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A Memoir of Ambrose Bierce

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by George Sterling

Though from boyhood a lover of tales of the terrible, it was not until my twenty-second year that I heard of Ambrose Bierce, I having then been for ten months a resident of Oakland, California. But in the fall of the year 1891 my friend Roosevelt Johnson, newly arrived from our town of birth, Sag Harbor, New York, asked me if I were acquainted with his work, adding that he had been told that Bierce was the author of stories not inferior in awesomeness to the most terrible of Poe's.

We made inquiry and found that Bierce had for several years been writing columns of critical comment, satirically named Prattle, for the editorial page of the Sunday Examiner, of San Francisco. As my uncle, of whose household I had been for nearly a year a member, did not subscribe to that journal, I had unfortunately overlooked these weekly contributions to the wit and sanity of our western literature—an omission for which we partially consoled ourselves by subsequently reading with great eagerness each installment of Prattle as it appeared. But, so far as his short stories were concerned, we had to content ourselves with the assurance of a neighbor that "they'd scare an owl off a tombstone."

However, later in the autumn, while making a pilgrimage to the home of our greatly worshipped Joaquin Miller, we became acquainted with Albert, an elder brother of Bierce's, a man who was to be one of my dearest of friends to the day of his death, in March, 1914. From him we obtained much to gratify our not unnatural curiosity as to this mysterious being, who, from his isolation on a lonely mountain above the Napa Valley, scattered weekly thunderbolts on the fool, the pretender, and the knave, and cast ridicule or censure on many that sat in the seats of the mighty. For none, however socially or financially powerful, was safe from the stab of that aculeate pen, the venom of whose ink is to gleam vividly from the pages of literature for centuries yet to come.

For Bierce is of the immortals. That fact, known, I think, to him, and seeming then more and more evident to some of his admirers, has become plainly apparent to anyone who can appraise the matter with eyes that see beyond the flimsy artifices that bulk so large and so briefly in the literary arena. Bierce was a sculptor who wrought in hardest crystal.

I was not to be so fortunate as to become acquainted with him until after the publication of his first volume of short stories, entitled Tales of Soldiers and Civilians. That mild title gives scant indication of the terrors that await the unwarned reader. I recall that I hung fascinated over the book, unable to lay it down until the last of its printed dooms had become an imperishable portion of the memory. The tales are told with a calmness and reserve that make most of Poe's seem somewhat boyish and melodramatic by comparison. The greatest of them seems to me to be An Occurrence at Owl Creek Bridge, though I am perennially charmed by the weird beauty of An Inhabitant of Carcosa, a tale of unique and unforgettable quality.

Bierce, born in Ohio in 1842, came to San Francisco soon after the close of the Civil War. It is amusing to learn that he was one of a family of eleven children, male and female, the Christian name of each of whom began with the letter "A!" Obtaining employment at first in the United States Mint, whither Albert, always his favorite brother, had preceded him, he soon gravitated to journalism, doing his first work on the San Francisco News Letter. His brother once told me that he (Ambrose) had from boyhood been eager to become a writer and was expectant of success at that pursuit.

Isolated from most men by the exalted and austere habit of his thought, Bierce finally suffered a corresponding exile of the body, and was forced to live in high altitudes, which of necessity are lonely. This latter banishment was on account of chronic and utterly incurable asthma, an ailment contracted in what might almost be termed a characteristic manner. Bierce had no fear of the dead folk and their marble city. From occasional strollings by night in Laurel Hill Cemetery, in San Francisco, his spirit "drank repose," and was able to attain a serenity in which the cares of daytime existence faded to nothingness. It was on one of those strolls that he elected to lie for awhile in the moonlight on a flat tombstone, and awakening late in the night, found himself thoroughly chilled, and a subsequent victim of the disease that was to cast so dark a shadow over his following years. For his sufferings from asthma were terrible, arising often to a height that required that he be put under the influence of chloroform.

So afflicted, he found visits to the lowlands a thing not to be indulged in with impunity. For many years such trips terminated invariably in a severe attack of his ailment, and he was driven back to his heights shaken and harassed. But he found such visits both necessary and pleasant on occasion, and it was during one that he made in the summer of 1892 that I first made his acquaintance, while he was temporarily a guest at his brother Albert's camp on a rocky, laurel-covered knoll on the eastern shore of Lake Temescal, a spot now crossed by the tracks of the Oakland, Antioch and Eastern Railway.

