Читать книгу Strange Stories - Allen Grant, Griffiths Arthur - Страница 7

Walter Dene, deacon, in his faultless Oxford clerical coat and broad felt hat, strolled along slowly, sunning himself as he went, after his wont, down the pretty central lane of West Churnside. It was just the idyllic village best suited to the taste of such an idyllic young curate as Walter Dene. There were cottages with low-thatched roofs, thickly overgrown with yellow stonecrop and pink house-leek; there were trellis-work porches up which the scented dog-rose and the fainter honeysuckle clambered together in sisterly rivalry; there were pargeted gable-ends of Elizabethan farmhouses, quaintly varied with black oak joists and moulded plaster panels. At the end of all, between an avenue of ancient elm trees, the heavy square tower of the old church closed in the little vista – a church with a round Norman doorway and dog-tooth arches, melting into Early English lancets in the aisle, and finishing up with a great Decorated east window by the broken cross and yew tree. Not a trace of Perpendicularity about it anywhere, thank goodness: "for if it were Perpendicular," said Walter Dene to himself often, "I really think, in spite of my uncle, I should have to look out for another curacy."

Yes, it was a charming village, and a charming country; but, above all, it was rendered habitable and pleasurable for a man of taste by the informing presence of Christina Eliot. "I don't think I shall propose to Christina this week after all," thought Walter Dene as he strolled along lazily. "The most delightful part of love-making is certainly its first beginning. The little tremor of hope and expectation; the half-needless doubt you feel as to whether she really loves you; the pains you take to pierce the thin veil of maidenly reserve; the triumph of detecting her at a blush or a flutter when she sees you coming – all these are delicate little morsels to be rolled daintily on the critical palate, and not to be swallowed down coarsely at one vulgar gulp. Poor child, she is on tenter-hooks of hesitation and expectancy all the time, I know; for I'm sure she loves me now, I'm sure she loves me; but I must wait a week yet: she will be grateful to me for it hereafter. We mustn't kill the goose that lays the golden eggs; we mustn't eat up all our capital at one extravagant feast, and then lament the want of our interest ever afterward. Let us live another week in our first fool's paradise before we enter on the safer but less tremulous pleasures of sure possession. We can enjoy first love but once in a lifetime; let us enjoy it now while we can, and not fling away the chance prematurely by mere childish haste and girlish precipitancy." Thinking which thing, Walter Dene halted a moment by the churchyard wall, picked a long spray of scented wild thyme from a mossy cranny, and gazed into the blue sky above at the graceful swifts who nested in the old tower, as they curved and circled through the yielding air on their evenly poised and powerful pinions.

Just at that moment old Mary Long came out of her cottage to speak with the young parson. "If ye plaze, Maister Dene," she said in her native west-country dialect, "our Nully would like to zee 'ee. She's main ill to-day, zur, and she be like to die a'most, I'm thinking."

"Poor child, poor child," said Walter Dene tenderly. "She's a dear little thing, Mrs. Long, is your Nellie, and I hope she may yet be spared to you. I'll come and see her at once, and try if I can do anything to ease her."

He crossed the road compassionately with the tottering old grandmother, giving her his helping hand over the kerbstone, and following her with bated breath into the close little sick-room. Then he flung open the tiny casement with its diamond-leaded panes, so as to let in the fresh summer air, and picked a few sprigs of sweet-briar from the porch, which he joined with the geranium from his own button-hole to make a tiny nosegay for the bare bedside. After that, he sat and talked awhile gently in an undertone to pale, pretty little Nellie herself, and went away at last promising to send her some jelly and some soup immediately from the vicarage kitchen.

