Читать книгу American Book-Plates - Allen Charles Dexter - Страница 5

DESIGNS which are wholly pictorial or which are meant to convey meaning by their symbolism are not very numerous with us. This style of design is no better suited to the plates of public libraries, schools, and societies, than to those of individuals, but nearly all of our early examples of this style are found to belong to the former class.

One of the early personal plates of this kind is that of James Parker, who was a collector of curios, medals, and books. He was a conductor on the old Western Railroad, and ran the first train between Worcester and Springfield. This plate is fully described in the List.

Of an entirely different style is the plate engraved by Harris for Henry Andrews. This is pictorial, introducing classical features, but hardly rising to the height of allegory. The plate of Bloomfield McIlvaine is also pictorial, and probably allegorical, as the figure seems to represent History. In the Samuel Parker plate we have

allegory with a label to identify it; for the bank on which the muse of History reclines is labelled Clio. A very peculiar pictorial plate is that of Edward Pennington, which seems to represent an overflowing reservoir.

The plates of McMurtrie, Kip, Mann, Russell, Swett and Hooper are good examples of the class. Examples could be given at greater length, but as all are carefully described in the List, the reader is referred to it.

The most interesting of the old society and

library plates are the three of the New York Society Library, the two of the libraries in Farmington, Conn., and that of the Society for Propagating the Gospel in Foreign Parts.

In the plates of the Society Library allegory is rampant. Minerva appears in all of them, and in the two by Maverick is the principal figure. In both of these she appears to an American Indian, whose attitude shows his deep appreciation of the benefits of education as offered by the resplendent goddess. In one case she is represented as having just arrived from Olympus, and is still encircled by clouds; in the other, she seems quite at home in the alcove of the library, and has taken a suitable volume from the shelf for the use of the savage. In the plate by Gallaudet for this library the allegory is extended, and other prominent inhabitants of the abode of the celestials are present. The arts and sciences which the books of the library treat of are represented by implements and symbols easily recognized.

The plate of the Monthly Library in Farmington also uses allegory. The designer and engraver of this plate was Martin Bull, an old deacon in the village, who was quite an interesting man. He was a goldsmith, a maker of silver buttons, and spoons; a manufacturer of saltpetre when needed by the army, a conductor of church music, town treasurer for eight years, clerk of probate for thirty-nine years, a strong patriot, and a writer of long and appallingly solemn letters to the youth of the village when

at college. The library was founded in 1795, – about as soon as our soldier-citizens could settle down into reading stay-at-homes, – and was conducted upon the plan of monthly exchanges. On the first Sabbath of the month all members would assemble in the evening and pass in their books and receive others, the choice being auctioned off. Two dollars and a half a month was thus realized, and the meeting was the event of the month to the sturdy inhabitants of the quiet town, to say nothing of the younger folk, to whom it must have afforded coveted opportunities for pleasant meetings, and quiet walks along the lanes. On the first day of the new century, January, 1801, the library changed its name to that which appears upon the book-plate, and on which the good deacon exhibited a specimen of his highest art. Previously to this date it had gone under the name of “The Library in the First Society in Farmington,” and its first book-plate, probably engraved by the good deacon, had the simple name with no pictorial accessories.

Contemporaneously with this, another library called the Village Library, was in operation, and continued until 1826, when it was merged with a third. This library also had a book-plate, but it was undoubtedly beyond the powers of the engraver of its forerunners. In this we see the interior of a room, in which a young lady patron of the library is storing her mind with those choice axioms which, if put in practice, far exceed the attractiveness of mere personal beauty; so says the couplet beneath the picture.

The plate of the Society for Propagating the Gospel in Foreign Parts is also pictorial, and represents a ship of the Society, with its missionary, approaching the shore of savage America: this plate is dated 1704, and is very curious and interesting. The society grew from the efforts of one Rev. Thomas Bray, who established thirty-nine parochial libraries in the American Colonies for the purpose of propagating the doctrines

of the Church. In 1698, King’s Chapel, Boston, received some two hundred books from this society, which were described as “an arsenal of sound theological, ecclesiastical, and political doctrines for the Ministers of His Majesty’s Chapel.” For the prevention of loss or embezzlement, and that they might be known wherever

found, “in every book, on the inside cover shall be these words, ‘Sub auspiciis Wilhelmi III,’ and also the Library to which they belong, thus ‘E Bibliotheca Bostoniana.’ ” This must have been in addition to the plate we are considering, as no words descriptive of particular ownership are given: possibly this plate was used in all the books belonging to the society, and the supplementary one was for use in each individual library.

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College plates are as a general thing very plain, but the plates used by the societies supported by the students and the alumni, are often very elaborate. The early societies in Harvard and in Yale had curious and very interesting examples of the allegorical and symbolic plate.

The Hasty Pudding Society and the Porcellian Club of Harvard College, the Linonian Society and the Brothers in Unity of Yale College, are examples. In Dartmouth College, the Social Friends Society, and in the smaller colleges numerous other fraternities and societies, used plates of simpler style.

The books of the Library of Harvard College were marked with plates by Hurd and Bowen, as noted in the list; on these plates, the gifts of various benefactors are recorded, with the class to which they belonged, conditions regarding the gift of the books, or a statement of the fund from whose income the money for the books is derived.

