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THE INVENTION OF LITHOGRAPHY

TRANSLATOR'S PREFACE

PREFACE

SECTION I HISTORY OF STONE-PRINTING

PART I FROM 1796 TO 1800

PART II FROM 1800 TO 1806

PART III FROM 1806 TO 1817

SECTION II TEXT-BOOK OF PRINTING FROM THE STONE

INTRODUCTION

PART I GENERAL PROVISIONS

CHAPTER I OF THE STONES

I

II POLISHING

III SORTING AND STORING

CHAPTER II OF INK, CRAYON, ETCHING, AND COLOR

I CHEMICAL INK

II HARD BORAX INK

III FLUID INK

IV TRANSFER INK

V HARD ETCHING GROUND

VI SOFT ETCHING GROUND

VII ACID PROOF INK

VIII CRAYON

IX CONCERNING COLOR FOR PRINTING

X RUBBING-UP INK

CHAPTER III CONCERNING ACIDS AND OTHER MATERIALS

I GENERAL PROPERTIES OF ACIDS

II THE ACIDS SPECIFICALLY

III GUM AS THE REAL PREPARATION

IV CONCERNING PARTIAL PREPARATION

V SHORT REVIEW OF THE PRECEDING

CHAPTER IV THE NECESSARY TOOLS AND APPLIANCES

I CONCERNING STEEL PENS

II CONCERNING BRUSHES

III CONCERNING ENGRAVING NEEDLES

IV CONCERNING THE DRAWING-MACHINE

V CONCERNING OTHER APPLIANCES

CHAPTER V CONCERNING PAPER

I TRANSPARENT PAPER, AND THE TRANSFER OF OUTLINES TO THE STONE

II WASTE PAPER

III PRINTING-PAPER

IV DAMPENING THE PAPER

CHAPTER VI PRESSES

I PROPERTIES OF A GOOD PRESS

II APPLICATION OF BOOK- AND COPPER-PLATE PRESSES TO LITHOGRAPHY

III LITHOGRAPHIC PRESSES USED HITHERTO

IV THE LEVER PRESS

V THE CYLINDER PRESSES

VI GYRATING SCRAPER AND DOUBLE LEVER PRESSES

VII THE OTHER STONE PRINTING-PRESSES

PART II CONCERNING THE VARIOUS METHODS

CHAPTER I RELIEF METHOD

I BRUSH AND PEN WORK

II THE CRAYON METHOD

III TRANSFER AND TRACING

IV CONCERNING THE WOOD-CUT STYLE

V TWO KINDS OF TOUCHE DRAWING

VI THE SPATTER METHOD

VII TOUCHE WITH SEVERAL PLATES

VIII COLOR-PRINTING WITH MANY PLATES

IX GOLD AND SILVER PRINTING

CHAPTER II INTAGLIO METHOD

I THE LINE ENGRAVED STYLE

II THE ETCHED METHOD

III DESIGN WITH PREPARING INK, COMBINED WITH SPATTERED AQUATINT

IV AQUATINT IN COPPER-PLATE STYLES AND WITH ETCHING-GROUND

V AQUATINT THROUGH CRAYON GROUND

VI INTAGLIO CRAYON AND TRACED DESIGNS

VII TOUCHE DRAWING WITH ETCHING INK

CHAPTER III MIXED METHODS

I PEN DESIGN COMBINED WITH ENGRAVING

II INTAGLIO DESIGN WITH RELIEF TINT

III INTAGLIO AND RELIEF WITH SEVERAL PLATES

IV TRANSFORMING RELIEF INTO INTAGLIO AND VICE VERSA

APPENDIX

I PRINTING WITH WATER AND OIL COLORS SIMULTANEOUSLY

II SIMULTANEOUS CHEMICAL AND MECHANICAL PRINTING

III USE OF THE STONE FOR COTTON-PRINTING THROUGH WIPING. A UNIQUE PRINTING PROCESS

IV COLOR PRINT WITH WIPING

V OIL-PAINTING PRINT THROUGH TRANSFER

VI STONE-PAPER

VII CHEMICAL PRINT ON METAL PLATES