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The bogus séance to force a confession

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At the end of Peril at End House Poirot arranges something very like a séance in End House, but it is really a variation on his usual ‘all-the-suspects-in-the-drawing-room’ ploy – although he does manage to elicit a confession. At the other end of a story is the séance in The Sittaford Mystery, where such an event is cleverly stage-managed in order to set a plot in motion.

Agatha Christie’s Complete Secret Notebooks

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