Читать книгу Alison's Wonderland - Alison Tyler - Страница 6

Down the rabbit hole I go, in search of fractured fairy tales and manhandled myths, the type that would make Snow White blush Rose Red. Why fables and rhymes and stories of years gone by? Because the familiar cadence of these magical tales clings to us like the fabric of dreams. The once upon a time is already in place—the happily-ever-after is waiting for us. It’s the part in the middle that’s rich with promise, the sticky-sweet candy-colored goodness of a whole new type of “Hansel and Gretel” story.

The truth is that we all love a happy ending (traditional or otherwise), especially when the characters turn out to be kinky. To that end, I’ve compiled twenty-seven brand-spanking-new stories from such popular erotic writers as Thomas S. Roche, Tsaurah Litzky and Shanna Germain.

Many fables are immediately recognizable. Sommer Marsden’s “The Three Billys” is neatly spotted as a modern-day goat story, although the gruffest of the Billys has a far dirtier method of dealing with (Ms.) Troll than in the original tale. Kristina Lloyd’s “David” riffs on “Sleeping Beauty” in a myriad of ways. A surreal vampire yarn, her Beauty not only wakes up to her deep sexual submission, but she awakens her very own handsome prince. Bella Dean’s “Wolff’s Tavern” turns the tale of “Little Red Riding Hood” inside out—this Wolff comes to Ruby’s rescue. Sophia Valenti’s “The Cougar of Cobble Hill” is based firmly on the sole of “The Old Woman Who Lived in a Shoe,” while Jacqueline Applebee’s “Slutty Cinderella” features the only wannabe princess I know who needs a shave. T. C. Calligari spins the Grimms’ somewhat obscure fable “The Magic Table, the Golden Donkey and the Club in the Sack” into “A Taste for Treasure,” featuring a magical stick, crop and cot.

Several writers approached the same story, but with wickedly different results. “Fool’s Gold” by Shanna Germain retells “Rumpelstiltskin” from the point of view of a woman so tightly bound by her own desires she doesn’t know what she wants. Georgia E. Jones tackles the same fairy tale from more than five hundred years in the past, in the boisterous court of King Edward V. Ms. Jones’s story shows that no matter what the date, love is always in fashion. Nikki Magennis’s darkly beautiful “Red Shoes (Redux)” contrasts deliciously with Tsaurah Litzky’s “Dancing Shoes,” which features an older (but just as intriguing) protagonist, with a little bit of Cinderella for good measure.

Other creations in this collection are magical stories in their own right: Portia Da Costa’s “Unveiling His Muse” reads like a brand-new fairy tale, and Andrea Dale’s “The Broken Fiddle” has the cadence of an old Irish legend. In “The Midas F★ck,” Erica DeQuaya delves into what might happen if a woman’s secret wish came true. A. D. R. Forte’s “Moonset” begs the question “Is that a werewolf in my bed, or are you just happy to see me?” In “Managers and Mermen,” Donna George Storey’s fantasy mermaid lives only in her main character’s mind—or does she? In Lana Fox’s “Always Break the Spines,” a naughty coed learns that fairy tales can hurt. Literally. Her lover punishes her with a leather-bound book.

What ingredients are required to create a modern-day fairy tale? Sometimes all that’s needed is a little magic dust—and a bit of lube. Bryn Haniver’s ever-so-dirty “Mastering Their Dungeons” draws on a familiar game, but not everyone could turn a dorm room into a setting for a modern-day myth. Benjamin Eliot has conjured his own version of Sisyphus, with a protagonist forced to fix the same facility for what appears to be an eternity in “An Uphill Battle.” Rachel Kramer Bussel’s “Let Down Your Libido” features a completely different type of prison for a Rapunzel of the new millennium. And Thomas S. Roche’s “Cupid Has Signed Off” takes us from sex play in the online universe to a sizzling scenario IRL (in real life). My own “Rings on My Fingers” features dusky Los Angeles, a shy bookstore clerk and the universal desire for a happy ending, even with a tattooed prince.

Three wishes are all one girl requires when offered to choose in Saskia Walker’s “Kiss It.” What exactly does the protagonist kiss? Well, he’s definitely not a frog. Janine Ashbless’s “Gold, On Snow” tackles “Snow White” from the queen’s point of view. Allison Wonderland’s “Sleeping with Beauty” delves into the bubblegum-pink universe of two princesses who forgo princes (and frogs) in favor of each other. And what if one of those handsome fairy-tale studs liked men?

Are the endings always happy? That’s for the reader to decide. “The Clean-Shaven Type” by N. T. Morley, is a version of “Beauty and the Beast” with quite unexpected results for the Beast. “After the Happily-Ever-After,” by Heidi Champa, describes what happens to poor Cinderella once the sparkle fades from her fairy-tale wedding. The collection rides off into the sunset with a fairy tale told in a hundred words. If you don’t think that’s possible, check out Elspeth Potter’s “The Princess.”

With a combination of retold tales and brand-new fables, Alison’s Wonderland is the perfect naughty bedtime storybook to share with a partner (or enjoy solo style) for your own X-rated Happily-Ever-After.

XXX,

Alison Tyler