Читать книгу The Greek Philosophers (Vol.1&2) - Alfred William Benn - Страница 25

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Consistency is, indeed, the one word which, better than any other, expresses the whole character of Socrates, and the whole of philosophy as well. Here the supreme conception of mind reappears under its most rigorous, but, at the same time, its most beneficent aspect. It is the temperance which no allurement can surprise; the fortitude which no terror can break through; the justice which eliminates all personal considerations, egoistic and altruistic alike; the truthfulness which, with exactest harmony, fits words to meanings, meanings to thoughts, and thoughts to things; the logic which will tolerate no self-contradiction; the conviction which seeks for no acceptance unwon by reason; the liberalism which works through free agencies for freedom; the love which wills another’s good for that other’s sake alone.98 It was the intellectual passion for consistency which made Socrates so great and which fused his life into a flawless whole; but it was an unconscious motive power, and therefore he attributed to mere knowledge what knowledge alone could not supply. A clear perception of right cannot by itself secure the obedience of our will. High principles are not of any value, except to those in whom a discrepancy between practice and profession produces the sharpest anguish of which their nature is capable; a feeling like, though immeasurably stronger than, that which women of exquisite sensibility experience when they see a candle set crooked or a table-cover awry. How moral laws have come to be established, and why they prescribe or prohibit certain classes of actions, are questions which still divide the schools, though with an increasing consensus of authority on the utilitarian side: their ultimate sanction—that which, whatever they are, makes obedience to them truly moral—can hardly be sought elsewhere than in the same consciousness of logical stringency that determines, or should determine, our abstract beliefs.

Be this as it may, we venture to hope that a principle has been here suggested deep and strong enough to reunite the two halves into which historians have hitherto divided the Socratic system, or, rather, the beginning of that universal systematisation called philosophy, which is not yet, and perhaps never will be, completed; a principle which is outwardly revealed in the character of the philosopher himself. With such an one, ethics and dialectics become almost indistinguishable through the intermixture of their processes and the parallelism of their aims. Integrity of conviction enters, both as a means and as an element, into perfect integrity of conduct, nor can it be maintained where any other element of rectitude is wanting. Clearness, consecutiveness, and coherence are the morality of belief; while temperance, justice, and beneficence, taken in their widest sense and taken together, constitute the supreme logic of life.

It has already been observed that the thoughts of Socrates were thrown into shape for and by communication, that they only became definite when brought into vivifying contact with another intelligence. Such was especially the case with his method of ethical dialectic. Instead of tendering his advice in the form of a lecture, as other moralists have at all times been so fond of doing, he sought out some pre-existing sentiment or opinion inconsistent with the conduct of which he disapproved, and then gradually worked round from point to point, until theory and practice were exhibited in immediate contrast. Here, his reasoning, which is sometimes spoken of as exclusively inductive, was strictly syllogistic, being the application of a general law to a particular instance. With the growing emancipation of reason, we may observe a return to the Socratic method of moralisation. Instead of rewards and punishments, which encourage selfish calculation, or examples, which stimulate a mischievous jealousy when they do not create a spirit of servile imitation, the judicious trainer will find his motive power in the pupil’s incipient tendency to form moral judgments, which, when reflected on the individual’s own actions, become what we call a conscience. It has been mentioned in the preceding chapter that the celebrated golden rule of justice was already enunciated by Greek moralists in the fourth century B.C. Possibly it may have been first formulated by Socrates. In all cases it occurs in the writings of his disciples, and happily expresses the drift of his entire philosophy. This generalising tendency was, indeed, so natural to a noble Greek, that instances of it occur long before philosophy began. We find it in the famous question of Achilles: ‘Did not this whole war begin on account of a woman? Are the Atreidae the only men who love their wives?’99 and in the now not less famous apostrophe to Lycaon, reminding him that an early death is the lot of far worthier men than he100—utterances which come on us with the awful effect of lightning flashes, that illuminate the whole horizon of existence while they paralyse or destroy an individual victim.

