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OUTLOOK.

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Monday, 5.

One's outlook is a part of his virtue. Does it matter nothing to him what objects accost him whenever he glances from his windows, or steps out-of-doors? He who is so far weaned from the landscape, or indifferent to it, as not to derive a sweet and robust habit of character therefrom, seems out of keeping with nature and himself. I suspect something amiss in him who has no love, no enthusiasm for his surroundings, and that his friendships, if such he profess, are of a cold and isolate quality at best; one even questions, at times, whether the residents of cities, where art has thrown around them a world of its own, are compensated by all this luxury of display—to say nothing of the social artifices wont to steal into their costly compliments—for the simple surroundings of the countryman, which prompt to manliness and true gentility. A country dwelling without shrubbery, hills near or in the distance, a forest and water view, if but a rivulet, seems so far incomplete as if the occupants themselves were raw and impoverished. Wood and water god both, man loves to traverse the forests, wade the streams, and confess his kindred alliance with primeval things. He leaps not from the woods into civility at a single bound, neither comes from cities and conversations freed from the wildness of his dispositions. Something of the forester stirs within him when occasion provokes, as if men were trees transformed, and delighted to claim their affinities with their sylvan ancestry.

Man never tires of Nature's scene,

Himself the liveliest evergreen.

Concord Days

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