"She's a sweet little child," he said to himself musingly, "though I'm afraid she's not long for this world now; and the poor like these small attentions dearly. They get them seldom, and value them for the sake of the thoughtfulness they imply, rather than for the sake of the mere things themselves. I can order a bottle of calf's-foot at the grocer's, and Carter can set it in a mould without any trouble; while as for the soup, some tinned mock-turtle and a little fresh stock makes a really capital mixture for this sort of thing. It costs so little to give these poor souls pleasure, and it is a great luxury to oneself undeniably. But, after all, what a funny trade it is to set an educated man to do! They send us up to Oxford or Cambridge, give us a distinct taste for Æschylus and Catullus, Dante and Milton, Mendelssohn and Chopin, good claret and olives farcies, and then bring us down to a country village, to look after the bodily and spiritual ailments of rheumatic old washerwomen! If it were not for poetry, flowers, and Christina, I really think I should succumb entirely under the infliction."

"He's a dear, good man, that he is, is young passon," murmured old Miry Long as Walter disappeared between the elm trees; "and he do love the poor and the zick, the same as if he was their own brother. God bless his zoul, the dear, good vulla, vor all his kindness to our Nully."

Halfway down the main lane Walter came across Christina Eliot. As she saw him she smiled and coloured a little, and held out her small gloved hand prettily. Walter took it with a certain courtly and graceful chivalry. "An exquisite day, Miss Eliot," he said; "such a depth of sapphire in the sky, such a faint undertone of green on the clouds by the horizon, such a lovely humming of bees over the flickering hot meadows! On days like this, one feels that Schopenhauer is wrong after all, and that life is sometimes really worth living."

"It seems to me often worth living," Christina answered; "if not for oneself, at least for others. But you pretend to be more of a pessimist than you really are, I fancy, Mr. Dene. Any one who finds so much beauty in the world as you do can hardly think life poor or meagre. You seem to catch the loveliest points in everything you look at, and to throw a little literary or artistic reflection over them which makes them even lovelier than they are in themselves."

"Well, no doubt one can increase one's possibilities of enjoyment by carefully cultivating one's own faculties of admiration and appreciation," said the curate thoughtfully; "but, after all, life has only a few chapters that are thoroughly interesting and enthralling in all its history. We oughtn't to hurry over them too lightly, Miss Eliot; we ought to linger on them lovingly, and make the most of their potentialities; we ought to dwell upon them like "linked sweetness long drawn out." It is the mistake of the world at large to hurry too rapidly over the pleasantest episodes, just as children pick all the plums at once out of the pudding. I often think that, from the purely selfish and temporal point of view, the real value of a life to its subject may be measured by the space of time over which he has managed to spread the enjoyment of its greatest pleasures. Look, for example, at poetry, now."

A faint shade of disappointment passed across Christina's face as he turned from what seemed another groove into that indifferent subject; but she answered at once, "Yes, of course one feels that with the higher pleasures at least; but there are others in which the interest of plot is greater, and then one looks naturally rather to the end. When you begin a good novel, you can't help hurrying through it in order to find out what becomes of everybody at last."

"Ah, but the highest artistic interest goes beyond mere plot interest. I like rather to read for the pleasure of reading, and to loiter over the passages that please me, quite irrespective of what goes before or what comes after; just as you, for your part, like to sketch a beautiful scene for its own worth to you, irrespective of what may happen to the leaves in autumn, or to the cottage roof in twenty years from this. By the way, have you finished that little water-colour of the mill yet? It's the prettiest thing of yours I've ever seen, and I want to look how you've managed the light on your foreground."

"Come in and see it," said Christina. "It's finished now, and, to tell you the truth, I'm very well pleased with it myself."

"Then I know it must be good," the curate answered; "for you are always your own harshest critic." And he turned in at the little gate with her, and entered the village doctor's tiny drawing-room.

Christina placed the sketch on an easel near the window – a low window opening to the ground, with long lithe festoons of faint-scented jasmine encroaching on it from outside – and let the light fall on it aslant in the right direction. It was a pretty and a clever sketch certainly, with more than a mere amateur's sense of form and colour; and Walter Dene, who had a true eye for pictures, could conscientiously praise it for its artistic depth and fulness. Indeed, on that head at least, Walter Dene's veracity was unimpeachable, however lax in other matters; nothing on earth would have induced him to praise as good a picture or a sculpture in which he saw no real merit. He sat a little while criticizing and discussing it, suggesting an improvement here or an alteration there, and then he rose hurriedly, remembering all at once his forgotten promise to little Nellie. "Dear me," he said, "your daughter's picture has almost made me overlook my proper duties, Mrs. Eliot. I promised to send some jelly and things at once to poor little Nellie Long at her grandmother's. How very wrong of me to let my natural inclinations keep me loitering here, when I ought to have been thinking of the poor of my parish!" And he went out with just a gentle pressure on Christina's hand, and a look from his eyes that her heart knew how to read aright at the first glance of it.

