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CYNTHIANA, PET-NAMED ORIGINAL SIN

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"This yere speecific heroine is a heap onconventional, so much so as to be plumb puzzlin' to the common mind. Jest the same, she finishes winner, an' makes herse'f a gen'ral source of pride. She don't notify us, none whatever, that she intends a Wolfville deboo; jest nacherally descends upon us, that a-way, as onannounced as a mink on a settin' hen. All the same, we knows she's comin' while yet she's five mile out on the trail. Not that we savvys who she is or what she aims at; we merely gets moved up next to the fact that she's a lady, an' likewise no slouch for looks.

"We reads these yere trooths in the dust old Monte kicks up, as he comes swingin' in with the stage. Which it's the weakness of this inebriate, as I tells you former, that once let him get a lady aboard, it looks like it's a signal for him to go pourin' the leather into his team like he ain't got a minute to live. It's a p'lite attention 60 he assoomes, in his besotted way, is doo the sex.

"It's the more strange, too, since it's the only attention Monte ever pays 'em. He never looks at 'em, never speaks to 'em; simply plants himse'f on the box, as up an' down as a cow's tail, an' t'ars into them harassed hosses. If the lady he's complimentin' that a-way was to get jolted overboard––which the same wouldn't be no mir'cal, considerin' how that dipsomaniac drives––it's even money he leaves her hunched up like a jack-rabbit alongside the trail, an' never thinks of stoppin' or turnin' back. He's merely a drunkard with that one fool idee of showin' off, an' nothin' the stage people's ever able to say can teach him different. From first to last you-all could measure Monte's notion of the pulcritoode of a petticoat passenger by the extent to which he lams loose with his whip. Given what he deems is a she-sunburst, he shorely does maltreat the company's live stock shameful.

"'If,' observes Peets, as a bunch of us stands gossipin' round in front of the Red Light that time, watchin' the dust cloud draw nearer an' nearer––'if it's poss'ble to imagine the old sot 61 as havin' a Cleopatra to freight over from Tucson, it's a cow pony to a Mexican sheep he'd kill one of the wheelers.'

"Thar ain't none of us knows who this yere Cleopatra the Doc refers to is, onless it's Colonel Sterett, who edits the Daily Coyote. Still, the compar'son is plenty convincin'. Accordin' to the Doc himself, this Cleopatra's a meteoric female party, as lively as she is lovely, who sets a passel of ancient sports to walkin' in a cirkle back some'ers in the mists of time. Also, it's bloo chips to white, an' bet 'em higher than a cat's back, the Doc knows. The Doc is ondoubted the best eddicated gent that ever makes a moccasin track between Yuma an' the Raton Pass, an' when he onbuckles techin' any historic feachures, you can call for a gooseha'r pillow, an' go to sleep on it he ain't barkin' at no knot.

"Thar's a feeble form of young tenderfoot pesterin' about the suburbs of the crowd. He's one of them hooman deficits, so plumb ornery as to be useless East, which their fam'lies, in gettin' rid of 'em, saws happ'ly off onto a onprotected West. This partic'lar racial disaster's been on our hands now mebbe it's six 62 months, an' we-all is hopin' that in some p'intless sort o' way he'll brace up and do overt acts which entitles us to stampede him out of camp. But so far he don't.

"This yere exile comes wanderin' into the talk by askin'––his voice as thin as a curlew's:

"'Who is this old Monte you're alloodin' at?'

"'Whoever he is?' says Boggs. 'Which if you-all'd struck camp by way of Tucson, instead of skulkin' upon us in the low-down fashion you does along of the Lordsburg-Red Dog buckboard, you wouldn't have to ask none. He's the offishul drunkard of Arizona, Monte is. Which the same should be notice, too, that it's futile for you to go ropin' at that p'sition. I says this, since from the quantity of Old Jordan you've been mowin' away, I more'n half infers that you nourishes designs upon the place.'

"The feeble young shorthorn smiles a puny smile, and don't lunge forth into no more queries.

"Texas, who's been listenin' to what Boggs says, squar's 'round an' half-way erects his crest for an argyooment. Texas has had marital 63 troubles, an' him ponderin' the same constant renders him some morbid an' morose.

