Sketch Design for Equestrian Statue, by E. A. Rickards, F.R.I.B.A. | Frontispiece |
ARCHITECTURE, HISTORIC | No. | Page |
Egyptian Temple, Section and Plan of | 10 | 23 |
Temple, Entrance Façade | 11 | 24 |
Capital from Philæ | 12 | 24 |
Persian Capitals from Persepolis | 16 | 27 |
Greek Doric Temple, The Parthenon | 21 | 30 |
Ionic, The Erectheum | 22 | 31 |
Corinthian, The Choragic Monument | 23 | 32 |
Vase paintings of Doric and Ionic Orders | 19 | 29 |
House about 100 A.D. Bas-relief in British Museum | 20 | 29 |
Roman, The Pantheon, Rome | 26 | 36 |
The Coliseum, Rome | 27 | 37 |
The Arch of Titus, Rome | 28 | 38 |
Byzantine St. Vitali Ravenna, Section and Plan | 35 | 44 |
Capitals | 36 | (Plate) |
Interior, Ravenna | 39 | (Plate) |
Romanesque Capitals | 42 | 50 |
Tower | 43 | 50 |
Plan, Cathedral at Worms | 44 | 51 |
Bay of Cathedral at Worms | 45 | 52 |
Window, St. Alban’s Abbey | 46 | 52 |
Church Interior with Triforium | 47 | 52 |
Doorway, Kilpeck Church | 49 | 54 |
Gothic Buttresses | 53 | 58 |
Early Pointed Pier | 54 | 60 |
Early Pointed Bay of Church | 55 | 61 |
Early Lancet Windows | 56 | 62 |
Early Pointed Windows, Plate Tracery | 57 | 62 |
Early Pointed Arch Mouldings | 58 | 62 |
Early Pointed Capital | 59 | 63 |
Early Pointed Tracery Windows | 60 | 63 |
Early Pointed Spire | 61 | 64 |
Decorated, Tracery Windows | 62 | 64 |
Decorated, Carving | 63 | 65 |
Decorated, Arch Mouldings | 64 | 65 |
Decorated, Capital | 65 | 66 |
Decorated, Capital | 66 | 66 |
Decorated, Spire | 67 | 66 |
Perpendicular, Bay of Church showing Development of Clerestory | 67 | 67 |
Perpendicular, Windows | 69 | 68 |
Perpendicular, Fan Vaulting | 70 | 69 |
Perpendicular, Tower | 71 | 69 |
Domestic Tudor, Window | 75 | 74 |
Renaissance, Italian, Strozzi Palace | 76 | 76 |
Italian, Pandolfini Palace | 77 | 77 |
Italian, St. Peter’s, Rome | 78 | 79 |
Italian, Farnese Palace | 79 | 80 |
Italian, Vendramini Palace | 80 | 81 |
Italian, Library of St. Mark | 81 | 82 |
English, Banqueting House, Whitehall | 105 | 103 |
French, Louis XIII. Luxembourg | 106 | 104 |
French, Louis XIII. Barocco Detail, Ste. Marie, Nevers | 107 | 105 |
French, Louis XIV. Louvre | 109 | 106 |
French, Louis XV. Pantheon | 112 | 110 |
English, St. Paul’s Cathedral | 118 | 115 |
English, Spire, St. Mary le Strand | 119 | 116 |
Tomb of Tantalus in Lydia | 5 | 19 |
Tomb of Beni Hassan | 17 | 28 |
Tomb at Kyanea-Jaghu | 18 | 28 |
ARCHITECTURAL FEATURES |
Arch, The Principle of the | 6 | 20 |
Balusters, Details of | 170 | 192 |
Cornice, Treatment where Order is not employed | 180 | 209 |
Doors, General Proportion of | 182 | 211 |
Treatment of | 183 | 212 |
Frieze, Roman | 198 | 226 |
Frieze, Roman | 199 | 227 |
Gothic Vault, Section of | 7 | 20 |
Vaulting | 9 | 21 |
Cross Vaulting | 48 | 53 |
Lintel, The | 4 | 19 |
Lintel, The, Joggled Joints | 8 | 21 |
Orders, General Proportions of the | 154 | 162 |
Order, The Doric | 153 | 160 |
