Читать книгу The Hidden World of the Fox - Adele Brand - Страница 6
ОглавлениеVISUALISE A FOX: flame-orange on a white canvas, black paws and thick brush, pointed muzzle and diamond-sharp eyes. Now paint its native wildwood behind it – this fox is trotting through the undergrowth, exploiting trails within the brambles trampled by badgers. It leaves neat narrow tracks on mud softened by afternoon rain, and snags its fur on thorns in passing.
Woodland, farmland, hedgerows and weary old trees. Owls, hedgehogs, rutting deer. Dead man’s fingers – that is, grisly-looking black fungi – poking through sweet chestnut leaves in the autumn; woodpeckers playing rat-a-tat-tat on dying branches in the spring.
This is the classic British landscape of the classic British fox: the precious fragments of countryside saved from industrialised agriculture and overdevelopment. Ancient, intriguing, revitalising and poetic, our rural semi-wild has enchanted animal-focused authors from Beatrix Potter to Colin Dann of The Animals of Farthing Wood fame. The fox of tradition lives squarely within it, running under a cloud of mythology stirred by friend and foe alike.
But it is not the only fox of twenty-first-century Britain.
IMAGINE ANOTHER DUSK, this one after a day when chainsaws groaned and concrete mixers churned, and builders wolf-whistled at local women from a half-built rooftop. Woodland here is being transformed into a housing estate, rimmed by a newly built wall thick enough to please Hadrian, its bricks highlighted in passing by the headlights of commuter traffic.
A small vixen with a slender face and wary eyes tugs at chips dropped by the workmen, slicing artificially flavoured potatoes with enlarged molars called carnassials which define her species as a member of the Carnivora. She digs under the perimeter fence, and darts across the main road, feet fast and brush bouncing, passing me as I walk my dog. Ironic, perhaps, for wolves – the ancestor of dogs – once lived here too, feeding foxes through scraps of deer meat. The last Home Counties wolf was killed in Hampshire 800 years ago. The crowds returning from London have forgotten; perhaps the woodland has not. In an ecosystem, every extinction is like snapping a link in a chain.
But foxes themselves are in no danger of disappearing. Into a driveway the vixen turns, past trees native to China, through a side gate sealed against burglars, into a garden where another fox is burying Bakers Complete dog biscuits. The little vixen is an intruder in this territory. The resident flies at her, flipping her upside down, and skull-splitting screams – theatrical, but bloodless – pepper the night over the droning of the traffic.
She struggles free, and bolts back across the road into the fragmented woodland. Her motive for this daring if ill-fated trespass is obvious: she is lactating and needs food and water to produce milk for her cubs. She is driven by an unquenchable instinct to survive.
THAT WAS LAST YEAR’S DRAMA.
I haven’t seen that particular vixen for a few days; it is mid-March as I write this, and doubtless she is underground with a new litter. She has survived the last twelve months despite her wood being turned into houses with million-pound price tags, and despite the best efforts of the neighbouring fox group to keep her out of the garden. Her body language is tenser than theirs, her eyes a little sharper, and her habit of poking her muzzle through gaps in the fence never fails to amuse.
This is not the city; it is Surrey’s battered greenbelt. Despite the developers stalking the county like thieves eyeing up wallets, we still have rich and abundant wildlife between the golf courses, out-of-town supermarkets and ever slower M25. Yet only a few miles north of the endangered wildflowers thriving on our chalky hills, the mood changes. London town spikes our northern horizon with towers, giant wheels and an orange nocturnal haze. Somehow, once there, we consider it unremarkable that we have grown buildings taller than trees.
It is undeniably beautiful, that old city filled with lion statues. History smiles from every spire and road name, grand, grotesque or tragic. You fall into the rhythm of it: the river of people flowing from Victoria station in the mornings, the shouts of Big Issue sellers, tourists photographing themselves in St James’s Park. Cyclists speeding across pelican crossings, strangers apologising in the street when you bump into them, anti-war protesters perched on window frames with placards while weary police keep watch – it is such a human place.
Human, but full of foxes. Many thousands of them live in urban environments in Britain, from London to Edin- burgh.
We jolt at that, sometimes alarmed, sometimes happy that a being of the ancient wildwood can find a home in Britain’s sprawling capital – it feels a little out of sync, like an Elizabethan lady in ballroom dress among the revellers in All Bar One. The contrast between free wild animal and hard concrete street is vivid, irresistible, burning a place in our collective consciousness. Fed on television images that associate wildlife with wilderness, this displacement of ‘normal’ can beget either wonder or fear. Perhaps the social reserve in the British psyche leaves us puzzling over the correct etiquette. Upon seeing a fox, many people are not quite sure what to say.
