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III

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It was towards the end of their short silent dinner that very night—the silence due to the fact that everybody was intently listening—when Spinrobin caught the whisper of a singular faint sound that he took first to be the rising of wind. The wind sometimes came down that way with curious gulps from the terraces of the surrounding moors. Yet in this sound was none of that rush and sigh that the hills breed. It did not drop across the curves of the world; it rose from the center.

He looked up sharply, then at once realized that the sound was not outside at all, but inside—inside the very room where he sat facing Skale and Miriam. Then something in his soul recognized it. It was the first wave in an immense vibration.

Something stretched within him as foam stretches on the elastic side of a heaped Atlantic roller, retreated, then came on again with a second gigantic crest. The rhythm of the huge sound had caught him. The life in him expanded awfully, rose to far summits, dropped to utter depths. A sense of glowing exaltation swept through him as though wings of power lifted his heart with enormous ascendancy. The biggest passions of his soul stirred—the sweetest dreams, yearnings, aspirations he had ever known were blown to fever heat. Above all, his passion for Miriam waxed tumultuous and possessed him.

Mr. Skale dropped his fruit knife and uttered a cry, but a cry of so peculiar a character that Spinrobin thought for a moment he was about to burst into song. At the same instant he stood up, and his chair fell backwards with a crash upon the floor. Spinrobin stood up too. He asserts always that he was lifted up. He recognized no conscious effort of his own. It was at this point, moreover, that Miriam, pale as linen, yet uttering no sound and fully mistress of herself, left her side of the table and ran round swiftly to the protection of her lover.

She came close up. "Spinny," she said, "it's come!"

Thus all three were standing round that dinner table on the verge of some very vigorous action not yet disclosed, as people, vigilant and alert, stand up at a cry of fire, when the door from the passage opened noisily and in rushed Mrs. Mawle, surrounded by an atmosphere of light such as might come from a furnace door suddenly thrown wide in some dark foundry. Only the light was not steady; it was whirling.

She ran across the floor as though dancing—the dancing of a child—propelled, it seemed, by an irresistible drive of force behind; while with her through the opened door came a roaring volume of sound that was terrible as Niagara let loose, yet at the same time exquisitely sweet, as birds or children singing. Upon these two incongruous qualities Spinrobin always insists.

"The deaf shall hear—!" came sharply from the clergyman's lips, the sentence uncompleted, for the housekeeper cut him short.

"They're out!" she cried with a loud, half-frightened jubilance; "Mr. Skale's prisoners are bursting their way about the house. And one of them," she added with a scream of joy and terror mingled, "is in my throat…!"

If the odd phrase she made use of stuck vividly in Spinrobin's memory, the appearance she presented impressed him even more. For her face was shining and alight, radiant as when Skale had called her true name weeks before. Flashes of flame-like beauty ran about the eyes and mouth; and she looked eighteen—eternally eighteen—with a youth that was permanent and unchanging. Moreover, not only was hearing restored to her, but her left arm, withered for years, was in the act of pointing to the ceiling, instinct with vigorous muscular life. Her whole presentment was splendid, intense—redeemed.

"The deaf hear!" repeated Skale in a shout, and was across the room with the impetus of a released projectile. "The Letters are out and alive! To your appointed places! The syllable has caught us! Quick, quick! If you love your soul and truth … fly!"

Deafening thunders rushed and crashed and blew about the room, interpenetrated everywhere at the same time by that searching strain of sweetness Spinrobin had first noticed. The sense of life, running free and abundant, was very remarkable. The same moment he found his hand clasped, and felt himself torn along by the side of the rushing clergyman into the hall. Behind them "danced" Mrs. Mawle, her cap awry, her apron flying, her elastic-side boots taking the light, dancing step of youth. With quick, gliding tread Miriam, still silent, was at his heels. He remembers her delicate, strange perfume reaching him faintly through all the incredible turmoil of that impetuous exit.

In the hall the roar increased terrifically about his ears. Skale, in his biggest booming voice, was uttering the names of Hebrew "angels"—invoking forces, that is, to his help; and behind him Mrs. Mawle was singing—singing fragments apparently of the "note" she had to utter, as well as fragments of her own "true name" thus magically recovered. Her restored arm gyrated furiously, her tripping youth spelt witchery. Yet the whole madness of the scene came to Spinrobin with a freezing wind of terror; for about it was a lawless, audacious blasphemy, that must surely win for itself a quite appalling punishment….

Yet nothing happened at once—nothing destructive, at least. Skale and the housekeeper, he saw, were hurriedly robing themselves in the red and yellow surplices that hung from nails in the hall, and the instinct to laugh at the sight was utterly overwhelmed when he remembered that these were the colors which were used for safety in their respective "rooms." … It was a scene of wild confusion and bewilderment which the memory refuses to reproduce coherently. In his own throat already began a passionate rising of sound that he knew was the "note" he had to utter attempting to escape, summoned forth automatically by these terrible vibrating Letters in the air. A cataract of sound seemed to fill the building and made it shake to its very foundations.

But the hall, he saw, was not only alive with "music," it was ablaze with light—a white and brilliant glory that at first dazzled him to the point of temporary blindness.

The same second Mr. Skale's voice, storming its way somehow above the tumult, made itself heard:

"To the rooms upstairs, Spinrobin! To the corridor with Miriam! And when you hear my voice from the cellar—utter! We may yet be in time to unite the Letters…!"

He released the secretary's hand, flinging it from him, and was off with a bounding, leaping motion like an escaped animal towards the stone passage that led to the cellar steps; and Spinrobin, turning about himself like a top in a perfect frenzy of bewilderment, heard his great voice as he disappeared round the corner:

"It has come upon me like a thief in the night! Before I am fully prepared it has called me! May the powers of the Name have mercy upon my soul…!" And he was gone. For the last time had Spinrobin set his eyes upon the towering earthly form of the Rev. Philip Skale.

The Complete Works of Algernon Blackwood

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