I am not likely to forget his first night among us. A tent being, for his ailment, insufficiently ventilated, he decided to sleep by the campfire, and I, carried away by my youthful hero-worship, must partially gratify it by occupying the side of the fire opposite to him. I had a comfortable cot in my tent, and was unaccustomed at the time to sleeping on the ground, the consequence being that I awoke at least every half-hour. But awake as often as I might, always I found Bierce lying on his back in the dim light of the embers, his gaze fixed on the stars of the zenith. I shall not forget the gaze of those eyes, the most piercingly blue, under yellow shaggy brows, that I have ever seen.

After that, I saw him at his brother's home in Berkeley, at irregular intervals, and once paid him a visit at his own temporary home at Skylands, above Wrights, in Santa Clara County, whither he had moved from Howell Mountain, in Napa County. It was on this visit that I was emboldened to ask his opinion on certain verses of mine, the ambition to become a poet having infected me at the scandalously mature age of twenty-six. He was hospitable to my wish, and I was fortunate enough to be his pupil almost to the year of his going forth from among us. During the greater part of that time he was a resident of Washington, D. C., whither he had gone in behalf of the San Francisco Examiner, to aid in defeating (as was successfully accomplished) the Funding Bill proposed by the Southern Pacific Company. It was on this occasion that he electrified the Senate's committee by repeatedly refusing to shake the hand of the proponent of that measure, no less formidable an individual than Collis P. Huntington.

For Bierce carried into actual practice his convictions on ethical matters. Secure in his own self-respect, and valuing his friendship or approval to a high degree, he refused to make, as he put it, "a harlot of his friendship." Indeed, he once told me that it was his rule, on subsequently discovering the unworth of a person to whom a less fastidious friend had without previous warning introduced him, to write a letter to that person and assure him that he regarded the introduction as a mistake, and that the twain were thenceforth to "meet as strangers!" He also once informed me that he did not care to be introduced to persons whom he had criticized, or was about to criticize, in print. "I might get to like the beggar," was his comment, "and then I'd have one less pelt in my collection."

In his criticism of my own work, he seldom used more than suggestion, realizing, no doubt, the sensitiveness of the tyro in poetry. It has been hinted to me that he laid, as it were, a hand of ice on my youthful enthusiasms, but that, to such extent as it may be true, was, I think, a good thing for a pupil of the art, youth being apt to gush and become over-sentimental. Most poets would give much to be able to obliterate some of their earlier work, and he must have saved me a major portion of such putative embarrassment. Reviewing the manuscripts that bear his marginal counsels, I can now see that such suggestions were all "indicated," though at the time I dissented from some of them. It was one of his tenets that a critic should "keep his heart out of his head" (to use his own words), when sitting in judgment on the work of writers whom he knew and liked. But I cannot but think that he was guilty of sad violations of that rule, especially in my own case.

Bierce lived many years in Washington before making a visit to his old home. That happened in 1910, in which year he visited me at Carmel, and we afterwards camped for several weeks together with his brother and nephew, in Yosemite. I grew to know him better in those days, and he found us hospitable, in the main degree, to his view of things, socialism being the only issue on which we were not in accord. It led to many warm arguments, which, as usual, conduced nowhere but to the suspicion that truth in such matters was mainly a question of taste.

I saw him again in the summer of 1911, which he spent at Sag Harbor. We were much on the water, guests of my uncle in his power-yacht "La Mascotte II." He was a devotee of canoeing, and made many trips on the warm and shallow bays of eastern Long Island, which he seemed to prefer to the less spacious reaches of the Potomac. He revisited California in the fall of the next year, a trip on which we saw him for the last time. An excursion to the Grand Canyon was occasionally proposed, but nothing came of it, nor did he consent to be again my guest at Carmel, on the rather surprising excuse that the village contained too many anarchists! And in November, 1913, I received my last letter from him, he being then in Laredo, Texas, about to cross the border into warring Mexico.

