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ОглавлениеTable of Contents
FOREWORD
A LETTER FROM THE AUTHOR
INTRODUCTION
PART ONE : THE PAST
THE FIRST PIONEERS (1890s–1920s)
Alice Guy Blaché: The First Female Filmmaker
Lois Weber: Social Issues on Film
Mary Pickford: The Movie Star Businesswoman
Margaret Booth: The First Film Editor
Frances Marion: The Award-Winning Writer
Helen Holmes: The Action Hero
STRUGGLING IN THE SYSTEM (1930s)
Dorothy Arzner: The Only Female Filmmaker
Mae West: The Sex Symbol vs the Code
Hattie McDaniel: The Oscar Winner
Anna May Wong: Erasure and Exoticism
The Woman’s Picture
WAGING THEIR OWN WAR (1940s)
Hedy Lamarr: The Pin-Up with the Patent
Olivia de Havilland: The Lawmaker
Rita Hayworth: The Illusion
The Femme Fatales
THE DREAM FACTORY (1950s)
Dorothy Dandridge: Fighting Against Stereotype
Marilyn Monroe: The Myth
Ida Lupino: Mother of Us All
NEW HOLLYWOOD (1960s & 1970s)
Joan Crawford & Bette Davis: The Famous Feud
Jane Fonda: New Hollywood Icon
Female Filmmakers, Finally
Pam Grier: The Blaxploitation Hero
MODERN HOLLYWOOD (1980s–2000s)
The Original Six
The Female Executives
The Firsts: Female Filmmakers of Color
Meryl Streep: Oscar Queen
PART TWO: THE PRESENT
FILMMAKERS FIGHT BACK
Dr. Stacy L. Smith: Information Is Power
Ava DuVernay: History Maker
J.J. Abrams and Paul Feig: Men Who Help Women
Keri Putnam: ReFraming The Issue
Maria Giese: Taking Action
ACTING UP
Geena Davis: See It, Be It
America Ferrera: Facing Fear
Mya Taylor: Transforming Hollywood
Octavia Spencer: Scene Stealer
Jennifer Siebel Newsom: Using Her Voice
Debbie Reynolds & Carrie Fisher: Mother-Daughter Icons
BELOW THE LINE
Amy Powell: The Risk Taker
Denise di Novi: From Producer To Director
Nicole Perlman: Writing Her Own Script
Joi McMillon: Editing History
Rachel Morrison: Striking Images
PART THREE: THE FUTURE
The Future is Female
ACKNOWLEDGEMENTS
SELECT BIBLIOGRAPHY
Author Bio