"'From your tone of voice, Dan,' remarks Texas, 'I takes it you holds Monte's appetite for nose paint to be a deefect. That's whar I differs. That old marauder is a drunkard through sheer excess of guile. He finds in alcohol his ark of refooge. I only wish I'd took to whiskey in my 'teens.'

"Boggs is amazed.

"'Texas,' he says, plenty sorrowful, 'it wouldn't astonish me none if you finds your finish in a wickeyup deevoted to loonatics, playin' with a string of spools.'

"'That's your onthinkin' way. Do you reckon now, if I'd been a slave to drink when that Laredo wife of mine first sees me, she'd have w'irled me to the altar an' made me the blighted longhorn you sees now? She wouldn't have let me get near enough to her to give her a bunch of grapes. It's my sobri'ty that's my ondoin', that an' bein' plumb moral. Which I onerringly traces them divorce troubles, an' her sellin' up my stock at public vandoo for cost an' al'mony like she does, to me weakly holdin' aloof from whisky when I'm young.'

64

"'Which I shore,'––an' Boggs shows he's mighty peevish an' put out––'never meets up with a more exasp'ratin' conversationist! It's because you're sech an' egreegious egotist! You-all can't talk ten minutes, Texas, but what you're allers bringin' in them domestic affairs of yours. If you desires to discuss whiskey abstract, an' from what the Doc thar calls a academic standp'int, I'm your gent. But I declines to be drug into personal'ties, in considerin' which I might be carried by the heat of deebate to whar I gets myse'f shot up.'

"'I sees your attitood, Dan; I sees your attitood, an' respects it. Jest the same, thar's an anti-nuptial side to the liquor question, an' bein' a drunkard that a-way is not without its compensations.'

"'But he's bound to be so blurred,' reemonstrates Boggs, who by nacher is dispootatious, an' once started prone to swing an' rattle with a topic like a pup to a pig's y'ear: 'That drunkard is so plumb blurred.'

"'Blurred but free, Dan,' retorts Texas, mighty firm. 'Don't overlook no sech bet as that drunkard bein' free. Also, it's better to be free than sober.'

65

"'Goin' back to Monte,' says Boggs, returning to the orig'nal text; 'half the time, over to the O.K. Restauraw when Missis Rucker slams him down his chuck, he ain't none shore he's eatin' flapjacks or rattlesnakes. The other day, when Rucker drops a plate, he jumps three feet in the air, throws up his hands an' yells, "Take the express box, gents, but spar' my life!" It's whiskey does it. The old cimmaron thinks it's road agents stickin' him up.'

"Dispoote is only ended by the stage thunderin' in––leathers creakin', chains jinglin', bosses a lather of sweat an' alkali dust, Monte cocked up on the box as austere as a treeful of owls. He's for openin' the door, but Peets is thar before him. Let it get dealt down to showin' attentions to a lady, an' the briskest sport'll have to move some sudden, or the Doc'll beat him to it. Which he certainly is the p'litest drug sharp of which hist'ry makes mention!

"The Doc offers his hand to he'p her out, but she hits the ground onaided as light as any leaf. Nacherally we looks her over. Take her from foretop to fetlocks, she's as lovely as a diamond flush. She's got corn-colored ha'r, 66 an' eyes as soft as the sky in Joone. Peets calls 'em azure––bein' romantic. As for the rest of us, we don't call 'em nothin'. Thar's a sprightly look about 'em, which would shore jestify any semi-proodent gent in jumpin' sideways. Likewise, she's packin' a Colt's .45, an' clutchin' a winchester in her little claw, the same contreebutin' a whole lot toward makin' her impressive as a pageant.

"'How are you, sports?' she says, tossin' her disengaged hand a heap arch. 'I gets word about you-all up in Vegas, an' allows I'll come trundlin' down yere an' size you up. My idee is you needs regen'ratin'.'

"'Is thar anything we-all can he'p you to, Miss?' asks Enright, who takes the play away from Peets. 'If aught is wanted, an' thar's a lariat in the outfit long enough to reach, you-all can trust Wolfville to rope, throw an' hawg-tie the same accordin' to your wishes.'

"'Yes,' adds Peets, 'as Sam says, if thar's any little way we-all can serve you, Miss, jest say the word. Likewise, if you don't feel like speakin', make signs; an' if you objects to makin' signs, shake a bush. All we reequires is the slightest hint.'

