Читать книгу The Ontario High School Reader - Aletta E. Marty - Страница 9
JEAN VALJEAN AND THE BISHOP
ОглавлениеFrom "Les Misérables"
At the bishop's house, his housekeeper, Mme. Magloire was saying:
"We say that this house is not safe at all; and, if Monseigneur will permit me, I will go on and tell the locksmith to come and put the old bolts in the door again. I say, than a door which opens by a latch on the outside to the first comer, nothing could be more horrible; and then Monseigneur has the habit of always saying: 'Come in,' even at midnight. But, my goodness, there is no need to even ask leave——"
At this moment there was a violent knock on the door.
"Come in!" said the bishop.
The door opened.
It opened quickly, quite wide, as if pushed by some one boldly and with energy.
A man entered.
That man we know already; it was the traveller we have seen wandering about in search of a lodging.
He came in, took one step, and paused, leaving the door open behind him. He had his knapsack on his back, his stick in his hand, and a rough, hard, and fierce look in his eyes. He was hideous.
The bishop looked upon the man with a tranquil eye. As he was opening his mouth to speak, doubtless to ask the stranger what he wanted, the man, leaning with both hands on his club, glanced from one to another in turn, and, without waiting for the bishop to speak, said, in a loud voice:
"See here! my name is Jean Valjean. I am a convict; I have been nineteen years in the galleys. Four days ago I was set free, and started for Pontarlier; during these four days I have walked from Toulon. To-day I have walked twelve leagues. When I reached this place this evening I went to an inn, and they sent me away on account of my yellow passport, which I had shown at the Mayor's office, as was necessary. I went to another inn; they said, 'Get out!' It was the same with one as with another; nobody would have me. I went to the prison and the turnkey would not let me in. I crept into a dog kennel, the dog bit me, and drove me away as if he had been a man; you would have said that he knew who I was. I went into the fields to sleep beneath the stars, there were no stars. I thought it would rain, and there was no good God to stop the drops, so I came back to the town to get the shelter of some doorway. There in the square I laid down upon a stone; a good woman showed me your house, and said: 'Knock there!' I have knocked. What is this place? Are you an inn? I have money; my savings, one hundred and nine francs and fifteen sous, which I have earned in the galleys by my work for nineteen years. I will pay. What do I care? I have money, I am very tired—twelve leagues on foot—and I am so hungry. Can I stay?"
"Mme. Magloire," said the bishop, "put on another plate."
The man took three steps and came near the lamp which stood on the table. "Stop," he exclaimed; as if he had not been understood; "not that, did you understand me? I am a galley slave—a convict—I am just from the galleys." He drew from his pocket a large sheet of yellow paper, which he unfolded. "There is my passport, yellow, as you see. That is enough to have me kicked out wherever I go. Will you read it? See, here is what they have put on my passport: Jean Valjean, a liberated convict; has been nineteen years in the galleys; five years for burglary; fourteen years for having attempted four times to escape. This man is very dangerous. There you have it! Everybody has thrust me out; will you receive me? Is this an inn? Can you give me something to eat and a place to sleep? Have you a stable?"
"Mme. Magloire," said the bishop, "put some sheets on the bed in the alcove."
The bishop turned to the man:
"Monsieur, sit down and warm yourself; we are going to take supper presently, and your bed will be made ready while you sup."
At last the man quite understood; his face, the expression of which till then had been gloomy, and hard, now expressed stupefaction, doubt and joy, and became absolutely wonderful. He began to stutter like a madman.
"True? What? You will keep me? you won't drive me away—a convict? You call me monsieur and don't say, 'Get out, dog!' as everybody else does. I shall have a supper! a bed like other people, with mattress and sheets—a bed! It is nineteen years that I have not slept on a bed. You are good people! Besides, I have money; I will pay well. I beg your pardon, M. Innkeeper, what is your name? I will pay all you say. You are a fine man. You are an innkeeper, is it not so?"
"I am a priest who lives here," said the bishop.
"A priest," said the man. "Oh, noble priest! Then you do not ask any money?"
"No," said the bishop, "keep your money. How much have you?"
"One hundred and nine francs and fifteen sous," said the man.
"One hundred and nine francs and fifteen sous. And how long did it take you to earn that?"
"Nineteen years."
"Nineteen years!"
The bishop sighed deeply, and shut the door, which had been left wide open.
Mme. Magloire brought in a plate and set it on the table.
"Mme. Magloire," said the bishop, "put this plate as near the fire as you can." Then turning toward his guest he added: "The night wind is raw in the Alps; you must be cold, monsieur."
Every time he said the word monsieur with his gentle, solemn and heartily hospitable voice, the man's countenance lighted up. Monsieur to a convict is a glass of water to a man dying of thirst at sea.
"The lamp," said the bishop, "gives a very poor light."
Mme. Magloire understood him, and, going to his bedchamber, took from the mantel the two silver candlesticks, lighted the candles and placed them on the table.
"M. le Curé," said the man, you are good; "you don't despise me. You take me into your house; you light your candles for me, and I haven't hid from you where I come from, and how miserable I am."
The bishop touched his hand gently and said: "You need not tell me who you are. This is not my house; it is the house of Christ. It does not ask any comer whether he has a name, but whether he has an affliction. You are suffering; you are hungry and thirsty; be welcome. And do not thank me; do not tell me that I take you into my house. This is the home of no man except him who needs an asylum. I tell you, who are a traveller, that you are more at home here than I; whatever is here is yours. What need have I to know your name? Besides, before you told me, I knew it."
The man opened his eyes in astonishment.
"Really? You knew my name?"
"Yes," answered the bishop, "your name is my brother."
"Stop, stop, M. le Curé," exclaimed the man, "I was famished when I came in, but you are so kind that now I don't know what I am; that is all gone."
The bishop looked at him again and said:
"You have seen much suffering?"
"Oh, the red blouse, the ball and chain, the plank you sleep on, the heat, the cold, the galley's screw, the lash, the double chain for nothing, the dungeon for a word—even when sick in bed, the chain. The dogs, the dogs are happier! nineteen years! and I am forty-six, and now a yellow passport. That is all."
"Yes," answered the bishop, "you have left a place of suffering. But listen, there will be more joy in heaven over the tears of a repentant sinner than over the white robes of a hundred good men. If you are leaving that sorrowful place with hate and anger against men, you are worthy of compassion; if you leave it with good-will, gentleness, and peace, you are better than any of us."
—Victor Hugo
This lesson can be used as an exercise on Pause springing from (1) Visualization and Grouping, (Introduction, pp. 7 and 8); (2) Narrative which breaks in upon the direct discourse. (Introduction, p. 24.)
That man we know already. (Introduction, p. 11.)
"See here … Can I stay?" This paragraph is an exercise on Emphasis. Make a list of the words which are emphatic (1) because they express new and important ideas, (2) because of contrast. Why is galleys not emphatic? Where is the emphasis placed in that sentence?