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"Sweet country life, to such unknown

Whose lives are others, not their own,

But serving courts and cities, be

Less happy, less enjoying thee."


– Herrick.

RURAL AFFAIRS

Monday, 3.

Fair spring days, the farmers beginning the planting of the season's crops. One cannot well forego the pleasures which the culture of a garden affords. He must have a little spot upon which to bestow his affections, and own his affinities with earth and sky. The profits in a pecuniary way may be inconsiderable, but the pleasures are rewarding. Formerly I allowed neither hoe, spade, nor rake, not handled by myself, to approach my plants. But when one has put his garden within covers, to be handled in a book, he fancies he has earned the privilege of delegating the tillage thereafter, in part, to other hands, and may please himself with its superintendence; especially when he is so fortunate as to secure the services of any who can take their orders without debate, and execute them with dispatch; and if he care to compare opinions with them, find they have views of their own, and respect for his. And the more agreeable if they have a pleasant humor and the piety of lively spirits.

"In laborer's ballads oft more piety

God finds than in Te Deum's melody."


"When our ancestors," says Cato, "praised a good man, they called him a good agriculturist and a good husbandman; he was thought to be greatly honored who was thus praised."

Without his plot of ground for tillage and ornamentation, a countryman seems out of place, its culture and keeping being the best occupation for keeping himself wholesome and sweet. The garden is the tie uniting man and nature. How civic an orchard shows in a clearing, – a garden in a prairie, as if nature waited for man to arrive and complete her, by converting the wild into the human, and thus to marry beauty and utility on the spot! A house, too, without garden or orchard, is unfurnished, incomplete, does not fulfil our ideas of the homestead, but stands isolate, defiant in its individualism, with a savage, slovenly air, and distance, that lacks softening and blending with the surrounding landscape. Besides, it were tantalizing to note the natural advantages of one's grounds, and at the same time be unskilful to complete what nature has sketched for the hand of art to adorn and idealize. With a little skill, good taste, and small outlay of time and pains, one may render any spot a pretty paradise of beauty and comfort, – if these are not one in due combination, and not for himself only, but for those who shall inherit when he shall have left it. The rightful ownership in the landscape is born of one's genius, partakes of his essence thus wrought with the substance of the soil, the structures which he erects thereon. Whoever enriches and adorns the smallest spot, lives not in vain. For him the poet sings, the moralist points his choicest periods.

I know of nothing better suited to inspire a taste for rural affairs than a Gardener's Almanac, containing matters good to be known by country people. All the more attractive the volume if tastefully illustrated, and contain reprints of select pastoral verses, biographies, with portraits of those who have written on country affairs, and lists of their works. The old herbals, too, with all their absurdities, are still tempting books, and contain much information important for the countryman to possess.3

Cowley and Evelyn are of rural authors the most attractive. Cowley's Essays are delightful reading. Nor shall I forgive his biographer for destroying the letters of a man of whom King Charles said at his interment in Westminster Abbey, "Mr. Cowley has not left a better in England." The friend and correspondent of the most distinguished poets, statesmen, and gentlemen of his time, himself the first poet of his day, his letters must have been most interesting and important, and but for the unsettled temper of affairs, would doubtless have been added to our polite literature.

Had King Charles remembered Cowley's friend Evelyn, the compliment both to the living and dead would have been just. Evelyn was the best of citizens and most loyal of subjects. A complete list of his writings shows to what excellent uses he gave himself. The planter of forests in his time, he might be profitably consulted as regards the replanting of New England now.

Respecting his planting, and the origin of his Sylva, he writes to his friend, Lady Sunderland, August, 1690: —

"As to the Kalendar your ladyship mentions, whatever assistance it may be to some novice gardener, sure I am his lordship will find nothing in it worth his notice, but an old inclination to an innocent diversion; and the acceptance it found with my dear, and while he lived, worthy friend, Mr. Cowley; upon whose reputation only it has survived seven impressions, and is now entering on the eighth, with some considerable improvement more agreeable to the present curiosity. 'Tis now, Madam, almost forty years since I first writ it, when horticulture was not much advanced in England, and near thirty years since it was published, which consideration will, I hope, excuse its many defects. If in the meantime it deserve the name of no unuseful trifle, 'tis all it is capable of.