67

"'Be ca'm,' says the young lady, her manner as se'f-confident as if she's a queen. 'Thar's nothin' demanded of you outlaws except to tamely listen. I'm a se'f-respectin', se'f-supportin' young female, who believes in Woman Suffrage, an' the equality of the sexes in pol'tics an' property rights. Which my name is Bark, baptized Cynthiana, the same redooced by my old pap, while yet alive, into the pet name of Original Sin. It's my present purpose to become a citizen of this yere camp, an' take my ontrammeled place in its commercial life by openin' a grogshop. Pendin' which, do you-all see this?'––an' she dallies gently with a fringe of b'ar-claws she's wearin' as a necklace, the same bein' in loo of beads. 'That grizzly's as big an' ugly as him.' Yere she tosses a rose-leaf hand at Boggs, who breaks into a profoose sweat. 'I downs him. Also, I'll send the first horned-toad among you, who pays me any flagrant attentions, pirootin' after that b'ar. Don't forget, gents: my name's Bark, Cynthiana Bark, pet-named Original Sin, an' thar's a bite goes with the Bark.'

"Havin' conclooded this yere salootatory, Miss Bark, givin' a coquettish flourish to her 68 winchester, goes trapsein' over to the O. K. Restauraw, leavin' us––as the story-writer puts it––glooed to the spot. You see it ain't been yoosual for us to cross up with ladies who, never waitin' for us to so much as bat an admirin' eye or wag an adorin' y'ear, opens neegotations by threatenin' to shoot us in two.

"'Thar's a young lady,' says Peets, who's first to ketch his breath, 'that's got what I calls verve.'

"'Admittin' which,' observes Enright, some doubtful, havin' been thrown back on his hocks a whole lot; 'some of you-all young bucks must none the less have looked at her in a improper way to start her ghost-dancin' like she does.'

"Enright's eye roves inquirin'ly from Boggs to Texas, an' even takes in Tutt.

"'Not me!' declar's Texas, plenty fervent; 'not me!––more'n if she's a she rattlesnake!'

"'As the husband of Tucson Jennie,' observes Tutt, his air some haughty––which he allers puts on no end of dog whenever he mentions his fam'ly––'as the husband of Tucson Jennie, an' the ondoubted father of that public ornament an' blessin', little Enright Peets 69 Tutt, I do not regyard it as up to me to cl'ar myse'f of no sech charges.'

"'Sam,' says Boggs, his voice reproachful, 'you notes how she makes invidious compar'sons between me an' that b'ar, an' how she beefs the b'ar? After which gratooitous slur it's preeposterous to s'ppose I'd go admirin' her or to takin' any chances.'

"'Then it's you,' says Enright, comin' round on the puny tenderfoot. 'Jack,' he continyoos, appealin' to Jack Moore, who's kettle-tender to the Stranglers, of which arm of jestice Enright is chief––'Jack, do you reemark any ontoward looks or leers on the part of this yere partic'lar prairie dog, calc'lated to alarm a maiden of fastidious feelin's?'

"'Sir,' breaks in the feeble young tenderfoot, an' all mighty tremyoolous, 'as shore as my name is Oscar Freelinghuysen I never even glances at that girl. I ain't so much as present while she's issuin' her deefiances. I lapses into the Red Light the moment I observes how she's equipped, an' Black Jack, the barkeep, will ver'fy my words.'

"'All right,' warns Enright, plumb severe, 'you be careful an' conduct yourself deecorous. 70 Wolfville is a moral camp. Thar's things done every day an' approved of in Noo York which'd get a gent downed in Wolfville.'

"'That Miss Bark mentions she's Woman Suffrage, Sam?' observes Boggs, in a questionin' way, as we stands sloppin' out a recooperative forty drops in the Red Light.

"'Shore!' replies Enright. 'The Doc yere can tell you all about 'em. As I onderstands, they're a warlike bevy of women who voylently resents not bein' born men. Thar's one thing, however; I sincerely trusts that none of you young sports'll prove that forward an' onwary as to go callin' her by her pet name of Original Sin. Which she might take advantage of it. Them exponents of women's rights is plumb full of the onexpected, that a-way, an' it's my belief that all who ain't honin' to commit sooicide'll be careful an' address her as Miss Bark.'

"'Be they many of that Woman Suffrage brand?' persists Boggs.