"Do you know, Christie," said her father, "I sometimes fancy when I hear that new parson fellow talk about his artistic feelings, and so on, that he's just a trifle selfish, or at least self-centred. He always dwells so much on his own enjoyment of things, you know."

"Oh no, papa," cried Christina warmly. "He's anything but selfish, I'm sure. Look how kind he is to all the poor in the village, and how much he thinks about their comfort and welfare. And whenever he's talking with one, he seems so anxious to make you feel happy and contented with yourself. He has a sort of little subtle flattery of manner about him that's all pure kindliness; and he's always thinking what he can say or do to please you, and to help you onward. What you say about his dwelling on enjoyment so much is really only his artistic sensibility. He feels things so keenly, and enjoys beauty so deeply, that he can't help talking enthusiastically about it even a little out of season. He has more feelings to display than most men, and I'm sure that's the reason why he displays them so much. A ploughboy could only talk enthusiastically about roast beef and dumplings; Mr. Dene can talk about everything that's beautiful and sublime on earth or in heaven."

Meanwhile, Walter Dene was walking quickly with his measured tread – the even, regular tread of a cultivated gentleman – down the lane toward the village grocer's, saying to himself as he went, "There was never such a girl in all the world as my Christina. She may be only a country surgeon's daughter – a rosebud on a hedgerow bush – but she has the soul and the eye of a queen among women for all that. Every lover has deceived himself with the same sweet dream, to be sure – how over-analytic we have become nowadays, when I must needs half argue myself out of the sweets of first love! – but then they hadn't so much to go upon as I have. She has a wonderful touch in music, she has an exquisite eye in painting, she has an Italian charm in manner and conversation. I'm something of a connoisseur, after all, and no more likely to be deceived in a woman than I am in a wine or a picture. And next week I shall really propose formally to Christina, though I know by this time it will be nothing more than the merest formality. Her eyes are too eloquent not to have told me that long ago. It will be a delightful pleasure to live for her, and in order to make her happy. I frankly recognize that I am naturally a little selfish – not coarsely and vulgarly selfish; from that disgusting and piggish vice I may conscientiously congratulate myself that I'm fairly free; but still selfish in a refined and cultivated manner. Now, living with Christina and for Christina will correct this defect in my nature, will tend to bring me nearer to a true standard of perfection. When I am by her side, and then only, I feel that I am thinking entirely of her, and not at all of myself. To her I show my best side; with her, that best side would be always uppermost. The companionship of such a woman makes life something purer, and higher, and better worth having. The one thing that stands in our way is this horrid practical question of what to live upon. I don't suppose Uncle Arthur will be inclined to allow me anything, and I can't marry on my own paltry income and my curacy only. Yet I can't bear to keep Christina waiting indefinitely till some thick-headed squire or other chooses to take it into his opaque brain to give me a decent living."

From the grocer's the curate walked on, carrying the two tins in his hand, as far as the vicarage. He went into the library, sat down by his own desk, and rang the bell. "Will you be kind enough to give those things to Carter, John?" he said in his bland voice; "and tell her to put the jelly in a mould, and let it set. The soup must be warmed with a little fresh stock, and seasoned. Then take them both, with my compliments, to old Mary Long the washerwoman, for her grandchild. Is my uncle in?"

"No, Master Walter," answered the man – he was always "Master Walter" to the old servants at his uncle's – "the vicar have gone over by train to Churminster. He told me to tell you he wouldn't be back till evening, after dinner."

"Did you see him off, John?"

"Yes, Master Walter. I took his portmantew to the station."