The power which Socrates possessed of rousing other minds to independent activity and apostolic transmission of spiritual gifts was, as we have said, the second verification of his doctrine. Even those who, like Antisthenes and Aristippus, derived their positive theories from the Sophists rather than from him, preferred to be regarded as his followers; and Plato, from whom his ideas received their most splendid development, has acknowledged the debt by making that venerated figure the centre of his own immortal Dialogues. A third verification is given by the subjective, practical, dialectic tendency of all subsequent philosophy properly so called. On this point we will content ourselves with mentioning one instance out of many, the recent declaration of Mr. Herbert Spencer that his whole system was constructed for the sake of its ethical conclusion.101

Apart, however, from abstract speculation, the ideal method seems to have exercised an immediate and powerful influence on Art, an influence which was anticipated by Socrates himself. In two conversations reported by Xenophon,102 he impresses on Parrhasius, the painter, and Cleito, the sculptor, the importance of so animating the faces and figures which they represented as to make them express human feelings, energies, and dispositions, particularly those of the most interesting and elevated type. And such, in fact, was the direction followed by imitative art after Pheidias, though not without degenerating into a sensationalism which Socrates would have severely condemned. Another and still more remarkable proof of the influence exercised on plastic representation by ideal philosophy was, perhaps, not foreseen by its founder. We allude to the substitution of abstract and generic for historical subjects by Greek sculpture in its later stages, and not by sculpture only, but by dramatic poetry as well. For early art, whether it addressed itself to the eye or to the imagination, and whether its subjects were taken from history or from fiction, had always been historical in this sense, that it exhibited the performance of particular actions by particular persons in a given place and at a given time; the mode of presentment most natural to those whose ideas are mainly determined by contiguous association. The schools which came after Socrates let fall the limitations of concrete reality, and found the unifying principle of their works in association by resemblance, making their figures the personification of a single attribute or group of attributes, and bringing together forms distinguished by the community of their characteristics or the convergence of their functions. Thus Aphroditê no longer figured as the lover of Arês or Anchisês, but as the personification of female beauty; while her statues were grouped together with images of the still more transparent abstractions, Love, Longing, and Desire. Similarly Apollo became a personification of musical enthusiasm, and Dionysus of Bacchic inspiration. So also dramatic art, once completely historical, even with Aristophanes, now chose for its subjects such constantly-recurring types as the ardent lover, the stern father, the artful slave, the boastful soldier, and the fawning parasite.103

Nor was this all. Thought, after having, as it would seem, wandered away from reality in search of empty abstractions, by the help of those very abstractions regained possession of concrete existence, and acquired a far fuller intelligence of its complex manifestations. For, each individual character is an assemblage of qualities, and can only be understood when those qualities, after having been separately studied, are finally recombined. Thus, biography is a very late production of literature, and although biographies are the favourite reading of those who most despise philosophy, they could never have been written without its help. Moreover, before characters can be described they must exist. Now, it is partly philosophy which calls character into existence by sedulous inculcation of self-knowledge and self-culture, by consolidating a man’s individuality into something independent of circumstances, so that it comes to form, not a figure in bas-relief, but what sculptors call a figure in the round. Such was Socrates himself, and such were the figures which he taught Xenophon and Plato to recognise and portray. Character-drawing begins with them, and the Memorabilia in particular is the earliest attempt at a biographical analysis that we possess. From this to Plutarch’s Lives there was still a long journey to be accomplished, but the interval between them is less considerable than that which divides Xenophon from his immediate predecessor, Thucydides. And when we remember how intimately the substance of Christian teaching is connected with the literary form of its first record, we shall still better appreciate the all-penetrating influence of Hellenic thought, vying, as it does, with the forces of nature in subtlety and universal diffusion.