"'Herds of 'em,' chips in Peets. 'The Eastern ranges is alive with 'em. But they don't last. As a roole they gets married, an' that's gen'rally speakin' the end of their pernicious 71 activ'ties. Wedlock is a heap apt to knock their horns off.'

"Faro Nell, Tucson Jennie an' Missis Rucker don't take to this Miss Bark's Woman Suffrage views.

"'She's welcome,' says the latter esteemable cook an' matron, 'to her feelin's; but she mustn't come preachin' no doctrine to me, wharof the effects is to lower me to Rucker's level. I've had trouble enough redoocin' that ground-hawg to where he belongs, an' I ain't goin' to sacrifice the work of years for no mere sentiments.'

"'Which I shore agrees with you, Missis Rucker,' says Nell, lookin' up from some plum preeserves she's backin' off the noonday board to consider Cherokee, who's settin' next; 'a woman has enough to do to boss one gent, without tryin' to roole broadcast over whole commoonities.'

"At this exchange of views Cherokee softly grins like a sharp who can see his way through. As for Rucker, who's waitin' on the table an' packin' in viands from the kitchen, he takes it as sullen as a sorehead dog. Personal, I ain't got no use for Rucker; but between us, 72 Missis Rucker, one way an' another, does certainly oppress him grievous.

"Before the week is out we knows a lot more about Miss Bark than we does when she first comes prancin' out upon us from Monte's stage. Not that thar's aught ag'inst the lady. It's doo to Enright, who begins recollectin' things.

"'Which I knows her pop,' explains Enright, 'now my mem'ry's assertin' itse'f, I knows him when he first comes bulgin' into the Pecos Valley, eighteen years ago. This Original Sin daughter an' her maw don't show up none till later. Thar's no more innocent form of tenderfoot than Bark ever comes weavin' into the Southwest. He's that ignorantly innocent, wild geese is as wise as serpents to him. But he's full of a painstakin' energy, all the same, an' mighty assidyoous to learn.'

"'Whatever does he turn to?' asks Texas.

"'He hires out to a peach ranch. An' this'll show you how industrious, that a-way, this Bark tarrapin is. The peach ranch party has a measly bunch of sheep. He keeps 'em nights in a box-tight board corral, so's the 73 coyotes can't get to mingle with 'em none. Days he throws 'em loose to feed. The first evenin' the peach ranch gent tells this yere Bark to corral the sheep, an' then come in for supper. "An' be shore," says the peach ranch party, "you gets 'em all in."

"'An hour goes by, an' the peach ranch party is about through his feed, when this yere Bark drifts up to the table. His face is flushed, but he's w'arin' a look of triumph. "I hives 'em," says he, some exultant; "only one lamb does shore force me to extend myse'f a lot. I'll gamble I runs a hundred miles before I rounds him up."

"'Next mornin' the peach ranch party goes out to throw loose them sheep. As he cranes his neck over the corral fence to count the bunch he's amazed to see a jack-rabbit galumpin' about among 'em. "Gin'ral Jackson fit the English!" he exclaims; "however does that jack-rabbit get himse'f mixed in with them sheep?" An' he p'ints it out to Bark.

"'That ontootered person is all astonishment. "Jack-rabbit!" says he. "Why, I hopes next fall to vote the reepublican ticket an' die disgraced if I don't put it down for a lamb! 74 That's the anamile which makes me run my laigs off roundin' of him up!"'

"'Which, as you says, Sam,' reemarks Tutt, signin' up to Black Jack to set out the bottles, 'in the face of sech a showin' that Bark party must have been plenty ardent.'

"'I should shore yell!' coincides Boggs.

"'But he learns in time, of course?' questions Nell.

"'Learns, Nellie?' repeats Enright; 'it ain't three years before he identifies himse'f with the life about him to that degree he bumps off two kyard sharps who tries to cold-deck him in a poker game, an' finds besides his steady employment stealin' old John Chisholm's calves, tharby assistin' in plantin' the toomultous seed of what comes subsequent to be called the Lincoln County War.'

"'What's the finish of this interestin' crim'nal?' asks Cherokee.