"This will be a good chance, then," thought Walter Dene to himself. "Very well, John," he went on aloud: "I shall write my sermon now. Don't let anybody come to disturb me."

John nodded and withdrew. Walter Dene locked the door after him carefully, as he often did when writing sermons, and then lit a cigar, which was also a not infrequent concomitant of his exegetical labours. After that he walked once or twice up and down the room, paused a moment to look at his parchment-covered Rabelais and Villon on the bookshelf, peered out of the dulled glass windows with the crest in their centre, and finally drew a curious bent iron instrument out of his waistcoat pocket. With it in his hands, he went up quietly to his uncle's desk, and began fumbling at the lock in an experienced manner. As a matter of fact, it was not his first trial of skill in lock-picking; for Walter Dene was a painstaking and methodical man, and having made up his mind that he would get at and read his uncle's will, he took good care to begin by fastening all the drawers in his own bedroom, and trying his prentice hand at unfastening them again in the solitude of his chamber.

After half a minute's twisting and turning, the wards gave way gently to his dexterous pressure, and the lid of the desk lay open before him. Walter Dene took out the different papers one by one – there was no need for hurry, and he was not a nervous person – till he came to a roll of parchment, which he recognized at once as the expected will. He unrolled it carefully and quietly, without any womanish trembling or excitement – "thank Heaven," he said to himself, "I'm above such nonsense as that" – and sat down leisurely to read it in the big, low, velvet-covered study chair. As he did so, he did not forget to lay a notched foot-rest for his feet, and to put the little Japanese dish on the tiny table by his side to hold his cigar ash. "And now," he said, "for the important question whether Uncle Arthur has left his money to me, or to Arthur, or to both of us equally. He ought, of course, to leave at least half to me, seeing I have become a curate on purpose to please him, instead of following my natural vocation to the Bar; but I shouldn't be a bit surprised if he had left it all to Arthur. He's a pig-headed and illogical old man, the vicar; and he can never forgive me, I believe, because, being the eldest son, I wasn't called after him by my father and mother. As if that was my fault! Some people's ideas of personal responsibility are so ridiculously muddled."

He composed himself quietly in the arm-chair, and glanced rapidly at the will through the meaningless preliminaries till he came to the significant clauses. These he read more carefully. "All my estate in the county of Dorset, and the messuage or tenement known as Redlands, in the parish of Lode, in the county of Devon, to my dear nephew, Arthur Dene," he said to himself slowly: "Oh, this will never do." "And I give and bequeath to my said nephew, Arthur Dene, the sum of ten thousand pounds, three per cent. consolidated annuities, now standing in my name." – "Oh this is atrocious, quite atrocious! What's this?" "And I give and bequeath to my dear nephew, Walter Dene, the residue of my personal estate" – "and so forth. Oh no. That's quite sufficient. This must be rectified. The residuary legatee would only come in for a few hundreds or so. It's quite preposterous. The vicar was always an ill-tempered, cantankerous, unaccountable person, but I wonder he has the face to sit opposite me at dinner after that."

He hummed an air from Schubert, and sat a moment looking thoughtfully at the will. Then he said to himself quietly, "The simplest thing to do would be merely to scrape out or take out with chemicals the name Arthur, substituting the name Walter, and vice versâ. That's a very small matter; a man who draws as well as I do ought to be able easily to imitate a copying clerk's engrossing hand. But it would be madness to attempt it now and here; I want a little practice first. At the same time, I mustn't keep the will out a moment longer than is necessary; my uncle may return by some accident before I expect him; and the true philosophy of life consists in invariably minimizing the adverse chances. This will was evidently drawn up by Watson and Blenkiron, of Chancery Lane. I'll write to-morrow and get them to draw up a will for me, leaving all I possess to Arthur. The same clerk is pretty sure to engross it, and that'll give me a model for the two names on which I can do a little preliminary practice. Besides, I can try the stuff Wharton told me about, for making ink fade on the same parchment. That will be killing two birds with one stone, certainly. And now if I don't make haste I shan't have time to write my sermon."

