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’Twas at supper at Charlie Powell’s; every one there admitted Charlie was in splendid form. His audacity broke the record. He romanced away with even more than his usual brilliant recklessness. Truth and fiction blended well in his animated account of his day’s adventures. He had lunched that morning with the newly-appointed editor of a high-class journal for the home circle—circulation exceeding half a million—and had returned all agog with the glorious prospect of untold wealth opening fresh before him. So he discounted his success by inviting a dozen friends to champagne and lobster-salad at his rooms in St. James’s, and held forth to them, after his wont, in a rambling monologue.

“When I got to the house,” he said airily, poising a champagne-glass halfway up in his hand, “with the modest expectation of a chop and a pint of porter in the domestic ring—imagine my surprise at finding myself forthwith standing before the gates of an Oriental palace—small, undeniably small, a bijou in its way, but still, without doubt, a veritable palace. I touched the electric bell. Hi, presto! at my touch the door flew open as if by magic, and disclosed—a Circassian slave, in a becoming costume à la Liberty in Regent Street, and smiling like the advertisement of a patent dentifrice! I gasped out——”

“But how did ye know she was a Circassian?” Paddy O’Connor inquired, interrupting him brusquely. (His name was really Francis Xavier O’Connor, but they called him “Paddy” for short, just to mark his Celtic origin.)

Charlie Powell smiled a contemptuously condescending smile. He was then on the boom, as chief literary lion. “How do I know ye’re an Oirishman, Paddy?” he answered, hardly heeding the interruption. “By her accent, my dear boy; her pure, unadulterated Circassian accent! ‘Is Mr. Morrison at home?’ I gasped out to the Vision of Beauty. The Vision of Beauty smiled and nodded—her English being chiefly confined to smiles, with a Circassian flavour; and led me on by degrees into the great man’s presence. I mounted a stair, with a stained-glass window all yellows and browns, very fine and Burne-Jonesey; I passed through a drawing-room in the Stamboul style—couches, rugs, and draperies; and after various corridors—Byzantine, Persian, Moorish—I reached at last a sort of arcaded alcove at the further end, where two men lay reclining on an Eastern divan—one, a fez on his head, pulling hard at a chibouque; the other, bare-headed, burbling smoke through a hookah. The bare-headed one rose: ‘Mr. Powell,’ says he, waving his hand to present me, ‘My friend, Macpherson Psaha!’ I bowed, and looked unconcerned. I wanted them to think I’d lived all my life hob-nobbing with Pashas. Well, we talked for a while about the weather and the crops, and the murder at Mile End, and the state of Islam; when, presently, of a sudden, Morrison claps his hands—so—and another Circassian slave, still more beautiful, enters.

“‘Lunch, houri,’ says Morrison.

“‘The effendi is served,’ says the Circassian.

“And down we went to the dining-room. Bombay black-wood, every inch of it, inlaid with ivory. Venetian glass on the table; solid silver on the sideboard. Only us three, if you please, to lunch; but everything as spick and span as if the Prince was of the company. The three Circassian slaves, in Liberty caps, stood behind our chairs—one goddess apiece—and looked after us royally. Chops and porter, indeed! It was a banquet for a poet; Ivan Greet should have been there; he’d have mugged up an ode about it. Clear turtle and Chablis—the very best brand; then smelts and sweetbreads; next lamb and mint sauce; ortolans on toast; ice-pudding; fresh strawberries. A guinea each, strawberries, I give you my word, just now at Covent Garden. Oh, mamma! what a lunch, boys! The Hebes poured champagne from a golden flagon; that is to say, at any rate”—for Paddy’s eye was upon him—“the neck of the bottle was wrapped in gilt tinfoil. And all the time Morrison talked—great guns, how he talked! I never heard anything in my life to equal it. The man’s been everywhere, from Peru to Siberia. The man’s been everything, from a cowboy to a communard. My hair stood on end with half the things he said to me; and I haven’t got hair so easily raised as some people’s. Was I prepared to sell my soul for Saxon gold at the magnificent rate of five guineas a column? Was I prepared to jump out of my skin! I choked with delight. Hadn’t I sold it all along to the enemies of Wales for a miserable pittance of thirty shillings? What did he want me to do? Why, contribute third leaders—you know the kind of thing—tootles on the penny-trumpet about irrelevant items of non-political news—the wit and humour of the fair, best domestic style, informed throughout with wide general culture. An allusion to Aristophanes; a passing hint at Rabelais; what Lucian would have said to his friends on this theme; how the row at the School Board would have affected Sam Johnson.

“‘But you must remember, Mr. Powell,’ says Morrison, with an unctuous smile, ‘the greater part of our readers are—well, not to put it too fine—country squires and conservative Dissenters. Your articles mustn’t hurt their feelings or prejudices. Go warily, warily! You must stick to the general policy of the paper, and be tenderly respectful to John Wesley’s memory.”

“‘Sir,’ said I, smacking his hand, ‘for five guineas a column I’d be tenderly respectful to King Ahab himself, if you cared to insist upon it. You may count on my writing whatever rubbish you desire for the nursery mind.’ And I passed from his dining-room into the enchanted alcove.

“But before I left, my dear Ivan, I’d heard such things as I never heard before, and been promised such pay as seemed to me this morning beyond the dreams of avarice. And oh, what a character! ‘When I was a slave at Khartoum,’ the man said; or ‘When I was a schoolmaster in Texas;’ ‘When I lived as a student up five floors at Heidelberg;’ or ‘When I ran away with Félix Pyat from the Versaillais;’ till I began to think ’twas the Wandering Jew himself come to life again in Knightsbridge. At last, after coffee and cigarettes on a Cairo tray—with reminiscences of Paraguay—I emerged on the street, and saw erect before my eyes a great round Colosseum. I seemed somehow to recognize it. ‘This is not Bagdad, then,’ I said to myself, rubbing my eyes very hard—for I thought I must have been wafted some centuries off, on an enchanted carpet. Then I looked once more. Yes, sure enough, it was the Albert Hall. And there was the Memorial with its golden image. I rubbed my eyes a second time, and hailed a hansom—for there were hansoms about, and policemen, and babies. ‘Thank Heaven!’ I cried aloud; after all, this is London!”

Ivan Greet's Masterpiece

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