Читать книгу Tablets - Amos Bronson Alcott - Страница 7

Table of Contents

i.—antiquity.

"I never had any desire so strong and so like to covetousness," says Cowley, "as that one which I have had always that I might be master at last of a small house and ample garden, with very moderate conveniences joined to them, and there to dedicate the remainder of my life to the culture of them and the study of nature. Virgil's first wish was to be a wise man, the second to be a good husbandman. But since nature denies to most men the capacity or appetite, and fortune allows but to very few the opportunities or possibility of applying themselves wholly to wisdom, the best mixture of human affairs we can make, are the employments of a country life. It is, as Columella calls it, the nearest neighbor or next in kindred to philosophy. And Varro says the principles of it are the same which Ennius made to be the principles of all nature; earth, water, air, and the sun. There is no other sort of life that affords so many branches of praise to a panegyrist; the utility of it to a man's self, the usefulness or rather necessity of it to all the rest of mankind, the innocence, the pleasure, the antiquity, the dignity."

This wish of the poet's appears to be nearly universal. Almost every one is drawn to the country, and takes pleasure in rural pursuits. The citizen hopes to become a countryman, and contrives to secure his cottage or villa, unless he fail by some reverse of fortune or of character. 'Tis man's natural position, the Paradise designed for him, and wherein he is placed originally in the Sacred Books of the cultivated peoples; their first man being conceived a gardener and countryman by inspiration as by choice.

Gardens and orchards plant themselves by sympathy about our dwellings, as if their seeds were preserved in us by inheritance. They distinguish Man properly from the forester and hunter. The country, as discriminated from the woods, is of man's creation. The savage has no country. Nor are farms and shops, trade, cities, but civilization in passing and formation. Civilization begins with persons, ideas; the garden and orchard showing the place of their occupants in the scale; these dotting the earth with symbols of civility wherever they ornament its face. Thus by mingling his mind with nature, and so transforming the landscape into his essence, Man generates the homestead, and opens a country to civilization and the arts.

In like manner, are the woods meliorated and made ours. Melancholy and morose, standing in their loneliness, we trim them into keeping with our wishes and so adopt them into our good graces, as ornaments of our estates, heraldries of our gentility.

Our human history neither opens in forests nor in cities, but in gardens and orchards whose mythologies are woven into the faith of our race; the poets having made these their chosen themes from the beginning. And we turn, as with emotions of country and consanguinity to the classic pictures of the Paradise, "planted by the Lord God eastward in Eden, and wherein he put the man, whom he had formed to dress and keep it;" where,

"Out of the fertile ground he caused to grow All trees of noblest kind for sight, smell, taste; Groves whose rich trees wept odorous gums and balms, Others whose fruit, burnished with golden rind, Hung amiable— Flowers of all hue, and without thorn the rose;"—

to this; or, of scarce inferior fame, to the gardens of the Hesperides with their golden apples;—or, to those other

"——gardens feigned Or of revived Adonis, or renowned Alcinous,"

whereof Homer sings:

"Without the hall and close upon the gate A goodly orchard ground was situate Of near ten acres, about which was led A lofty quickset. In it flourished High and broad fruit trees that pomegranates bore; Sweet figs, pears, olives, and a number more Most useful plants did there produce their store, Whose fruits the hardest winter could not kill, Nor hottest summers wither. There was still Fruit in his proper season; all the year Sweet zephyr breathed upon them blasts that were Of varied tempers: these, he made to bear Ripe fruits; these blossoms; pear grew after pear, Apple succeeded apple, grape the grape, Fig after fig; Time made never rape Of any dainty there. A sprightly vine Spread here her roots, whose fruit a hot sunshine Made ripe betimes; there grew another green, Here some were gathering; here some pressing seen; A large allotted several each fruit had, And all th' adorn'd grounds their appearance made In flower and fruit."

Or again to those preferred by the royal guest of Solomon above all other splendors of his court,

"Though she on silver floors did tread, With bright Assyrian carpets on them spread, To hide the metal's poverty; Though she looked up to roofs of gold, And naught around her could behold But silk and rich embroidery, And Babylonian tapestry, And wealthy Hiram's princely dye; Tho' Ophir's starry stones met everywhere her eye, Though she herself and her gay host were drest With all the shining glories of the East— When lavish art her costly work had done, The honor and the prize of bravery Was by the garden from the palace won; And every rose and lily there did stand Better attired by nature's hand; The case thus judged against the king you see, By one that would not be so rich, though wiser far than he."

So the orchard of Academus suggests the ripest wisdom and most elegant learning of accomplished Greece.