He replaced the will calmly in the desk, fastened the lock again with a delicate twirl of the pick, and sat down in his arm-chair to compose his discourse for to-morrow's evensong. "It's not a bad bit of rhetoric," he said to himself as he read it over for correction, "but I'm not sure that I haven't plagiarized a little too freely from Montaigne and dear old Burton. What a pity it must be thrown away upon a Churnside congregation! Not a soul in the whole place will appreciate a word of it, except Christina. Well, well, that alone is enough reward for any man." And he knocked off his ash pensively into the Japanese ash-pan.

During the course of the next week Walter practised diligently the art of imitating handwriting. He got his will drawn up and engrossed at Watson and Blenkiron's (without signing it, bien entendu); and he spent many solitary hours in writing the two names "Walter" and "Arthur" on the spare end of parchment, after the manner of the engrossing clerk. He also tested the stuff for making the ink fade to his own perfect satisfaction. And on the next occasion when his uncle was safely off the premises for three hours, he took the will once more deliberately from the desk, removed the obnoxious letters with scrupulous care, and wrote in his own name in place of Arthur's, so that even the engrossing clerk himself would hardly have known the difference. "There," he said to himself approvingly, as he took down quiet old George Herbert from the shelf and sat down to enjoy an hour's smoke after the business was over, "that's one good deed well done, anyhow. I have the calm satisfaction of a clear conscience. The vicar's proposed arrangement was really most unfair; I have substituted for it what Aristotle would have rightly called true distributive justice. For though I've left all the property to myself, by the unfortunate necessity of the case, of course I won't take it all. I'll be juster than the vicar. Arthur shall have his fair share, which is more, I believe, than he'd have done for me; but I hate squalid money-grubbing. If brothers can't be generous and brotherly to one another, what a wretched, sordid little life this of ours would really be!"

Next Sunday morning the vicar preached, and Walter sat looking up at him reflectively from his place in the chancel. A beautiful clear-cut face, the curate's, and seen to great advantage from the doctor's pew, set off by the white surplice, and upturned in quiet meditation towards the elder priest in the pulpit. Walter was revolving many things in his mind, and most of all one adverse chance which he could not just then see his way to minimize. Any day his uncle might take it into his head to read over the will and discover the – ah, well, the rectification. Walter was a man of too much delicacy of feeling even to think of it to himself as a fraud or a forgery. Then, again, the vicar was not a very old man after all; he might live for an indefinite period, and Christina and himself might lose all the best years of their life waiting for a useless person's natural removal. What a pity that threescore was not the utmost limit of human life! For his own part, like the Psalmist, Walter had no desire to outlive his own highest tastes and powers of enjoyment. Ah, well, well, man's prerogative is to better and improve upon nature. If people do not die when they ought, then it becomes clearly necessary for philosophically minded juniors to help them on their way artificially.

It was an ugly necessity, certainly; Walter frankly recognized that fact from the very beginning, and he shrank even from contemplating it; but there was no other way out of the difficulty. The old man had always been a selfish bachelor, with no love for anybody or anything on earth except his books, his coins, his garden, and his dinner; he was growing tired of all except the last; would it not be better for the world at large, on strict utilitarian principles, that he should go at once? True, such steps are usually to be deprecated; but the wise man is a law unto himself, and instead of laying down the wooden, hard-and-fast lines that make conventional morality so much a rule of thumb, he judges every individual case on its own particular merits. Here was Christina's happiness and his own on the one hand, with many collateral advantages to other people, set in the scale against the feeble remnant of a selfish old man's days on the other. Walter Dene had a constitutional horror of taking life in any form, and especially of shedding blood; but he flattered himself that if anything of the sort became clearly necessary, he was not the man to shrink from taking the needful measures to ensure it, at any sacrifice of personal comfort.

