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BOOK I
THE ENGLISH MAGICIANS
CHAPTER IV
MAGIC AND IMPOSTURE – A COUPLE OF KNAVES

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The secrecy, the mystery, and the supernatural pretensions associated with the so-called occult sciences necessarily recommended them to the knave and the cheat as instruments of imposition. If some of the earlier professors of Hermeticism, the first seekers after the philosophical stone, were sincere in their convictions, and actuated by pure and lofty motives, it is certain that their successors were mostly dishonest adventurers, bent upon turning to their personal advantage the credulous weakness of their fellow-creatures. With some of these the chief object was money; others may have craved distinction and influence; others may have sought the gratification of passions more degrading even than avarice or ambition. At all events, alchemy became a synonym for fraud: a magician was accepted as, by right of his vocation, an impostor; and the poet and the dramatist pursued him with the whips of satire, invective, and ridicule, while the law prepared for him the penalties usually inflicted upon criminals. These penalties, it is true, he very frequently contrived to elude; in many instances, by the exercise of craft and cunning; in others, by the protection of powerful personages, to whom he had rendered questionable services; and again in others, because the agent of the law did not care to hunt him down so long as he forbore to bring upon himself the glare of publicity. Thus it came to pass that generation after generation saw the alchemist still practising his unwholesome trade, and probably he retained a good deal of his old notoriety down to as late a date as the beginning of the eighteenth century. It must be admitted, however, that his alchemical pursuits gradually sank into obscurity, and that it was more in the character of an astrologer, and as a manufacturer of love-potions and philtres, of charms and waxen images – not to say as a pimp and a bawd – that he looked for clients. In the Spectator

Witch, Warlock, and Magician

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