"When, many years ago, I came from rambling abroad, and a great deal more since I came home than gave me much satisfaction, and, as events have proved, scarce worth one's pursuit, I cast about how I should employ the time which hangs on most young men's hands, to the best advantage; and, when books and grave studies grew tedious, and other impertinence would be pressing, by what innocent diversions I might sometimes relieve myself without compliance to recreations I took no felicity in, because they did not contribute to any improvement of mind. This set me upon planting of trees, and brought forth my Sylva, which book, infinitely beyond my expectations, is now also calling for a fourth impression, and has been the occasion of propagating many millions of useful timber trees throughout this nation, as I may justify without immodesty, from many letters of acknowledgement received from gentlemen of the first quality, and others altogether strangers to me. His late Majesty, Charles II, was sometimes graciously pleased to take notice of it to me; and that I had by that book alone incited a world of planters to repair their broken estates and woods which the greedy rebels had wasted and made such havoc of. Upon encouragement, I was once speaking to a mighty man then in despotic power to mention the great inclination I had to serve his majesty in a little office then newly vacant (the salary I think hardly £300), whose province was to inspect the timber trees in his majesty's forests, etc., and take care of their culture and improvement; but this was conferred upon another, who, I believe, had seldom been out of the smoke of London, where, though there was a great deal of timber, there were not many trees. I confess I had an inclination to the employment upon a public account as well as its being suitable to my rural genius, born as I was, at Watton, among woods.

"Soon after this, happened the direful conflagration of this city, when, taking notice of our want of books of architecture in the English tongue, I published those most useful directions of ten of the best authors on that subject, whose works were very rarely to be had, all written in French, Latin, or Italian, and so not intelligible to our mechanics. What the fruit of that labor and cost has been, (for the sculptures, which are elegant, were very chargeable,) the great improvement of our workmen and several impressions of the copy since will best testify.

"In this method I thought proper to begin planting trees, because they would require time for growth, and be advancing to delight and shade at least, and were, therefore, by no means to be neglected and deferred, while buildings might be raised and finished in a summer or two, if the owner pleased.

"Thus, Madam, I endeavored to do my countrymen some little service, in as natural an order as I could for the improving and adorning of their estates and dwellings, and, if possible, make them in love with those useful and innocent pleasures, in exchange for a wasteful and ignoble sloth which I had observed so universally corrupted an ingenious education.

"To these I likewise added my little history of Chalcography, a treatise of the perfection of painting and of libraries, medals, with some other intermesses which might divert within doors as well as altogether without."

PASTORALS

Saturday, 8.

False were the muse, did she not bring

Our village poet's offering —

Haunts, fields, and groves, weaving his rhymes,

Leaves verse and fame to coming times.


Is it for the reason that rural life here in New England furnishes nothing for pastoral verse, that our poets have as yet produced so little? Yet we cannot have had almost three centuries' residence on this side of the Atlantic, with old England's dialect, traditions, and customs still current in our rural districts for perspective, not to have so adorned life and landscape with poetic associations as to have neither honey nor dew for hiving in sweet and tender verse, though it should fall short of the antique or British models. Our fields and rivers, brooks and groves, the rural occupations of country-folk, have not been undeserving of being celebrated in appropriate verse. Our forefathers delighted in Revolutionary lore. We celebrate natural scenery, legends of foreign climes, historic events, but rarely indulge in touches of simple country life. And the idyls of New England await their poet, unless the following verses announce his arrival: —

NEW ENGLAND

"My country, 'tis for thee I strike the lyre;

My country, wide as is the free wind's flight,

I prize New England as she lights her fire

In every Prairie's midst; and where the bright

Enchanting stars shine pure through Southern night,

She still is there the guardian on the tower,

To open for the world a purer hour.


"Could they but know the wild enchanting thrill

That in our homely houses fills the heart,

To feel how faithfully New England's will

Beats in each artery, and each small part

Of this great Continent, their blood would start

In Georgia, or where Spain once sat in state,

Or Texas, with her lone star, desolate.


• • • • •

"'Tis a New-England thought, to make this land

The very home of Freedom, and the nurse

"Of each sublime emotion; she does stand

Between the sunny South, and the dread curse

Of God, who else should make her hearse

Of condemnation to this Union's life, —

She stands to heal this plague, and banish strife.


"I do not sing of this, but hymn the day

That gilds our cheerful villages and plains,

Our hamlets strewn at distance on the way,

Our forests and the ancient streams' domains;

We are a band of brothers, and our pains

Are freely shared; no beggar in our roads,

Content and peace within our fair abodes.


"In my small cottage on the lonely hill,

Where like a hermit I must bide my time,

Surrounded by a landscape lying still

All seasons through as in the winter's prime,

Rude and as homely as these verses chime,

I have a satisfaction which no king

Has often felt, if Fortune's happiest thing.


"'Tis not my fortune, which is meanly low,

'Tis not my merit that is nothing worth,

'Tis not that I have stores of thought below

Which everywhere should build up heaven on earth;

Nor was I highly favored in my birth;

Few friends have I, and they are much to me,

Yet fly above my poor society.


"But all about me live New-England men,

Their humble houses meet my daily gaze, —

The children of this land where Life again

Flows like a great stream in sunshiny ways,

This is a joy to know them, and my days

Are filled with love to meditate on them, —

These native gentlemen on Nature's hem.