The Doric Entablature, Vignola | 155 | 165 |
The Doric Entablature, Mutular | 156 | 166 |
Order, The Doric Capital | 159 | 173 |
The Doric Base | 165 | 181 |
The Doric Pedestal | 169 | 189 |
The Doric Archivolt | 168 | 186 |
The Doric Impost | 168 | 186 |
The Doric Arcading | 174 | 201 |
The Doric Arcading with Pedestal | 175 | 202 |
The Doric Column and Pilaster | 173 | 200 |
The Ionic Entablature | 157 | 168 |
The Ionic Capital | 160 | 174 |
The Ionic Capital (Angular Volutes) | 161 | 176 |
The Ionic, Detail of Angular Volute | 162 | 177 |
The Ionic Base | 166 | 182 |
The Ionic Pedestal | 169 | 189 |
The Ionic Archivolt | 168 | 186 |
The Ionic Impost | 168 | 186 |
The Corinthian Entablature | 158 | 170 |
The Corinthian Capital | 163 | 179 |
The Corinthian Capital | 164 | 180 |
The Corinthian Base | 167 | 183 |
The Corinthian Pedestal | 169 | 189 |
The Corinthian Archivolt | 168 | 186 |
The Corinthian Impost | 168 | 186 |
The Superimposed | 172 | 198 |
The Subsidiary | 176 | 203 |
The Subsidiary, Detail of Entablature | 180 | 209 |
Pediment, The | 181 | 210 |
Pilaster The, Capital | 209 | 236 |
The, French Renaissance | 208 | 236 |
Rustication, Types of | 178 | 206 |
In Arcades | 179 | 207 |
Spacing of Columns | 171 | 196 |
Windows | 184 | 214 |
Three-Light | 185 | 215 |
DECORATIVE FEATURES |
Acanthus Leaf, Brush Work | 235 | 264 |
Development | 251 | 281 |
Development | 252 | 282 |
Construction of | 253 | 287 |
Anthemion, Greek, Relief Treatment | 232 | 262 |
Greek, Vase Painting | 231 | 261 |
Border, The Geometric, Key or Labyrinth | 200 | 228 |
Border, The Geometric, Interlacing | 201 | 229 |
The Scroll | 204 | 232 |
The Evolute Scroll | 207 | 234 |
The Vertebrate | 244 | 274 |
Branching, Types of | 243 | 274 |
Inlay, Wood, Geometric | 260 | 297 |
Wood Borders | 261 | 297 |
Wood Panel | 262 | 297 |
Wood Panel | 263 | 298 |
Wood, Italian Intarsia | 264 | 298 |
Metal “Boule” Work | 266 | 299 |
Metal “Boule” Work | 267 | 299 |
Inlaid Floor, Italian Renaissance | 188 | 219 |
Lace | 259 | (Plate) |
Marquetry | 265 | (Plate) |
Mosaic Work, Spandril, Byzantine | 40 | (Plate) |
Borders | 268 | (Plate) |
Border, Roman | 269 | (Plate) |
Border, Roman | 270 | (Plate) |
Panel, Roman | 271 | (Plate) |
Needlework | 257 | (Plate) |
Appliqué | 258 | (Plate) |
Relief Ornament, Prehistoric | 2 | (Plate) |
Greek Stone Carving | 218 | (Plate) |
Roman Stone Carving | 237 | (Plate) |
Roman Stone Carving | 29 | 39 |
Byzantine Stone Carving | 37 | 46 |
Byzantine Stone Carving | 38 | 47 |
Byzantine Stone Carving | 216 | 244 |
Romanesque Stone Carving | 217 | 244 |
Gothic Stone Carving | 238 | 268 |
Gothic Stone Carving | 239 | 269 |
Gothic Stone Carving | 219 | (Plate) |
Renaissance, Italian | 248 | 278 |
Renaissance, Italian | 249 | 279 |
Renaissance, French | 88 | 86 |
Renaissance, French | 250 | 280 |
Renaissance, French | 90 | 88 |
Jacobean Gouge Work | 276 | 302 |