Thus we associate gardens and orchards with the perfect condition of mankind. Gardeners ourselves by birthright, we also mythologize and plant our Edens in the East of us, like our ancestors; the sacredness of earth and heaven still clinging to the tiller of the ground. Him we esteem the pattern man, the most favored of any. His labors have a charming innocency. They yield the gains of a self-respect denied to other callings. His is an occupation friendly to every virtue; the freest of any from covetousness and debasing cares. It is full of honest profits, manly labors, and brings and administers all necessaries; gives the largest leisure for study and recreation, while it answers most tenderly the hospitalities of friendship and the claims of home. The delight of children, the pastime of woman, the privilege of the poor man, as it is the ornament of the gentleman, the praise of the scholar, the security of the citizen, it places man in his truest relations to the world in which he lives. And he who is insensible to these pleasures, must lack some chord in the harp of humanity, worshipping, if he worship, at some strange shrine.

Who loves a garden still his Eden keeps; Perennial pleasures plants, and wholesome harvests reaps.

ii.—ornaments.

In laying out a garden there must be protection from the north winds, and if the hills are wooded thus much is gained for profit as for ornament. Every homestead supposes a wood-lot and forest paths for walking and meditation. So the garden claims some shading down from pasture fields and the wilder scenery skirting it. The orchard is an improvement on the garden, and holds a nobler relation to the house and its occupants. Without suitable ornaments and enclosures, these must be set to the side of the farm solely, not to the house, humanity, nor art. Eyes and feet have their claims along with the hands upon the landscape, beauty and convenience having one mind concerning the best ways of dealing with it. It is clear that art has an interest, and should have its hand, in a good well, wholesome cellar, as in the fertility of the soil, the modesty of the grasses and shrubbery. Alleys are best determined by the nature of the grounds. They have a picturesque effect; so have gates, especially when they open into a wood, or are seen in perspective at the end of an avenue or a lane. Winding paths give pleasing surprises, if accommodated to the grounds, take us by the most attractive route; slopes, swells, irregularities of surface, heightening the pleasure attending the prospect. There are spots, too, that plead for their clump of trees, for a single one, for an alcove, an arbor, a conservatory, for a fence—structure of some sort, be it ever so plain—and these once there, please the eye as if grown there.

Arbors are especially ornamental. No country residence is furnished without the embellishment of a summer-house. It may be constructed of the simplest stuff grown near at hand in the woods. For one shall not range far in that direction without falling soon upon every curve in the geometry of beauty, as if nature designing to surprise him anticipated his coming, and had grown his materials in the underwood along the lines especially of ancient fence rows, where young pines bent by the lopping of the axe, snow falls, or other accident, in seeking to recover their rectitude, describe every graceful form of curve or spiral suited to his rustic works. These may be combined in ways wonderfully varied; and the pleasure attending the working them into a shapely whole, has charms akin to the composing of poems and pictures. There is a delight, too, in surprising these stags of the woods in their coverts, of which only artists can speak.

Neath hemlocks dark and whispering pines, Wandering he loiters curiously, The forest Muse her searching sense combines To range the shades their cunning curves to see— Brackets grotesque, strange gnarled things, Wreathed rails and balusters in twisted pairs, Rhyming their rival coils for sportful stairs; Scrolls, antlers, volutes—full-armed he brings His fagot sheaf of spoils, and binds; While frolic fancy sylvan serpents finds, And Druid lyres for poet's pleasance strings.

Then for rainy days, one has the choice of books, pen, or handicraft, to vary his pleasures. There is a charm in using tools to him who has cunning in his hands for converting woods to ornamental uses—the simplest, roughest sticks even—in setting trellises, hurdles, espaliers for vines,

"——auxiliary poles for hops, Ascending spiral, ranged in meet array;"

in making or mending articles and implements of any kind, for house or grounds, to be objects of interest whenever he views them afterwards.

The eyes have a property in things and territories not named in any title deeds, and are the owners of our choicest possessions. Nor do we dwell in this emblematic world, and call it ours, any part of it, without using them: that is ours which they have assisted the hands in creating. Nature sketches rudely the outlines of her plans on the landscape; 'tis the artist's privilege to fill out and finish these draughts, improving upon her suggestions. Nor is there a spot which does not kindly take ornament, as if its canvas were spread awaiting the finishing touches. And had he a thousand hands, uninterrupted leisure, the taste and genius, what pleasure were comparable to that of devoting them to drawing lines thereon which shall survive him, to enrich every eye beholding them, though it were only in passing! So a good man impresses his image on the landscape he improves, and imparts qualities that perpetuate its occupant to after times.

iii.—pleasures.

"Days may conclude with nights, and suns may rest As dead within the west, Yet the next morn regilds the fragrant east."