So, instead, we have put the fox in the dock for questioning. We have accused it of trespassing into the human domain, of being cheeky, of spreading disease, harming pets, and even posing a significant risk to ourselves. Unperturbed, the fox strays ever further into our world, permeating our language, pop music, movies, pub names and television adverts. They are debated in offices, schools and Parliament. One was recently filmed by bemused journalists outside 10 Downing Street as they awaited the appearance of the prime minister. Another found fame climbing 72 floors of the Shard, and lives on in that monolith’s merchandise. Others have trotted onto the pitch in the middle of high-profile football matches.
Bizarrely, even our real courtrooms are not immune. Temping as a court officer to staunch debts after my graduation, I was surprised to hear the defendant in my very first criminal trial claim an alibi of being busy feeding a ‘baby’ fox. She was still found guilty; it is beyond the court’s powers to summon foxes as witnesses.
Foxes have filled my life, too; it has become a running joke among friends that wherever I go – from the Indian desert to the Yucatan rainforest – I am bound to meet one, usually sitting, as they do, watching me from a distance. They dominated my wildlife diaries as a child, were part of my academic studies in ecology, and have always been the most popular stars for the millions of visitors dropping by my corner of the internet. I have fostered orphaned cubs and injured adults for the Fox Project charity, and been privileged to observe and film some extraordinary fox behaviour in the wild. Mostly, however, I wish to know them as individuals, to learn the stories of their lives as honest biographer – and to be a mediator, hoping to keep the peace between human and fox.
Through that, I have crossed the trail of two foxes: the wild one which fills my spreadsheets with scientific data, and its non-identical twin that dwells in the human imagination. Twenty years of observing, photographing, and occasionally rescuing foxes have impressed on me just how very complex a neighbour we have in this small, curious member of the dog family. But the human response to wildlife can be just as nuanced. I’ve seen the extremes of it: the fear, the hate, the passion and kindness.
This matters. The world is now mostly humanised. There may be valleys in Tasmania which have never been explored, and tundra lakes in the great Canadian north that are lonely save for mosquitoes and caribou, but for many wild animals eking a living while you are reading these words, wilderness is irrelevant. They’re living on land that is controlled by humanity. From forests heavily managed for commercial timber to grasslands seeded with exotic crops and split by dangerous roads, many creatures must compensate daily for anthropogenic changes to landscapes that they occupied long before palaeontologists revealed the existence of deep time.
Yet this overlap zone, where civilisation and wilderness meet, is not devoid of biodiversity. With tolerance, respect or sometimes by simply ignoring, nature can thrive in the human shadow. Urban wildlife is here to stay, and not only in London. Leopards share the exotic bustle of Mumbai with twelve million people. Spotted hyenas scavenge rubbish in major African cities. Vancouver occasionally debates the pumas that stalk mule deer in suburban gardens. And foxes, no less controversial than the great carnivorans, have adapted to the new biome called ‘city’ from Aberdeen to Zurich, from the bitter winters of western Canadian metropolises to the scorching desert towns of Israel.
Sharing the same geographical space as wildlife brings out instincts in people that were more proportionate in days when we had to fend off sabre-tooth cats. In a world full of modern dangers, we are haunted by the idea of a primeval fate. The results of that fear can be ugly. I’ve watched Canadian police officers kill bears that were harming no one because, well, they just couldn’t be sure what tomorrow might bring. False widow spiders, coyotes, wolves, raccoons, foxes – they’ve all had their headlines.
But as night falls in my 1,300-year-old Surrey village, the other side of the equation swings into life. All down these streets are householders who will smile at a fox trotting across their lawn tonight. Fear may have grown as we have become ever more disconnected from nature, but so has a desire to rekindle that relationship. The small glimpse of a wild fox – and, it has to be said, the controversial practice of deliberately feeding them – brings a lot of happiness to many.
MY AIM WITH THIS BOOK is to explore how the red fox, a wild animal that evolved in the wildwood, has adapted with such dramatic success to modern Britain. This involves understanding the real fox as researched by cutting-edge science, and considering its behaviour, physical form and intelligence in the context of the world that it inhabited for thousands of centuries before finding us.
This is not a book about fox hunting. That argument has consumed multitudes of space elsewhere. Once the real creature displaces the mythological fox of hunters’ lore, and a vague sense that ‘populations must be controlled’ is replaced with scientific knowledge, the question of whether arbitrary cruelty is acceptable rather answers itself.
To a small extent, this is also a book about people: how we form our opinions of nature, and why honest observations can sometimes be misleading. To clarify, I am not anti-human. Environmentalists who are, doom themselves to an eternity of digging tunnels for Swampy and being ignored by decision-makers. Education is more effective than alienating the public with abrasive name-calling – a lesson some animal rights activists would do well to remember. Assuming that everyone who is concerned about foxes sharing their garden must be a paid-up member of the Countryside Alliance is about as realistic as Brer Fox designing a Tar Baby.
This great British public, these people whose world overlaps that of foxes – they are binmen, bankers, the bankrupt, golfers, mothers caught in traffic on the school run, even criminals.
This is you, England.
You are beautiful, heart-breaking, eccentric and implausible.
You are the people who foxes tolerate as neighbours.
The question is now, will you tolerate them?