All through the next week Walter turned over the subject in his own mind; and the more he thought about it, the more the plan gained in definiteness and consistency as detail after detail suggested itself to him. First he thought of poison. That was the cleanest and neatest way of managing the thing, he considered; and it involved the least unpleasant consequences. To stick a knife or shoot a bullet into any sentient creature was a horrid and revolting act; to put a little tasteless powder into a cup of coffee and let a man sleep off his life quietly was really nothing more than helping him involuntarily to a delightful euthanasia. "I wish any one would do as much for me at his age, without telling me about it," Walter said to himself seriously. But then the chances of detection would be much increased by using poison, and Walter felt it an imperative duty to do nothing which would expose Christina to the shock of a discovery. She would not see the matter in the same practical light as he did; women never do; their morality is purely conventional and a wise man will do nothing on earth to shake it. You cannot buy poison without the risk of exciting question. There remained, then, only shooting or stabbing. But shooting makes an awkward noise, and attracts attention at the moment; so the one thing possible was a knife, unpleasant as that conclusion seemed to all his more delicate feelings.

Having thus decided, Walter Dene proceeded to lay his plans with deliberate caution. He had no intention whatsoever of being detected, though his method of action was simplicity itself. It was only bunglers and clumsy fools who got caught; he knew that a man of his intelligence and ability would not make such an idiot of himself as – well, as common ruffians always do. He took his old American bowie-knife, bought years ago as a curiosity, out of the drawer where it had lain so long. It was very rusty, but it would be safer to sharpen it privately on his own hone and strop than to go asking for a new knife at a shop for the express purpose of enabling the shopman afterwards to identify him. He sharpened it for safety's sake during sermon-hour in the library, with the door locked as usual. It took a long time to get off all the rust, and his arm got quickly tired. One morning as he was polishing away at it, he was stopped for a moment by a butterfly which flapped and fluttered against the dulled window-panes. "Poor thing," he said to himself, "it will beat its feathery wings to pieces in its struggles;" and he put a vase of Venetian glass on top of it, lifted the sash carefully, and let the creature fly away outside in the broad sunshine. At the same moment the vicar, who was strolling with his King Charlie on the lawn, came up and looked in at the window. He could not have seen in before, because of the dulled and painted diamonds.

"That's a murderous-looking weapon, Wally," he said, with a smile, as his glance fell upon the bowie and hone. "What do you use it for?"

"Oh, it's an American bowie," Walter answered carelessly. "I bought it long ago for a curiosity, and now I'm sharpening it up to help me in carving that block of walnut wood." And he ran his finger lightly along the edge of the blade to test its keenness. What a lucky thing that it was the vicar himself, and not the gardener! If he had been caught by anybody else the fact would have been fatal evidence after all was over. "Méfiez-vous des papillons," he hummed to himself, after Béranger, as he shut down the window. "One more butterfly, and I must give up the game as useless."

Meanwhile, as Walter meant to make a clean job of it – hacking and hewing clumsily was repulsive to all his finer feelings – he began also to study carefully the anatomy of the human back. He took down all the books on the subject in the library, and by their aid discovered exactly under which ribs the heart lay. A little observation of the vicar, compared with the plates in Quain's "Anatomy," showed him precisely at what point in his clerical coat the most vulnerable interstice was situated. "It's a horrid thing to have to do," he thought over and over again as he planned it, "but it's the only way to secure Christina's happiness." And so, by a certain bright Friday evening in August, Walter Dene had fully completed all his preparations.

That afternoon, as on all bright afternoons in summer, the vicar went for a walk in the grounds, attended only by little King Charlie. He was squire and parson at once in Churnside, and he loved to make the round of his own estate. At a certain gate by Selbury Copse the vicar always halted to rest awhile, leaning on the bar and looking at the view across the valley. It was a safe and lonely spot. Walter remained at home (he was to take the regular Friday evensong) and went into the study by himself. After a while he took his hat, not without trembling, strolled across the garden, and then made the short cut through the copse, so as to meet the vicar by the gate. On his way he heard the noise of the Dennings in the farm opposite, out rabbit-shooting with their guns and ferrets in the warren. His very soul shrank within him at the sound of that brutal sport. "Great heavens!" he said to himself, with a shudder; "to think how I loathe and shrink from the necessity of almost painlessly killing this one selfish old man for an obviously good reason, and those creatures there will go out massacring innocent animals with the aid of a hideous beast of prey, not only without remorse, but actually by way of amusement! I thank Heaven I am not even as they are." Near the gate he came upon his uncle quietly and naturally, though it would be absurd to deny that at that supreme moment even Walter Dene's equable heart throbbed hard, and his breath went and came tremulously. "Alone," he thought to himself, "and nobody near; this is quite providential," using even then, in thought, the familiar phraseology of his profession.