The plate of the Library of Congress is an engraved label having the name and spaces for

entries surrounded by a border of oak leaves and acorns: the design is very neat, and is old in appearance.

A very beautiful plate is used by some Orphan Asylum, which does not give its full name upon its plate. In this a beautiful picture of the Christ blessing the little ones is given; the line “Forasmuch as ye did it unto one of the least of these, ye did it unto Me,” is given under the vignette.

In the plate of the Library of the New York State Agricultural Society, which was incorporated in 1832, Ceres is seen in the field; behind her the sheaves of wheat extend in rows; one arm clasps a cornucopia, and with the hand of the other she extends a wreath.

In a great many instances the plates of libraries had no pictorial features, or indeed anything at all ornamental, being but the printed rules governing the users of the books. Two examples of this kind of plate are given below.

This VOLUME

belongs to

PRICHARD’S

Circulating Library,

Containing nearly Two Thousand Volumes,

In Market Street, Baltimore, where

LADIES OR GENTLEMEN

may become

READERS

By subscribing for one Month, three Months or by

Agreement for a single Book. Said Prichard has also a

very great Variety of NEW and OLD BOOKS for Sale

He, likewise,

Gives Ready Money for New and Old Books

—

Union Circulating Library,

201 Chestnut Street, Philadelphia

Subscribers to pay in advance, six dollars for a year: three dollars and fifty cents for six months: two dollars for three months: one dollar for one month: each subscriber to have three Duodecimo volumes, or one Octavo and one Duodecimo at a time. A subscriber detaining an Octavo longer than four weeks or a Duodecimo longer than two weeks to pay as a non-subscriber. For each Octavo one eighth of a dollar per week until the end of the fourth week when the rate was doubled. For a Duodecimo one sixteenth of a dollar per week until the end of the second week.

Constant attendance at the Library from Sunrise till 8 o’clock in the evening.

In mentioning a few examples of the plates recently made for societies and libraries, no attempt is made to furnish a complete list, nor even to mention all the attractive plates, but to speak of a few which seem of especial interest.

A pleasing architectural plate is used in Columbia College Library to mark the books of the Avery Architectural Library. This was designed by Russell Sturgis, and is in the form of a memorial window or mortuary mural tablet. The central panel bears the inscription, and the date MDCCCXC is given below.

The plate of the Arnold Arboretum, designed by George Wharton Edwards, is very attractive; the just-rising sun shines upon a white pine which stands within an elliptical frame; the names of the Institution and of the University appear upon ribbons which float from the pine. The plate is dated 1892, and is signed, G. W. E.

The same artist designed the first book-plate of the Grolier Club of New York City. In this, Atlas is seen supporting the arms of the club within a circular frame which bears the name, and the date of the founding of the club, 1884; rich foliations with a pounced background surround this central design. The plate is signed G. W. E.

The Public Library of the old whaling town of New London has a plate which is wholly nautical in construction; the name is given on a wheel which is held by a seaman, while the captain stands by in pea-jacket and rough-weather helmet, giving orders; the sail, which rises behind them, affords space for the number of the book; below the deck on which the mariners stand, are seen harpoons and spears of various sizes and kinds; two dolphins are disporting in the waves. This plate is signed by the name of the artist in full. It is by Mr. Edwards.

The Sutro Library of San Francisco uses a plate which gives a large and interesting picture of the natural resources of the locality, and the enterprises carried on in its vicinity; the motto, Labor omnia vincit, appears on the ribbon which floats in the air.

The Watkinson Library of Hartford uses one of the very few portrait plates in the country; just why this style of plate should not be common is not easy to understand. They are used in Boston and Worcester, as mentioned below, but these instances are all that occur in public libraries. In this plate the portrait of David Watkinson, the founder of the library, is enclosed within an oval frame which bears the name and the date of incorporation, 1858. The plate is signed by the American Bank Note Company, New York, and is an excellent piece of steel engraving.

Almost all of the historical societies use plates in which the arms of the state or city in which they are located, are used. The Pennsylvania, Connecticut, and Maine Historical Societies have plates of this kind. In the last-named plate an inescutcheon bears four important dates in the history of the state of Maine.

The Rowfant Club of Cleveland uses a small plate representing the corner of a library; the open window admits the fading light of the sun, which is sinking into the sea; the lattice swings idly, and the pile of books on the table proclaim a busy day.

A very striking plate is used by the University Club of Washington. A wall of rough-faced stone is pierced by a small quatrefoil window in which

a book is laid; the date 1891 is stamped upon the side of the book. Below this, Ionic columns support the wall; between them, in a smooth space, is carved the name and city of the club. The plate is signed Hy. Sandham.

In the Boston Public Library a large number of different plates is used for the volumes coming from different legacies or funds, and in very many cases these plates give a portrait of the donor. Thus we find these portraits on the plate used in the books from the Ticknor Fund, the Phillips Fund, and the Franklin Club Fund. The books remaining from the library of Thomas Prince are also marked with a plate which gives his portrait and a picture of the old meeting-house, in which he preached, and in which the books were stored at one time.

Portraits also appear upon the book-plates of the American Antiquarian Society, which gives that of Ginery Twichell; and the Massachusetts Historical Society, which has a plate giving a portrait of James Savage.

The public libraries of to-day do not usually use elaborate plates in their book-covers; simple labels, with perhaps a city or corporation seal, are the common kind.