Why he should have gone forth on so hazardous an enterprise is for the most part a matter of conjecture. It may have been in the spirit of adventure, or out of boredom, or he may not, even, have been jesting when he wrote to an intimate friend that, ashamed of having lived so long, and not caring to end his life by his own hand, he was going across the border and let the Mexicans perform for him that service. But he wrote to others that he purposed to extend his pilgrimage as far as South America, to cross the Andes, and return to New York by way of a steamer from Buenos Ayres. At any rate, we know, from letters written during the winter months, that he had unofficially attached himself to a section of Villa's army, even taking an active part in the fighting. He was heard from until the close of 1913; after that date the mist closes in upon his trail, and we are left to surmise what we may. Many rumors as to his fate have come out of Mexico, one of them even placing him in the trenches of Flanders. These rumors have been, so far as possible, investigated: all end in nothing. The only one that seems in the least degree illuminative is the tale brought by a veteran reporter from the City of Mexico, and published in the San Francisco Bulletin. It is the story of a soldier in Villa's army, one of a detachment that captured, near the village of Icamole, an ammunition train of the Carranzistas. One of the prisoners was a sturdy, white-haired, ruddy-faced Gringo, who, according to the tale, went before the firing squad with an Indian muleteer, as sole companion in misfortune. The description of the manner—indifferent, even contemptuous—with which the white-haired man met his death seems so characteristic of Bierce that one would almost be inclined to give credence to the tale, impossible though it may be of verification. But the date of the tragedy being given as late in 1915, it seems incredible that Bierce could have escaped observation for so long a period, with so many persons in Mexico eager to know of his fate. It is far more likely that he met his death at the hands of a roving band of outlaws or guerrilla soldiery.

I have had often in mind the vision of his capture by such a squad, their discovery of the considerable amount of gold coin that he was known to carry on his person, and his immediate condemnation and execution as a spy in order that they might retain possession of the booty. Naturally, such proceedings would not have been reported, from fear of the necessity of sharing with those "higher up." And so the veil would have remained drawn, and impenetrable to vision. Through the efforts of the War Department, all United States Consuls were questioned as to Bierce's possible departure from the country; all Americans visiting or residing in Mexico were begged for information—even prospectors. But the story of the reporter is the sole one that seems partially credible. To such darkness did so shining and fearless a soul go forth.

It is now over eight years since that disappearance, and though the likelihood of his existence in the flesh seems faint indeed, the storm of detraction and obloquy that he always insisted would follow his demise has never broken, is not even on the horizon. Instead, he seems to be remembered with tolerance by even those whom he visited with a chastening pen. Each year of darkness but makes the star of his fame increase and brighten, but we have, I think, no full conception as yet of his greatness, no adequate realization of how wide and permanent a fame he has won. It is significant that some of the discerning admire him for one phase of his work, some for another. For instance, the clear-headed H. L. Mencken acclaims him as the first wit of America, but will have none of his tales; while others, somewhat disconcerted by the cynicism pervading much of his wit, place him among the foremost exponents of the art of the short story. Others again prefer his humor (for he was humorist as well as wit), and yet others like most the force, clarity and keen insight of his innumerable essays and briefer comments on mundane affairs. Personally, I have always regarded Poe's Fall of the House of Usher as our greatest tale; close to that come, in my opinion, at least a dozen of Bierce's stories, whether of the soldier or civilian. He has himself stated in Prattle: "I am not a poet." And yet he wrote poetry, on occasion, of a high order, his Invocation being one of the noblest poems in the tongue. Some of his satirical verse seems to me as terrible in its withering invective as any that has been written by classic satirists, not excepting Juvenal and Swift. Like the victims of their merciless pens, his, too, will be forgiven and forgotten. Today no one knows, nor cares, whether or not those long-dead offenders gave just offense. The grave has closed over accuser and accused, and the only thing that matters is that a great mind was permitted to function. One may smile or sigh over the satire, but one must also realize that even the satirist had his own weaknesses, and could have been as savagely attacked by a mentality as keen as his own. Men as a whole will never greatly care for satire, each recognizing, true enough, glimpses of himself in the invective, but sensing as well its fundamental bias and cruelty. However, Bierce thought best of himself as a satirist.

Naturally, Bierce carried his wit and humor into his immediate human relationships. I best recall an occasion, when, in my first year of acquaintance with him, we were both guests at the home of the painter, J. H. E. Partington. It happened that a bowl of nasturtiums adorned the center table, and having been taught by Father Tabb, the poet, to relish that flower, I managed to consume most of them before the close of the evening, knowing there were plenty more to be had in the garden outside. Someone at last remarked: "Why, George has eaten all the nasturtiums! Go out and bring some more." At which Bierce dryly and justly remarked: "No—bring some thistles!" It is an indication, however, of his real kindness of heart that, observing my confusion, he afterwards apologized to me for what he termed a thoughtless jest. It was, nevertheless, well deserved.

I recall even more distinctly a scene of another setting. This concerns itself with Bierce's son, Leigh, then a youth in the early twenties. At the time (circa 1894) I was a brother lodger with them in an Oakland apartment house. Young Bierce had contracted a liaison with a girl of his own age, and his father, determined to end the affair, had appointed an hour for discussion of the matter. The youth entered his father's rooms defiant and resolute: within an hour he appeared weeping, and cried out to me, waiting for him in his own room: "My father is a greater man than Christ! He has suffered more than Christ!" And the affair of the heart was promptly terminated.

