TITLE | PLATE |
General view of Seville from the Giralda Tower, West side of the City. First view | 1 |
General view of Seville from the Giralda Tower, West side of the City. Second view | 2 |
General view of Seville from the Giralda Tower, East side | 3 |
General view of Seville from the Giralda Tower, Central part of the City | 4 |
General view of Seville from the Giralda Tower, North side | 5 |
Procession of the Conception of the Virgin passing through the Plaza de San Francisco | 6 |
View of Seville | 7 |
View of Seville | 8 |
View of Seville | 9 |
View of Seville | 10 |
View of Seville | 11 |
View of Seville | 12 |
View of Seville | 13 |
View of Seville | 14 |
Bridge over the Guadalquivir | 15 |
Hercules Avenue | 16 |
The Plaza Nueva | 17 |
View of Triana from the Tower of Gold | 18 |
View of Seville from Triana | 19 |
View of Seville from Triana | 20 |
The Tower of Gold from San Telmo | 21 |
A street in Seville | 22 |
The Tower of Gold | 23 |
Church of San Marcos, from the Palace of the Dueñas | 24 |
Church of San Marcos | 25 |
Court of the Hotel de Madrid | 26 |
Hospital, with the Mosaics painted by Murillo | 27 |
Portal of the Convent of Santa Paula | 28 |
Church of Santa Catalina | 29 |
Church of Todos Santos | 30 |
The Provincial Museum, with Murillo’s statue | 31 |
Statue of Murillo | 32 |
General view of the Town Hall | 33 |
The Town Hall, left side | 34 |
The Town Hall, left side, detail of the interior angle | 35 |
Door of the Town Hall | 36 |
The Town Hall, detail of the principal part | 37 |
General view of the Town Hall | 38 |
The Town Hall, detail of the façade | 39 |
The Town Hall, detail of the principal door | 40 |
Window in the Town Hall | 41 |
Principal facade of the Tobacco Factory | 42 |
The Tobacco Factory | 43 |
Cigar makers, Seville | 44 |
The “Sevillanas” Dance | 45 |
Sevillian Costumes—A Courtyard | 46 |
General view of the Exchange | 47 |
Court in the Exchange | 48 |
The Aceite Postern and ancient ramparts | 49 |
The Roman walls near the gate of the Macarena | 50 |
The Roman Amphitheatre of Italica | 51 |
General view of the Palace of San Telmo from the River | 52 |
Principal Portal of the San Telmo Palace | 53 |
Interior of the Hall of Columns in the San Telmo Palace | 54 |
Interior view of the Duke of Montpensier’s study in San Telmo | 55 |
Various objects found in the sepulchres at San Telmo. (In the Palace of San Telmo) | 56 |
Palms in the Gardens of San Telmo | 57 |
The sepulchres of the victims of Don Juan Tenorio in the Gardens of San Telmo | 58 |
The Roman Sepulchres in the Gardens of San Telmo | 59 |
View in the Gardens of San Telmo | 60 |
The Aviary in the Gardens of San Telmo | 61 |
The River in the Gardens of San Telmo | 62 |
The Cocoa Tree and east side of San Telmo | 63 |
The Zapote, a tree in the Gardens of San Telmo | 64 |
The Island and River in the Gardens of San Telmo | 65 |
The Yucca, a rare tree in the Gardens of San Telmo | 66 |
General view of the Hospital de la Sangre | 67 |
Church of the Sagrario, north side | 68 |
Principal façade of the Hospital de la Sangre | 69 |
Porch of the Church of the Hospital de la Sangre | 70 |
Bas-relief, Hospital de la Sangre, the work of Torregiano | 71 |
General view of the exterior of the Cathedral | 72 |
The Giralda, from the Patio de los Naranjos | 73 |
The top of the Giralda | 74 |
The Dancing Choir-boys, Seville Cathedral | 75 |
Dancing-boys, Seville Cathedral | 76 |
The Gate of the Archbishop | 77 |
Plaza de San Francisco, with the Giralda and Cathedral | 78 |
Plaza del Triunfo, the Cathedral, and the Exchange, from the Gate of the Lion | 79 |
The Fête | 80 |
Gate of San Miguel in the Cathedral | 81 |
Gate of the Cathedral called de las Campanillas | 82 |