"That I could take one feature of their life,

Then on my page a mellow light should shine;

Their days are holidays, with labor rife,

Labor the song of praise that sounds divine,

And better, far, than any hymn of mine;

The patient Earth sets platters for their food,

Corn, milk, and apples, and the best of good.


"See here no shining scenes for artist's eye,

This woollen frock shall make no painter's fame;

These homely tools all burnishing deny;

The beasts are slow and heavy, still or tame;

The sensual eye may think this labor lame;

'Tis in the man where lies the sweetest art,

His true endeavor in his earnest part.


• • • • •

"He meets the year confiding; no great throws,

That suddenly bring riches, does he use,

But like Thor's hammer vast, his patient blows

Vanquish his difficult tasks, he does refuse

To tread the path, nor know the way he views;

No sad complaining words he uttereth,

But draws in peace a free and easy breath.


• • • • •

"This man takes pleasure o'er the crackling fire,

His glittering axe subdued the monarch oak,

He earned the cheerful blaze by something higher

Than pensioned blows, – he owned the tree he stroke,

And knows the value of the distant smoke

When he returns at night, his labor done,

Matched in his action with the long day's sun.


• • • • •

"I love these homely mansions, and to me

A farmer's house seems better than a king's;

The palace boasts its art, but liberty

And honest pride and toil are splendid things;

They carved this clumsy lintel, and it brings

The man upon its front; Greece hath her art, —

But this rude homestead shows the farmer's heart.


"I love to meet him on the frozen road,

How manly is his eye, as clear as air; —

He cheers his beasts without the brutal goad,

His face is ruddy, and his features fair;

His brave good-day sounds like an honest prayer;

This man is in his place and feels his trust, —

'Tis not dull plodding through the heavy crust.


"And when I have him at his homely hearth,

Within his homestead, where no ornament

Glows on the mantel but his own true worth,

I feel as if within an Arab's tent

His hospitality is more than meant;

I there am welcome, as the sunlight is,

I must feel warm to be a friend of his.


• • • • •

"How many brave adventures with the cold,

Built up the cumberous cellar of plain stone;

How many summer heats the bricks did mould,

That make the ample fireplace, and the tone

Of twice a thousand winds sing through the zone

Of rustic paling round the modest yard, —

These are the verses of this simple bard.


"Who sings the praise of Woman in our clime?

I do not boast her beauty or her grace;

Some humble duties render her sublime,

She the sweet nurse of this New-England race,

The flower upon the country's sterile face,

The mother of New England's sons, the pride

Of every house where these good sons abide.


"There is a Roman splendor in her smile,

A tenderness that owes its depth to toil;

Well may she leave the soft voluptuous wile

That forms the woman of a softer soil;

She does pour forth herself a fragrant oil

Upon the dark austerities of Fate,

And make a garden else all desolate.


"From early morn to fading eve she stands,

Labor's best offering on the shrine of worth,

And Labor's jewels glitter on her hands,

To make a plenty out of partial dearth,

To animate the heaviness of earth,

To stand and serve serenely through the pain,

To nurse a vigorous race and ne'er complain.


"New-England women are New-England's pride,

'Tis fitting they should be so, they are free, —

Intelligence doth all their acts decide,

Such deeds more charming than old ancestry.

I could not dwell beside them, and not be

Enamored of them greatly; they are meant

To charm the Poet, by their pure intent.


"A natural honest bearing of their lot,


3

To the list of ancient authors, as Cato, Columella, Varro, Palladius, Virgil, Theocritus, Tibullus, selections might be added from Cowley, Marlowe, Browne, Spenser, Tusser, Dyer, Phillips, Shenstone, Cowper, Thomson, and others less known. Evelyn's works are of great value, his Kalendarium Hortense particularly. And for showing the state of agriculture and of the language in his time, Tusser's Five Hundred Points of Husbandry is full of information, while his quaint humor adds to his rugged rhymes a primitive charm. Then of the old herbals, Gerard's is best known. He was the father of English herbalists, and had a garden attached to his house in Holbern. Coles published his Adam in Eden, the Paradise of Plants, in 1659; Austin his Treatise on Fruit Trees ten years earlier. Dr. Holland's translation of the School of Salerne, or the Regiment of Health, appeared in 1649. Thos. Tryon wrote on the virtues of plants, and on health, about the same time, and his works are very suggestive and valuable. Miller, gardener to the Chelsea Gardens, gave the first edition of his Gardener's Dictionary to the press in 1731. Sir William Temple also wrote sensibly on herbs. Cowley's Six Books of Plants was published in English in 1708. Phillips' History of Cultivated Plants, etc., published in 1822, is a book of great merit. So is Culpepper's Herbal.

Concord Days

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