"'Lynched,' returns Enright. 'They puts him over the jump at Seven Rivers. You see this Rattlesnake––they calls him Rattlesnake Bark in them later years––is bunked down in one of these yere jim-crow, barn-board hotels. Thar's a resoundin' form of guest in the adjoinin' 75 room, snorin' to beat four kings an' a ace. Rattlesnake tries poundin' on the partition, an' sw'arin' at him, an' callin' him a hoss thief. It's no avail. The snores of that boarder sounds like sawin' planks, an' fa'rly rocks the shack––they're that stormy. Final, when Rattlesnake's burdens gets to be more'n flesh an' blood can b'ar, he reaches for his .45, an' bombards that sleeper good an' plenty through the wall. It turns out it's the new jedge. In the mornin', when this joorist is discovered too dead to skin, the public is that mortified it takes Rattlesnake out as soon as breakfast's over, an' strings him to a limb.'

"'Don't this pore Rattlesnake get no hearin'?' asks Nell.

"'You see, Nellie,' Enright explains, 'what with maverickin' the Chisholm calves, an' a stage or two hold-up which p'ints to him, the close season's been out as to this Rattlesnake person for mighty like a year. Not but what he might have made preperations. Thar's a reeligious party present who asks Rattlesnake if he wants to pray some. "Which you'll cross the dark river all the easier," expounds the reeligious 76 gent. But Rattlesnake reefuses his ministrations. "I'm what I be," he says; "an' as for that dark river you refers to, I ain't lookin' for no shallow ford."

"'This Rattlesnake,' continyoos Enright, 'is willin' to learn to the last. It's his way. Spring a new game on him an' he's out instanter lookin' for information an' advice. That's why he comes on so fast. Thar bein' nothin' to stand him on for the purpose of bein' lynched, the Stranglers posed Rattlesnake a-top of a stack of hay, which is heaped up onder the tree they're yootilizin'. When the lariat is round his neck, an' he's disposed of the reeligious party who attempts to turn the business into a pra'r meetin', Rattlesnake looks at the chief of the committee an' says, "This yere bein' hanged from hay-cocks is plumb new to me entire, an' tharfore I'm obleeged to ask whether you-all expects me to jump off or slide?"'

"'Well,' comments Jack Moore, drawin' a deep breath, 'the old murderer's game––misguided, mebby, but game.'

"'That may be as it may,' observes Boggs, plenty thoughtful, 'but after all I regyards 77 these yere details which Sam onfurls as chiefly valyooable as sheddin' a ray on this Miss Bark. On the chance that she takes after her old man, from now on I'm goin' to walk 'round her like she's a swamp.'

"It's ten days after Miss Bark hits camp that things begins to focus. An old Mexican, the color of a blacksmith's apron, an' his wife, who's the same prosaic tint, comes creakin' along with a six-mule team––two wagons, lead an' trail––loaded to the gyards with stock an' fixtures. Said par'fernalia havin' arrived, Miss Bark busts in the door of the old deserted Lady Gay, an' takes possession. Armstrong, who runs the Noo York store, is the owner of the Lady Gay, but onder the circumstances he allows it'd be the act of a barbarian to interfere.

"Besides, the attitoode of the young lady herse'f is plumb discouragin'.

"'I'd shore admire,' she remarks, as, with the aid of her Mexicans, she goes tossin' things into p'sition, 'to see some male felon try to run a bluff about him havin' title to this Lady Gay structure, an' becomin' my landlord. Men have tyrannized a heap too long as it is over 78 onprotected women, an' thar's one at least who's took in patient silence all she will.'

"When Miss Bark's organized, she tacks up over the door a sign which the painter at the stage station preepar's. It reads:

VOTES FOR WOMEN SALOON

"'Only get it straight,' says Miss Bark when she has us close-herded at chuck time in the dinin' room of the O. K. Restauraw; 'I ain't openin' this saloon none with a view to sordid gain. I got money enough right now to buy an' burn this yere deboshed town of Wolfville, an' then prance over an' purchase an' apply the torch to that equally abandoned outfit, Red Dog. What I'm reachin' for is the p'litical uplift of this camp. Recognizin' whiskey as a permanency an' that saloons has come to stay, I aims to show folks how them reesorts should be run. I hopes to see the day when every s'loon'll be in the hands of ladies. For I holds that once woman controls the nosepaint of the nation the ballot is bound to follow.'

Faro Nell and Her Friends: Wolfville Stories

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