Gate of the Baptist in the Cathedral | 83 |
The Gate of the Lizard in the Cathedral | 84 |
General view of the Cathedral from the Tribune of the principal door | 85 |
Principal Sacristy in the Cathedral | 86 |
Principal Entrance to the Cathedral | 87 |
Interior view of the Principal Sacristy in the Cathedral | 88 |
The Gamba Chapel | 89 |
The Cathedral, the Gamba Chapel, and entrance to that of the Antigua | 90 |
Chapels of the Conception and the Annunciation in the Cathedral | 91 |
The Cathedral. The Chapel of the Conception | 92 |
The Cathedral. Detail of the High Altar | 93 |
The Cathedral. Retablo, or altar-piece of the High Altar | 94 |
Iron railings of the lateral part of the High Altar | 95 |
The Cathedral. Wrought-iron screen in the Choir | 96 |
The Cathedral. Wrought-iron screen of the High Altar | 97 |
St Christopher carrying the Child Jesus, by Mateo Perez Alesio, in the Cathedral | 98 |
San Fernando Square | 99 |
Gardens of the Alcazar | 100 |
General view of the Gardens of the Alcazar | 101 |
View of the Gardens of the Alcazar | 102 |
General view of the Gardens of the Alcazar | 103 |
The Gardens of the Alcazar. Lake and Gallery of Don Pedro I., the Cruel | 104 |
The Gardens of the Alcazar. View of the Gallery of Don Pedro I., the Cruel | 105 |
The Hothouses in the Gardens of the Alcazar | 106 |
Calle de las Vedras in the Gardens of the Alcazar | 107 |
The Gardens of the Alcazar. Parterre of Doña Maria de Padilla | 108 |
The Alcazar. Baths of Doña Maria de Padilla | 109 |
Magnificent altar in faience, painted in the fifteenth century. (In the Oratory of the Catholic Sovereigns in the Alcazar.) | 110 |
Town Hall of Seville. Details of doors and balconies | 111 |
Town Hall of Seville. Details | 112 |
Parish Church of San Marcos | 113 |
Various Towers of Seville | 114 |
Details of the Mosaic commonly called El Grande | 115 |
Sculpture and details of ancient churches | 116 |
Architectural parts, bas-reliefs, and ceramic objects | 117 |
Façade of the Consistorial houses | 118 |
Entrance to the Alcazar, Seville | 119 |
Principal Façade of the Alcazar | 120 |
Gate of the principal entrance, Alcazar | 121 |
Interior of the Hall of Ambassadors, Alcazar | 122 |
Hall of Ambassadors, Alcazar | 123 |
Interior of the Hall of Ambassadors, Alcazar | 124 |
Interior of the Hall of Ambassadors, Alcazar | 125 |
Hall of Ambassadors, Alcazar | 126 |
Hall of Ambassadors, Alcazar | 127 |
Hall of Ambassadors. Alcazar | 128 |
Upper part of the Court of the Dolls, Alcazar | 129 |
Court of the Dolls from the Room of the Prince, Alcazar | 130 |
Court of the Dolls, Alcazar | 131 |
Angle in the Court of the Dolls, Alcazar | 132 |
Court of the Dolls, Alcazar | 133 |
Court of the Dolls, Alcazar | 134 |
Court of the Dolls, Alcazar | 135 |
Court of the Dolls, Alcazar | 136 |
Court of the Dolls, Alcazar | 137 |
Court of the Dolls, Alcazar | 138 |
Gallery on the second storey of the Court of the Dolls, Alcazar | 139 |
Upper part of the Court of the Dolls, Alcazar | 140 |
Upper part of the Court of the Dolls, Alcazar | 141 |
Entrance to the Dormitory of the Moorish Kings, Alcazar | 142 |
Dormitory of the Moorish Kings, Alcazar | 143 |
Front of the sleeping-saloon of the Moorish Kings, Alcazar | 144 |
Sleeping-saloon of the Moorish Kings, Alcazar | 145 |
Intercolumniation, where Don Fadrique was assassinated, Alcazar | 146 |
Sultana’s Quarters, Alcazar | 146 |
Room in which King St Ferdinand died, Alcazar | 147 |
Interior of the Hall of St Ferdinand, Alcazar | 148 |
Front of the Hall of St Ferdinand, Alcazar | 149 |
Gate of the Hall of St Ferdinand, Alcazar | 150 |
Gallery of the Hall of St Ferdinand, Alcazar | 151 |