One conversant with Bierce only as a controversionalist and censor morum was, almost of necessity, constrained to imagine him a misanthrope, a soured and cynical recluse. Only when one was privileged to see him among his intimates could one obtain glimpses of his true nature, which was considerate, generous, even affectionate. Only the waving of the red flag of Socialism could rouse in him what seemed to us others a certain savageness of intolerance. Needless to say, we did not often invoke it, for he was an ill man with whom to bandy words. It was my hope, at one time, to involve him and Jack London in a controversy on the subject, but London declined the oral encounter, preferring one with the written word. Nothing came of the plan, which is a pity, as each was a supreme exponent of his point of view. Bierce subsequently attended one of the midsummer encampments of the Bohemian Club, of which he was once the secretary, in their redwood grove near the Russian river. Hearing that London was present, he asked why they had not been mutually introduced, and I was forced to tell him that I feared that they'd be, verbally, at each other's throats, within an hour. "Nonsense!" exclaimed Bierce. "Bring him around! I'll treat him like a Dutch Uncle." He kept his word, and seemed as much attracted to London as London was to him. But I was always ill at ease when they were conversing. I do not think the two men ever met again.

Bierce was the cleanest man, personally, of whom I have knowledge—almost fanatically so, if such a thing be possible. Even during our weeks of camping in the Yosemite, he would spend two hours on his morning toilet in the privacy of his tent. His nephew always insisted that the time was devoted to shaving himself from face to foot! He was also a most modest man, and I still recall his decided objections to my bathing attire when at the swimming-pool of the Bohemian Club, in the Russian River. Compared to many of those visible, it seemed more than adequate; but he had another opinion of it. He was a good, even an eminent, tankard-man, and retained a clear judgment under any amount of potations. He preferred wine (especially a dry vin du pays, usually a sauterne) to "hard likker," in this respect differing in taste from his elder brother. In the days when I first made his acquaintance, I was accustomed to roam the hills beyond Oakland and Berkeley from Cordonices Creek to Leona Heights, in company with Albert Bierce, his son Carlton, R. L. ("Dick") Partington, Leigh Bierce (Ambrose's surviving son) and other youths. On such occasions I sometimes hid a superfluous bottle of port or sherry in a convenient spot, and Bierce, afterwards accompanying us on several such outings, pretended to believe that I had such flagons concealed under each bush or rock in the reach and breadth of the hills, and would, to carry out the jest, hunt zealously in such recesses. I could wish that he were less often unsuccessful in the search, now that he has had "the coal-black wine" to drink.

Though an appreciable portion of his satire hints at misanthropy, Bierce, while profoundly a pessimist, was, by his own confession to me, "a lover of his country and his fellowmen," and was ever ready to proffer assistance in the time of need and sympathy in the hour of sorrow. His was a great and tender heart, and giving of it greatly, he expected, or rather hoped for, a return as great. It may have been by reason of the frustration of such hopes that he so often broke with old and, despite his doubts, appreciative friends. His brother Albert once told me that he (Ambrose) had never been "quite the same," after the wound in the head that he received in the battle of Kenesaw Mountain, but had a tendency to become easily offended and to show that resentment. Such estrangements as he and his friends suffered are not, therefore, matters on which one should sit in judgment. It is sad to know that he went so gladly from life, grieved and disappointed. But the white flame of Art that he tended for nearly half a century was never permitted to grow faint nor smoky, and it burned to the last with a pure brilliance. Perhaps, he bore witness to what he had found most admirable and enduring in life in the following words, the conclusion of the finest of his essays:

"Literature and art are about all that the world really cares for in the end; those who make them are not without justification in regarding themselves as masters in the House of Life and all others as their servitors. In the babble and clamor, the pranks and antics of its countless incapables, the tremendous dignity of the profession of letters is overlooked; but when, casting a retrospective eye into 'the dark backward and abysm of time' to where beyond these voices is the peace of desolation, we note the majesty of the few immortals and compare them with the pygmy figures of their contemporary kings, warriors and men of action generally—when across the silent battle-fields and hushed fora where the dull destinies of nations were determined, nobody cares how, we hear

like ocean on a western beach

The surge and thunder of the Odyssey,

then we appraise literature at its true value, and how little worth while seems all else with which Man is pleased to occupy his fussy soul and futile hands!"

The Letters of Ambrose Bierce, With a Memoir by George Sterling

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