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Table of Contents

 Figs. 9-19, 24-30, 33-36, 38-41, 67 were generously placed at my disposal by the Council of the Royal Irish Academy.

 All the Figures from 1 to 41 (except Figs. 3, 21, 37), and Figs. 42, 44, 51, 66, 67, 106, are either the originals or copies of illustrations which have appeared in the author’s “The Decorative Art of British New Guinea,” Cunningham Memoir, x., Royal Irish Academy, 1894.

 20, 46, 47, 124, 128 were kindly lent by the Council of the Anthropological Institute. (Fig. 20 is from the Journ. Anth. Inst., vii., 1878, p. 480, and the others from loc. cit. xxii., 1893, Plate XXIII.)

 52, 69, 103-105 are copied by the kind permission of the author and publisher from Unter den Naturvölkern Zentral-Brasiliens, by Professor Dr. Karl von den Steinen. Berlin, 1894, Dietrich Reimer.

 53-63, 65, 68, 107-109, 112-116 are copied by permission from the Fourth Annual Report of the Bureau of Ethnology, 1882-83, Washington, 1886, and Figs. 91-101 from the Sixth Annual Report, 1884-85 (1888).

 59-61 are from Otis T. Mason, The Origins of Inventions, 1895; after Holmes.

 64 is from the Journal of American Ethnol. and Arch., ii., 1892, p. 112.

 70, 71, 74, 75, 81, 85-87 are copied from Professor Goodyear’s The Grammar of the Lotus. Special permission was kindly granted by Messrs. Gilbert and Rivington to copy Figs. 87, 130 F, which are original illustrations in the Grammar.

 72, 73 are traced from Prisse d’Avennes, Histoire de l’Art Egyptien d’après les Monuments, Paris, 1878.

 76-79 are from tracings kindly lent by Mr. G. Coffey (Journ. Roy. Soc. Ant., Ireland, Dec. 1894; after Prisse d’Avennes).

 80 is from Sir G. Birdwood’s Industrial Arts of India, ii., Fig. 20, p. 167.

 82 is from Ryley’s Antiquities of Athens, 1837; after Stuart.

 84 is from The Architectural Record, iii., 1894. “The Lotiform Origin of the Greek Anthemion,” p. 274.

 90, 129 are from Canon Isaac Taylor’s Origin of the Aryans.

 102 is copied by permission from Dr. P. Ehrenreich.

 110, 111 are from some plates specially prepared to illustrate the Disney Lectures of Professor C. R. Browne, Lent Term, Cambridge, 1889.

 117, 120-123 are from the original drawings which illustrated Professor Grünwedel’s account of H. Vaughan Steven’s investigations. Zeitschr. für Ethnol., xxv., 1893, xxvi., 1894. These were courteously lent to me by Professor Grünwedel and the Redactions Commission. Figs. 118, 119 are from Plate II., vol. xxv.

 Count Goblet d’Alviella was good enough to permit me to copy the table on p. 299, from the English edition of The Migration of Symbols, 1894, A. Constable & Co., Westminster.

 All the figures not mentioned above are original.

 Plates I.-VIII. were very generously placed at my service by my friend Dr. H. Colley March; they previously illustrated “The Meaning of Ornament, or its Archæology and its Psychology,” Trans. Lancashire and Cheshire Ant. Soc., 1889.

EVOLUTION IN ART.