Читать книгу The Friendship: Wordsworth and Coleridge - Adam Sisman - Страница 5

The street in Bristol where the Pantisocrats lived for most of 1795. Line drawing by Edmund New.

Racedown Lodge in Dorset, occupied by Wordsworth and his sister Dorothy from 1795 to 1797. Line drawing by Edmund New.

The Nether Stowey cottage, home of the Coleridge family from the end of 1796 until the middle of 1799. Line drawing by Edmund New, 1914.

Alfoxden Park, rented by William and Dorothy Wordsworth in 1797–98. Line drawing by Edmund New, 1914.

Wordsworth at the age of twenty-eight, by William Shuter. (Courtesy of the Division of Rare and Manuscript Collections, Cornell University Library)

Wordsworth aged thirty-six. Drawing by Henry Edridge. (Dove Cottage, The Wordsworth Trust)

Coleridge in 1798, by an unknown German artist. (Mrs Gardner)

Coleridge early in 1804, by James Northcote. (Dove Cottage, The Wordsworth Trust)

Silhouettes of Dorothy Wordsworth in 1806, and of Sara Hutchinson and Mary Wordsworth in 1827. (Dove Cottage, The Wordsworth Trust)

Miniatures of Sara Coleridge in 1809 (Getty Images) and of Annette Vallon, date unknown. (Dove Cottage, The Wordsworth Trust)

Hartley Coleridge, aged ten. (Frontispiece to Vol 1 of Hartley Coleridge’s Poems, 1851)

The Great Track over the top of the Quantocks, photographed in the 1930s. (Kit Houghton)

‘Alfoxton Park’ by Miss Sweeting, from a book of views published in the 1830s.

Greta Hall, illustrated in 1887. Postcard from Souvenir of the English Lakes. (Jeronime Palmer and Scott Ligertwood of Greta Hall, Keswick)

Landscape surrounding Greta Hall. Engraving from W. Westall’s original drawing. (Dove Cottage, The Wordsworth Trust)

Portrait of Robert Southey by James Sharpies, probably painted in 1795. (Bristol Museums, Galleries & Archives)

Self-portrait by William Hazlitt, painted c.1802. (Maidstone Museum and Art Gallery, Kent/The Bridgeman Art Library)

Thomas Poole. (Frontispiece to Thomas Poole and his Friends by Mrs Henry Sandford, 1888)

Charles Lamb, after an original drawing by Robert Hancock, 1798. (From Reminiscences of Samuel Taylor Coleridge and Robert Southey by Joseph Cottle, 1847)

Joseph Cottle. (Dove Cottage, The Wordsworth Trust)

Leathes Water (Thirlmere), a mezzotint based on a pencil and wash drawing by John Constable made in 1806. (Dove Cottage, The Wordsworth Trust)

Grasmere in the early nineteenth century, by George Fennel Robson. (Dove Cottage, The Wordsworth Trust)

Ullswater. Engraving by Miller after Allom, c.1830. (Getty Images)

Three contemporary drawings by John Harden of Brathay Hall, not far from Grasmere. (Abbot Hall Art Gallery, Kendal/The Bridgeman Art Library)

Dove Cottage, photographed early in the twentieth century. (Getty Images)

Part-title portraits: Southey (page 1) and Wordsworth (page 121) after original drawings by Robert Hancock, 1796 and 1798 respectively. From Reminiscences of Samuel Taylor Coleridge and Robert Southey by Joseph Cottle (1847). Coleridge (page 327) by Peter Vandyke, 1795. courtesy of the National Portrait Gallery, London.