Jacobean Wood Carving | 277 | 303 |
Jacobean Wood Carving | 95 | 94 |
Louis XIV. Wood Carving | 275 | (Plate) |
English Wood Carving | 274 | (Plate) |
Relief Ornament, French Wood Carving | 113 | 111 |
French Wood Carving | 279 | 306 |
French Wood Carving | 212 | 239 |
French Wood Carving | 211 | 238 |
French, Part of Ceiling | 210 | 237 |
French Wood Carving | 133 | 134 |
Icelandic Wood Carving | 280 | 306 |
English 18th Century | 273 | (Plate) |
English, Modern | 213 | 240 |
Analysis of Composing Lines | 214 | 241 |
Rosettes, Types of | 241 | 270 |
Scroll, The, Greek Stone Carving | 233 | 262 |
The Evolute, Archaic | 229 | 259 |
The Evolute, Savage Art | 230 | 260 |
Scroll, The, Wrought Iron | 234 | 263 |
Brush Work | 236 | 265 |
As a Growth Line | 202 | 230 |
Italian Renaissance | 240 | 270 |
Start, The, Nest or Cup Leaf | 246 | 277 |
Half Figure | 247 | 277 |
Tendril, Roman | 242 | 272 |
Terminals, Branch and Scroll | 245 | 275 |
Textiles, 14th Century Woven Fabric | 3 | 13 |
14th Century Woven Fabric | 51 | 56 |
Sicilian Tapestry | 52 | 57 |
14th Century Tapestry | 205 | 232 |
Turkish Brocade | 203 | 231 |
French Brocade | 206 | 233 |
Details of Inhabited Pattern | 256 | 295 |
Tooled Book Binding | 272 | (Plate) |
FURNITURE |
Egyptian | 13 | 25 |
Egyptian | 14 | 26 |
Assyrian Seat | 15 | 27 |
Greek | 24 | 33 |
Roman Couch | 30 | 39 |
Roman Sella or Seat | 31 | 39 |
Romanesque Chair | 50 | 55 |
Gothic Chair | 72 | 70 |
Gothic Bedstead | 73 | 71 |
Italian Renaissance | 86 | 84 |
Italian Renaissance | 87 | 85 |
Italian Renaissance | 92 | 89 |
French Renaissance | 91 | 88 |
English 17th Century | 99 | 98 |
English 17th Century | 100 | 99 |
English 17th Century | 101 | 100 |
English 17th Century | 102 | 100 |
English 17th Century. Baluster | 221 | 246 |
French Louis XIII | 108 | 105 |
French Louis XIV | 111 | 108 |
French Louis XV | 265 | (Plate) |
English late 17th Century | 116 | 113 |
English late 17th Century | 117 | 114 |
Dutch and Queen Anne Chairs | 121 | 119 |
English 18th Century | 122 | 122 |
French Louis XVI | 132 | 133 |
INTERIOR FEATURES |
Ceilings, Italian Renaissance | 187 | 218 |
Italian, General Plan | 189 | 220 |
Italian Renaissance, Painted, | 83 | (Plate) |
Italian Renaissance, Painted, | 85 | (Plate) |
Tudor | 190 | 221 |
Jacobean | 191 | 222 |
Jacobean | 192 | 223 |
Carolean | 193 | 224 |
Robert Adam | 194 | 225 |
Chimney Pieces, Gothic 13th Century | 74 | 71 |
Italian Renaissance | 93 | 90 |
French Renaissance | 89 | 87 |
Jacobean | 96 | 95 |
Domes and Vaults, Italian Renaissance: |
St. Peter’s, Rome | 197 | (Plate) |
Villa Madama | 196 | (Plate) |
Ducal Palace, Venice | 195 | (Plate) |
Doors, Jacobean | 97 | 96 |
Jacobean | 98 | 97 |
French Renaissance | 278 | 305 |
French Renaissance, Louis XV | 114 | 112 |
English Renaissance | 120 | 117 |
French Renaissance, Louis XVI | 130 | 132 |
Frieze, The Jacobean, Carved Wood | 94 | 93 |
French, Louis XVI | 131 | 133 |