatrical culture.” Stephen Daldry

Since its foundation in 1956, the Royal Court has presented premieres by almost every leading contemporary British playwright, from John Osborne’ Look Back in Anger to Caryl Churchill’ A Number and Tom Stoppard’ Rock ‘n’ Roll. Just some of the other writers to have chosen the Royal Court to premiere their work include Edward Albee, John Arden, Richard Bean, Samuel Beckett, Edward Bond, Leo Butler, Jez Butterworth, Martin Crimp, Ariel Dorfman, Stella Feehily, Christopher Hampton, David Hare, Eugène Ionesco, Ann Jellicoe, Terry Johnson, Sarah Kane, David Mamet, Martin McDonagh, Conor McPherson, Joe Penhall, Lucy Prebble, Mark Ravenhill, Simon Stephens, Wole Soyinka, Polly Stenham, David Storey, Debbie Tucker Green, Arnold Wesker and Roy Williams.

“It is risky to miss a production there.” Financial Times

In addition to its full-scale productions, the Royal Court also facilitates international work at a grass-roots level, developing exchanges which bring young writers to Britain and sending British writers, actors and directors to work with artists around the world. The research and play development arm of the Royal Court Theatre, The Studio, finds the most exciting and diverse range of new voices in the UK. The Studio runs play-writing groups including the Young Writers Programme, Critical Mass for Black, Asian and minority ethnic writers and the biennial Young Writers Festival. For further information, go to www.royalcourttheatre.com/playwriting/the-studio.


The Mistress Contract (Oberon Modern Plays)

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