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The existence of this volume is due, not to my own initiative, but to that of my enterprising kinsman and publisher, Mr. Grant Richards. He it was who first suggested to me the idea that it might be worth while to collect in one volume such of my scattered short stories as I judged to possess most permanent value. In order for us to carry out his plan, however, it became necessary to obtain the friendly co-operation of Messrs. Chatto and Windus, to whom belong the copyrights of my three previous volumes of Collected Tales, published respectively under the titles of Strange Stories, The Beckoning Hand, and Ivan Greet's Masterpiece, some pieces from each of which series I desired to include in the present selection. Fortunately, Messrs. Chatto and Windus fell in with our scheme with that kindness which I have learned to expect from them in all their dealings; and an arrangement was thus effected by which I am enabled to present here certain stories from their three volumes. Together with these I have arranged an equal number of tales from other sources—most of which have hitherto appeared in periodicals only, while one is entirely new, never having been before printed.

I may perhaps be permitted, without blame, to seize the occasion of this selected edition in order to offer a few bibliographical remarks on the origin and inception of my short stories. For many years after I took to the trade of author, I confined my writings to scientific or quasi-scientific subjects, having indeed little or no idea that I possessed in the germ the faculty of story-telling. But on one occasion, about the year 1880 (if I recollect aright), wishing to contribute an article to Belgravia on the improbability of a man's being able to recognise a ghost as such, even if he saw one, and the impossibility of his being able to apply any test of credibility to an apparition's statements, I ventured for the better development of my subject to throw the argument into the form of a narrative. I did not regard this narrative as a story: I looked upon it merely as a convenient method of displaying a scientific truth. However, the gods and Mr. Chatto thought otherwise. For, a month or two later, Mr. Chatto wrote to ask me if I could supply Belgravia with 'another story.' Not a little surprised at this request, I sat down, like an obedient workman, and tried to write one at my employer's bidding. I distrusted my own ability to do so, it is true: but Mr. Chatto, I thought, being a dealer in the article, must know better than I; and I was far too poor a craftsman at that time to refuse any reasonable offer of employment. So I did my best, crassa Minerva. To my great astonishment, my second story was accepted and printed like my first: the curious in such matters (if there be any) will find them both in the volume entitled Strange Stories (published by Messrs. Chatto and Windus) under the headings of 'Our Scientific Observations on a Ghost,' and 'My New Year's Eve among the Mummies.'

From that day forward for some years I continued at Mr. Chatto's request to supply short stories from time to time to Belgravia, a magazine which he then edited. But I did not regard these my tentative tales in any serious light: and, fearing that they might stand in the way of such little scientific reputation as I possessed, I published them all under the prudent pseudonym of J. Arbuthnot Wilson. I do not know that I should have got much further on the downward path which leads to fiction, had it not been for the intervention of my good friend the late Mr. James Payn. When he undertook the editorship of the Cornhill, he determined at first to turn it into a magazine of stories only, and began to look about him for fresh blood to press into the service. Among the writers he then secured (I seem to recollect) were Dr. Conan Doyle and Mr. Stanley Weyman. Now, under Mr. Leslie Stephen's editorship, I had been accustomed to contribute to the Cornhill occasional papers on scientific subjects: and one morning, by an odd coincidence, I received two notes simultaneously from the new editor. The first of them was addressed to me by my real name; in it, Mr. Payn courteously but briefly informed me that he returned one such scientific article which I had sent for his consideration, as he had determined in future to exclude everything but fiction from the magazine—a decision which he afterwards saw reason to rescind. The second letter, forwarded through Messrs. Chatto and Windus, was addressed to me under my assumed name of J. Arbuthnot Wilson, and begged that unknown person to submit to Mr. Payn a few stories 'like your admirable Mr. Chung.' Now, this Mr. Chung was a tale of a Chinese attaché in England, who fell in love with an English girl: I had first printed it, like the others of that date, in the pages of Belgravia. (Later on, it was included in the volume of Strange Stories, where any hypothetical explorer may still find it.) Till that moment, I had never regarded my excursions into fiction in any serious light, setting down Mr. Chatto's liking for them to that gentleman's amiability, or else to his well-known scientific penchant. But when a novelist like Mr. James Payn spoke well of my work—nay, more; desired to secure it for his practically new magazine—I began to think there might really be something in my stories worth following up by a more serious effort.

Thus encouraged, I launched out upon what I venture to think was the first voyage ever made in our time into the Romance of the Clash of Races—since so much exploited. I wrote two short stories, 'The Reverend John Creedy' and 'The Curate of Churnside,' both of which I sent to Mr. Payn, in response to his invitation. He was kind enough to like them, and they were duly published in the Cornhill. At the time, their reception was disappointing: but gradually, since then, I have learned from incidental remarks that many people read them and remembered them; indeed, I have reason to think that these first serious efforts of mine at telling a story were among my most successful attempts at the art of fiction. Once launched as a professional story-teller by this fortuitous combination of circumstances, I continued at the trade, and wrote a number of tales for the Cornhill and other magazines, up till the year 1884, when I collected a few of them into a volume of Strange Stories, under my own name, for the first time casting off the veil of anonymity or the cloak of a pseudonym. In the same year I also began my career as a novelist properly so called, by producing my first long novel, Philistia.

From that date forward, I have gone on writing a great many stories, long and short, whose name is Legion. Out of the whole number of shorter ones, I now select the present set, as illustrating best in different keys the various types of tale to which I have devoted myself.

Four of these pieces have already appeared as reprints in the volume entitled Strange Stories—namely, 'The Reverend John Creedy,' from the Cornhill; 'The Child of the Phalanstery,' from Belgravia; and 'The Curate of Churnside' and 'The Backslider,' both from the Cornhill. One, 'John Cann's Treasure,' also from the Cornhill, has been reprinted in the volume called The Beckoning Hand. Two more have been included in the collection entitled Ivan Greet's Masterpiece: namely, 'Ivan Greet's Masterpiece' itself, originally issued as a Christmas number of the Graphic; and 'The Abbé's Repentance,' which first saw the light in the Contemporary Review. The remainder have never appeared before, except in periodicals. The Headpiece, 'A Confidential Communication,' came out in the Sketch. So did 'Frasine's First Communion.' 'Wolverden Tower' formed a Christmas number of the Illustrated London News. 'Janet's Nemesis' was contributed to the Pall Mall Magazine. The Intermezzo, 'Langalula,' is from the Speaker, as is also the Tailpiece, 'A Matter of Standpoint.' 'Cecca's Lover' made his original bow in Longman's Magazine. Finally, 'The Churchwarden's Brother' is entirely new, never having appeared in public before on this or any other stage. I have to thank the editors and proprietors of the various periodicals above enumerated for their courteous permission to present afresh the contributions to their respective pages.

I set forth this little Collection of Tales in all humility, and with no small diffidence. In an age so prolific in high genius as our own, I know how hard it is for mere modest industry to catch the ear of a too pampered public. I shall be amply content if our masters permit me to pick up the crumbs that fall from the table of the Hardys, the Kiplings, the Merediths, and the Wellses.

G. A.