Читать книгу Whicker’s War and Journey of a Lifetime - Alan Whicker - Страница 14

During our serene sessions on the terrace of the Casa Cuseni we even had time to take silly shots for home consumption of ourselves larking about – ‘red-hots’, we called them.

I can’t remember the reason for such warriors’ relaxation. The photographs were taken in the morning, so demon vino was no excuse. Why then do grown men behave in such a way? I think we should be told.

I suspect dear old Alfred Black may have instigated the pictorial fooling around; son of George Black, the impresario who ran the Palladium and other theatres in London and Blackpool, he probably directed our light-hearted romps. The pictures were taken, I suspect, for the lovely Roma Beaumont, one of Ivor Novello’s leading ladies from The Dancing Years and such, who was also Alf’s wife. This was the only occasion I can recall during the war when we had the time or the taste for jolly frolics.

More seriously, we considered future picture-coverage of the war on the Italian mainland, which was going to mean splitting our Unit. First it had to be decided whether Captain Harry Rignold or I should lead our cameramen across the Straits at Réggio Calabria to cover the Eighth Army’s opening assault upon Italy.

The other would return to Africa to join the more militarily significant operation Buttress, the landing a week later up the coast near Salerno by the new and American-controlled Fifth Army. That bay, thirty-five miles south of Naples, was at the extreme limit of our vital air cover.

Rignold, my senior, had the choice of course. We had spent some days together driving and filming through central Sicily, and I had come to like and much admire him. Small and soft-spoken, he was a most unmilitary figure, but brave and eager. He had caught the excitement of an assault landing while filming at Narvik in Norway, May 1940. That landing was a combined operation and, like Dieppe, a considerable defeat – but for Harry a splendid photo opportunity. So he chose Salerno, the bigger story – and was killed on the beach. I went across the Straits of Messina with the 2nd Inniskilling Fusiliers – the ferocious ‘Skins’ – and landed safely. I had drawn another lucky card.

Taormina had been too good to last. Very soon we were reminded there was a war to be won, and our serenity each twilight had been a sort of mirage.

So we dispersed and set off to fight once again. Harry Rignold left for Africa with his cameramen, and on the evening of September 3 ’43 my sergeants and I boarded our LCIs in Catania docks. We were back at war as a sort of decoy invasion, hoping to lure German divisions down south and away from the coming Salerno landing.

As we settled in, the massed invasion fleet due to sail that night was attacked by German fighter-bombers. So much, we thought, for surprise. They already had the unwelcome mat out…

On the fourth anniversary of Britain’s entry into the war we sailed from the comforting shores of Sicily, where by now we felt we were at home among friends. The fleet assembled off the coast, and at dawn our silent armada approached the dark mountains and narrow beaches of Italy’s toe.

The Straits of Messina are less than three miles wide. Should we get into any trouble, I felt we could swim across, backwards or forwards. We were to land along a five-mile stretch of beach north of Réggio. It reminded me of our invasion of Sicily, but through a golden mist across a smoother sea. Already I was feeling like an assured veteran: been there, invaded that…

During our peaceful days in Taormina the Royal Artillery had drawn up all its biggest guns around Messina and now set about pinpointing and silencing any enemy batteries across the Straits.

As we neared our landing beach the massed gunners behind us used up the Royal Artillery’s Sicilian reserves of ammunition, supported by the rocket-firing devil-ships which were sailing alongside us. These were landing craft packed with launchers firing 800 five-inch rockets in 30 seconds. Each contained 301b of TNT. They tore open the sky with an insane howling madness that filled all men – friends and foe – with shock and fear.

There was no reply from the enemy artillery – and it was easy to understand why! Some shells crashed around us into the sea. They were ours, falling short – but even so, were not welcome. Friendly fire can hurt just as much. Still no answer from the enemy coast.

At 5.30am we hit the beach and ran inland to escape any German fire. It did not arrive. The Luftwaffe flew in to strafe and bomb, but otherwise the Eighth Army once again walked ashore almost unopposed. It seemed in the last few days the Wehrmacht had withdrawn to man its next defensive line across Italy – or perhaps had picked-up warning Intelligence about the coming landing at Salerno. We had fired 400 tons of HE at empty hillsides.

Encouraged by the absence of resistance, Driver Talbot and I set off to chase the enemy inland – but cautiously. We drove past huge Italian coastal guns near Pellaro, also made by Vickers in 1930, also unmanned. It was like a holiday drive, through lovely scenery.

Then, rounding a bend in the mountain road, we were confronted by an approaching column of a couple of hundred Italian soldiers bound for the invasion beach, all belligerently armed and evidently ready to resist our attack upon their homeland.

As Talbot froze in horror, it dawned upon me that my .38 Smith and Wesson revolver – our only armament – was still beneath my reissued kit at the bottom of my new kitbag. My old kitbag was still at the bottom of the Med. I was not a fearsome figure.

In that instant I realised, with regret, that I had been thinking too much about pictures when war is for fighting. In a film unit preoccupied with observation, it was all too easy to fall into the role of detached spectator – you can’t shoot me, Jerry, I’m just watching – when everyone else has taken sides and is trying to kill you.

At OCTU back in Barmouth I had absorbed the military dictum that Attack is the Best Form of Defence, so I leapt smartly from the jeep, using strong language and brandishing my camera. It was, at that moment, all I had to brandish.

To my surprise it was most effective. No one shot me – indeed, the massed Italians were delighted. Guns were put down, combs appeared, buttons done up, and the whole troop gathered around me manoeuvring for position, flashing eager smiles and showing their best sides for the picture. Look at me, Ma, I’m surrendering!

They were all going home, they told me, for the war was over between our nations and peace had been declared. This was quite inaccurate but at 200 to 2, I was not about to argue. Anything that made them happy was all right by me. I took loads of pictures and warmly commended them to our nearest fighting unit just a few miles down the road, regretting that I was unable to accept prisoners – or even co-belligerents – however amiable. In my experience this is not a ploy that works with the German Army.

During the whole jolly surrender I was earnestly hoping that the successful and invasion-happy Eighth Army would not suddenly come bursting around the corner in our footsteps, all guns blazing. Fortunately it was too far behind.

We parted with mutual expressions of relief and regard. Their eager surrender to the following infantry was, unfortunately, a little premature. Italy did not capitulate for another five days during which they all went, not home but towards the start of a journey to a POW camp in Africa, as its final prisoners.

They didn’t even get their prints. I still feel rather guilty about that…