Throne of Justice, Alcazar | 152 |
Court of the Hundred Virgins, Alcazar | 153 |
Court of the Virgins, Alcazar | 154 |
General view of the Court of the Hundred Virgins, Alcazar | 155 |
Court of the Virgins, Alcazar | 156 |
Front of the Dormitory of the Moorish Kings and the Court of the Virgins, Alcazar | 157 |
Gallery in the Court of the Virgins, Alcazar | 158 |
The Court of the Virgins, Capital of the door of the Hall of Ambassadors, Alcazar | 159 |
The Alcazar. Court of the Virgins. Capital of the gate of the Hall of Charles V. | 160 |
Palace of the Dueñas, Door of the Chapel | 161 |
Palace of the Dukes of Alcalá, commonly called Casa de Pilatos | 162 |
The Court in the House of Pilate | 163 |
Court of the House of Pilate | 164 |
Gallery in the Court of the House of Pilate | 165 |
House of Pilate | 166 |
Gallery in the Court of the House of Pilate | 167 |
Angle and statue in the House of Pilate | 168 |
House of Pilate. Entrance to the ante-room of the Chapel | 169 |
The staircase in the House of Pilate, by Barrera | 170 |
House of Pilate. Entrance door of the Oratory | 171 |
House of Pilate. Way out to the flat roofs in the High Gallery | 172 |
Staircase in the House of Pilate | 173 |
House of Pilate. Doors of the officers in the High Gallery | 174 |
House of Pilate. Window of the Prætor’s Hall leading to the Garden | 175 |
House of Pilate. Barred window in the Prætor’s Garden | 176 |
House of Pilate. Bolt on the Prætor’s Gate | 177 |
House of Pilate. Window in the Ante-room of the Chapel | 178 |
House of Pilate. Section of the ceiling in the Prætor’s Hall | 179 |
Palace of the Dueñas in Seville | 180 |
House of Pilate. Mosaics in the Hall of the Fountain | 181 |
Palace of the Dueñas in Seville. Glazed tiles in the socles of the Chapel and arches | 182 |
Mosaic of the Peristyle in the Palace | 183 |
House of Pilate. Mosaic in the Hall of the Fountain | 184 |
Mosaic in the Court of the House of Pilate | 185 |
Mosaic in the Court of the House of Pilate | 186 |
Mosaic in the Court of the House of Pilate | 187 |
House of Pilate. Mosaic in the Chapel | 188 |
Bartolomé Esteban Murillo. Born in Seville, 1617 | 189 |
Altar-screen of the La Gamba, by Luis de Vargas. Seville Cathedral | 190 |
“Descent from the Cross,” by Pedro Campaña, Seville Cathedral | 191 |
“St Anthony of Padua visited by the Infant Saviour while kneeling at his prayers,” by Murillo. Seville Cathedral | 192 |
“Our Lord baptized by St John Baptist,” by Murillo. Seville Cathedral | 193 |
“The Guardian Angel,” by Murillo. Seville Cathedral | 194 |
“St Leander,” by Murillo. Seville Cathedral | 195 |
“St Isidore,” by Murillo. Seville Cathedral | 196 |
“St Ferdinand, crowned and robed,” by Murillo. Seville Cathedral | 197 |
“Madre Francisca Dorotea Villalda,” by Murillo. Seville Cathedral | 198 |
“St Anthony with the Infant Saviour,” by Murillo. Seville Museum | 199 |
“Our Lady of the Immaculate Conception,” by Murillo. Seville Museum | 200 |
“Our Lady of the Immaculate Conception,” by Murillo. Seville Museum | 201 |
“Our Lady of the Immaculate Conception,” by Murillo. Seville Museum | 202 |
“Our Lady of the Immaculate Conception,” by Murillo. Seville Museum | 203 |
“St Justa and St Rufina, Patron Saints of Seville, holding between them the Giralda Tower,” by Murillo. Seville Museum | 204 |
“St Bonaventure and St Leander,” by Murillo. Seville Museum | 205 |
“St Thomas of Villanueva, giving alms at the door of his Cathedral,” by Murillo. Seville Museum | 206 |
“The Annunciation of Our Lady,” by Murillo. Seville Museum | 207 |
“St Felix of Cantalisi, restoring to Our Lady the Infant Saviour, whom she had placed in his arms,” by Murillo. Seville Museum | 208 |