"A lovely afternoon, Uncle Arthur," he said as composedly as he could, accurately measuring the spot on the vicar's coat with his eye meanwhile. "The valley looks beautiful in this light."

"Yes, a lovely afternoon, Wally, my boy, and an exquisite glimpse down yonder into the churchyard."

As he spoke, Walter half leaned upon the gate beside him, and adjusted the knife behind the vicar's back scientifically. Then, without a word more, in spite of a natural shrinking, he drove it home up to the haft, with a terrible effort of will, at the exact spot on the back that the books had pointed out to him. It was a painful thing to do, but he did it carefully and well. The effect of Walter Dene's scientific prevision was even more instantaneous than he had anticipated. Without a single cry, without a sob or a contortion, the vicar's lifeless body fell over heavily by the side of the gate. It rolled down like a log into the dry ditch beneath. Walter knelt trembling on the ground close by, felt the pulse for a moment to assure himself that his uncle was really dead, and having fully satisfied himself on this all-important point, proceeded to draw the knife neatly out of the wound. He had let it fall in the body, in order to extricate it more easily afterward, and not risk pulling it out carelessly so as to get himself covered needlessly by tell-tale drops of blood, like ordinary clumsy assassins. But he had forgotten to reckon with little King Charlie. The dog jumped piteously upon the body of his master, licked the wound with his tongue, and refused to allow Walter to withdraw the knife. It would be unsafe to leave it there, for it might be recognized. "Minimize the adverse chances," he muttered still; but there was no inducing King Charlie to move. A struggle might result in getting drops of blood upon his coat, and then, great heavens, what a terrible awakening for Christina! "Oh, Christina, Christina, Christina," he said to himself piteously, "it is for you only that I could ever have ventured to do this hideous thing." The blood was still oozing out of the narrow slit, and saturating the black coat, and Walter Dene with his delicate nerves could hardly bear to look upon it.

At last he summoned up resolution to draw out the knife from the ugly wound, in spite of King Charlie, and as he did so, oh, horror! the little dog jumped at it, and cut his left fore-leg against the sharp edge deep to the bone. Here was a pretty accident indeed! If Walter Dene had been a common heartless murderer he would have snatched up the knife immediately, left the poor lame dog to watch and bleed beside his dead master, and skulked off hurriedly from the mute witness to his accomplished crime. But Walter was made of very different mould from that; he could not find it in his heart to leave a poor dumb animal wounded and bleeding for hours together, alone and untended. Just at first, indeed, he tried sophistically to persuade himself his duty to Christina demanded that he should go away at once, and never mind the sufferings of a mere spaniel; but his better nature told him the next moment that such sophisms were indefensible, and his humane instincts overcame even the profound instinct of self-preservation. He sat down quietly beside the warm corpse. "Thank goodness," he said, with a slight shiver of disgust, "I'm not one of those weak-minded people who are troubled by remorse. They would be so overcome by terror at what they had done that they would want to run away from the body immediately, at any price. But I don't think I could feel remorse. It is an incident of lower natures – natures that are capable of doing actions under one set of impulses, which they regret when another set comes uppermost in turn. That implies a want of balance, an imperfect co-ordination of parts and passions. The perfect character is consistent with itself; shame and repentance are confessions of weakness. For my part, I never do anything without having first deliberately decided that it is the best or the only thing to do; and having so done it, I do not draw back like a girl from the necessary consequences of my own act. No fluttering or running away for me. Still, I must admit that all that blood does look very ghastly. Poor old gentleman! I believe he really died almost without knowing it, and that is certainly a great comfort to one under the circumstances."