Besides transforming art and literature, the dialectic method helped to revolutionise social life, and the impulse communicated in this direction is still very far from being exhausted. We allude to its influence on female education. The intellectual blossoming of Athens was aided, in its first development, by a complete separation of the sexes. There were very few of his friends to whom an Athenian gentleman talked so little as to his wife.104 Colonel Mure aptly compares her position to that of an English housekeeper, with considerably less liberty than is enjoyed by the latter. Yet the union of tender admiration with the need for intelligent sympathy and the desire to awaken interest in noble pursuits existed at Athens in full force, and created a field for its exercise. Wilhelm von Humboldt has observed that at this time chivalrous love was kept alive by customs which, to us, are intensely repellent. That so valuable a sentiment should be preserved and diverted into a more legitimate channel was an object of the highest importance. The naturalistic method of ethics did much, but it could not do all, for more was required than a return to primitive simplicity. Here the method of mind stepped in and supplied the deficiency. Reciprocity was the soul of dialectic as practised by Socrates, and the dialectic of love demands a reciprocity of passion which can only exist between the sexes. But in a society where the free intercourse of modern Europe was not permitted, the modern sentiment could not be reached at a single bound; and those who sought for the conversation of intelligent women had to seek for it among a class of which Aspasia was the highest representative. Such women played a great part in later Athenian society; they attended philosophical lectures, furnished heroines to the New Comedy, and on the whole gave a healthier tone to literature. Their successors, the Delias and Cynthias of Roman elegiac poetry, called forth strains of exalted affection which need nothing but a worthier object to place them on a level with the noblest expressions of tenderness that have since been heard. Here at least, to understand is to forgive; and we shall be less scandalised than certain critics,105 we shall even refuse to admit that Socrates fell below the dignity of a moralist, when we hear that he once visited a celebrated beauty of this class, Theodotê by name;106 that he engaged her in a playful conversation; and that he taught her to put more mind into her profession; to attract by something deeper than personal charms; to show at least an appearance of interest in the welfare of her lovers; and to stimulate their ardour by a studied reserve, granting no favour that had not been repeatedly and passionately sought after.

Xenophon gives the same interest a more edifying direction when he enlivens the dry details of his Cyropaedia with touching episodes of conjugal affection, or presents lessons in domestic economy under the form of conversations between a newly-married couple.107 Plato in some respects transcends, in others falls short of his less gifted contemporary. For his doctrine of love as an educating process—a true doctrine, all sneers and perversions notwithstanding—though readily applicable to the relation of the sexes, is not applied to it by him; and his project of a common training for men and women, though suggestive of a great advance on the existing system if rightly carried out, was, from his point of view, a retrograde step towards savage or even animal life, an attempt to throw half the burdens incident to a military organisation of society on those who had become absolutely incapable of bearing them.

Fortunately, the dialectic method proved stronger than its own creators, and, once set going, introduced feelings and experiences of which they had never dreamed, within the horizon of philosophic consciousness. It was found that if women had much to learn, much also might be learned from them. Their wishes could not be taken into account without giving a greatly increased prominence in the guidance of conduct to such sentiments as fidelity, purity, and pity; and to that extent the religion which they helped to establish has, at least in principle, left no room for any further progress. On the other hand, it is only by reason that the more exclusively feminine impulses can be freed from their primitive narrowness and elevated into truly human emotions. Love, when left to itself, causes more pain than pleasure, for the words of the old idyl still remain true which associate it with jealousy as cruel as the grave; pity, without prevision, creates more suffering than it relieves; and blind fidelity is instinctively opposed even to the most beneficent changes. We are still suffering from the excessive preponderance which Catholicism gave to the ideas of women; but we need not listen to those who tell us that the varied experiences of humanity cannot be organised into a rational, consistent, self-supporting whole.

A survey of the Socratic philosophy would be incomplete without some comment on an element in the life of Socrates, which at first sight seems to lie altogether outside philosophy. There is no fact in his history more certain than that he believed himself to be constantly accompanied by a Daemonium, a divine voice often restraining him, even in trifling matters, but never prompting to positive action. That it was neither conscience in our sense of the word, nor a supposed familiar spirit, is now generally admitted. Even those who believe in the supernatural origin and authority of our moral feelings do not credit them with a power of divining the accidentally good or evil consequences which may attend on our most trivial and indifferent actions; while, on the other hand, those feelings have a positive no less than a negative function, which is exhibited whenever the performance of good deeds becomes a duty. That the Daemonium was not a personal attendant is proved by the invariable use of an indefinite neuter adjective to designate it. How the phenomenon itself should be explained is a question for professional pathologists. We have here to account for the interpretation put upon it by Socrates, and this, in our judgment, follows quite naturally from his characteristic mode of thought. That the gods should signify their pleasure by visible signs and public oracles was an experience familiar to every Greek. Socrates, conceiving God as a mind diffused through the whole universe, would look for traces of the Divine presence in his own mind, and would readily interpret any inward suggestion, not otherwise to be accounted for, as a manifestation of this all-pervading power. Why it should invariably appear under the form of a restraint is less obvious. The only explanation seems to be that, as a matter of fact, such mysterious feelings, whether the product of unconscious experience or not, do habitually operate as deterrents rather than as incentives.