“Adoration of the Shepherds of Bethlehem,” by Murillo. Seville Museum | 209 |
“St Peter Nolasco kneeling before Our Lady of Mercy,” by Murillo. Seville Museum | 210 |
“The Deposition,—St Francis of Assisi supporting the body of Our Lord nailed by the left hand to the Cross,” by Murillo. Seville Museum | 211 |
“St Joseph and the Infant Saviour,” by Murillo. Seville Museum | 212 |
“St John the Baptist in the Desert leaning against a rock,” by Murillo. Seville Museum | 213 |
“St Augustine and the Flaming Heart,” by Murillo. Seville Museum | 214 |
“St Felix of Cantalisi and the Infant Jesus,” known as “San Felix de las Arrugas,” by Murillo. Seville Museum | 215 |
“St Anthony with the Infant Saviour,” by Murillo. Seville Museum | 216 |
“Deposition from the Cross,” by Murillo. Seville Museum | 217 |
“Our Lady with the Infant Saviour in her Arms,” by Murillo. (An early picture.) Seville Museum | 218 |
“Our Lady and the Infant Saviour,” known as “La Virgen de la Servilleta,” by Murillo. Seville Museum | 219 |
“Our Lady seated, with the Infant Saviour in her lap,” by Murillo. (An early picture.) Seville Museum | 220 |
“St Thomas of Aquin,” by Zurbarán. Seville Museum | 221 |
“The Virgin of the Grotto,” by Zurbarán. Seville Museum | 222 |
“St Bruno talking to the Pope,” by Zurbarán. Seville Museum | 223 |
“The Day of Judgment,” by Martin de Vos. Seville Museum | 224 |
“Our Lady of the Immaculate Conception,” by J. Valdes Leal. Seville Museum | 225 |
“Jesus crowning St Joseph,” by Zurbarán. Seville Museum | 226 |
“The Devout Punyon,” by Zurbarán. Seville Museum | 227 |
“Our Lady of the Immaculate Conception,” the Virgin surrounded by Cherubim, by Fr. Pacheco. Seville Museum | 228 |
“Our Lord’s Miracle of the Loaves and Fishes,” by Murillo. Seville Hospital | 229 |
“Moses striking the Rock in Horeb,” by Murillo. La Caridad, Seville | 230 |
“St John of God, sinking under the weight of a sick man, assisted by an Angel,” by Murillo. La Caridad, Seville | 231 |
“The Death of St Hermenigild” by J. de las Roelas. Hospital de la Sangre, Seville | 232 |
“The Apostleship,” by Juan de las Roelas. Hospital de la Sangre, Seville | 233 |
“The End of this World’s Glories,” by Valdes Leal. La Caridad, Seville | 234 |
“Pietà, or the Virgin supporting the dead body of her Divine Son,” altar-screen, by Luis de Vargas. Santa Maria la Blanca, Seville | 235 |
“St Joseph, holding the Infant Saviour in his arms,” by Murillo. San Telmo, Seville | 236 |
“Our Lady of the Girdle,” by Murillo, San Telmo, Seville | 237 |
“Portrait of Ferdinand VII.,” by Goya. San Telmo, Seville | 238 |
“Portrait of Charles IV.,” by Goya. San Telmo, Seville | 239 |
“The Annunciation,” by F. Zurbarán. San Telmo, Seville | 240 |
“The Death of Laocoon and his Sons at the Siege of Troy,” by El Greco. San Telmo, Seville | 241 |
“Caton of Utique tearing open his wounds,” by Josef Ribera. San Telmo, Seville | 242 |
“Pietà. The Virgin holding the dead Saviour in her arms,” by Morales. San Telmo, Seville | 243 |
“Portrait of El Greco,” by himself. Gallery of San Telmo, Seville | 244 |
“The Miracle of St Vœu. St Hugo in the refectory with several Chartreux,” by Zurbarán. Seville Museum | 245 |
“The Martyrdom of St Andrew,” by J. de las Roelas. Seville Museum | 246 |
“The Last Supper,” by P. de Cespedes. Seville Museum | 247 |
“Christ on the Cross,” by Zurbarán. Seville Museum | 248 |
Portrait of the figure in Pacheco’s picture at Seville, supposed to represent Cervantes | 249 |
“The Virgin and the Child Jesus,” by Alonso Cano. Seville Cathedral | 250 |
“The Descent from the Cross,” by Alego Fernandez. Seville Cathedral | 251 |
The Cathedral | 252 |
The Giralda | 253 |
The Giralda | 254 |
Cathedral. The Gate of Pardon | 255 |