I know not how it is with others, to me the spring's invitations are irresistible. I may be scholarly inclined, and my tasks indoors delightful, yet my garden claims me, monopolizing all my morning hours; and I know for me has come the season's summons which I shall not set aside: no, not for studies nor hospitalities which become rivals for my time and attentions. My garden waits; is the civiller host, the better entertainer. Then I have a religion in this business, and duties must waive compliments. My tasks are not postponable during the summer days; if called away from these engagements, I shall first take counsel of my plants for leave of absence, with intent of hastening back. Importunities were impertinent while the spell is on me. Would the sun but shine all night long for my work to continue! Sure of gathering the better crop, I bend to my task, foreseeing the avails of leisure coming in at the close of my autumn rounds.

"Me, let my poverty to ease resign When my bright hearth reflects its blazing cheer, In season let me plant the pliant vine, And, with light hand, my swelling apples rear."

Such toils are wholesome. One cannot afford to dispense with their income of vigor. Then they fill the days with varied business, the mind gliding from head to hands, from hands to head, in pleasing interludes, to pour for him so deep a draught of Lethe, and so refreshing, that the morning breaks only to release the sleeper to begin anew his labors with the old enthusiasm. Even the stiffness of his fatigues promotes rectitude and probity of carriage: his hearty affection for his pursuit, shedding lustre on all he takes in hand. His garden is ever charming, always opportune. He walks there at all hours, at sunrise, noon, nightfall, finding more than he sought in it, each successive visit being as new as the first.

"All living things," says the Bhagavad Gita, "are generated from the bread they eat; bread is generated from rain, rain from divine worship, and divine worship from good works." A creed dealing thus supersensibly with the elements must have fertilizing properties, and bring the gardener to his task little tinctured by noxious notions of any kind. If he fall short of being the reverent naturalist, the devout divine, surrounded thus by shapes of skill, types of beauty, tokens of design, every hue in the chromatic, every device in the symbolic gamut, I see not what shall make him these; nor why Newton, Goethe, Boëhme, should have published their discoveries for his benefit; why it should occur to him to use his eyes at all when he looks through this glass, regards these signatures, views these blooms, these clasping tendrils, laughing leaves, Tyrian draperies, the sympathies of his plants and trees with the weather, their sleep, their thirst for the mists, and worship of the East; as if

Moistures their mothers were, Their fathers flames,

and earth were virtually "wife of heaven," as Homer says.

His is no mere cloud tillage, nor unproductive earth culture. The firmament overhead reflects its lustre in his mind, the mists ascend there from the watered ground beneath, and he sows the mingled sense and sunshine over his fields, enriching both them and himself. He takes account of the double harvest of profits: both rewarding him for his pleasures and painstakings. His faithful counsellor and genial moralist, the ground, holds strict terms with him; nor weeds nor nettles have tales to tell, since they cannot thrive under his shadow. He minds his proper affairs; is industrious, punctual; home keeper, and time keeper no less, taking his tasks diligently as they rise. His work begins with the spring, and continues till winter; nor has he many spare minutes; the slipping away of twelve hours being the loss of a twelvemonth, unless he do that instantly which ought to be done at the moment.

Taking timely counsel of his experience, he adapts his labors to the seasons as they pass; has his eye on sun and soil at once. Nor shall I think the less of his piety, if he be touched a little with that amiable superstition concerning the planetary influences; since it ill becomes him to hold lightly any faith that serves to brighten his affections and establish sweet relationships between himself and natural things. In sympathy with earth and heaven, these conspire for his benefit: all helping to fructify and ripen his crops. It is unlawful to regard them as enemies of human tillage. Gracefully the seasons come round for weaving into his fancy, if not his faith, the old world's ritual as a religion of engagements. He is an ephemeris and weather-glass. He has his signs too, and aspects, his seasons, periods and stints. The months sway him. What if he sympathize with the year as it rolls; take equinoxially his March and September? Will his intermediate times be the less genial in consequence, or his April fail of distilling mystic moods with her fertilizing rains? His winter may come hoar with ideas, and brown October shall be his golden age of orchards and their ambrosia. And as June best displays the garden's freshness, so October celebrates the orchard's opulence, to crown the gardener for his labors. The golden days running fast and full have not run to waste. Orchards and gardens bloom again. He harvests the richer crop these have ripened; bright effluences of the stars, for the feast of thought and the flow of discourse. Having thus "gathered the first roses of spring and the last apples of autumn," he is ready to dispute felicity with the happiest man living, and to chant his pæan of praise for his prosperity:—

The earth is mine and mine the sheaves, I'll harvest all her bounty leaves, Nor stinted store she deals to me, Gives all she has, and gives it free, Since from myself I cannot stir But I become her pensioner: Sun, cloud, flame, atom, ether, sea, Beauteous she buildeth into me, Seasons my frame with flowing sense, Insinuates intelligence; Feeds me and fills with sweet contents, Deals duteously her elements: Dawn, day, the noon, the sunset clear, Delight my eye; winds, woods, my ear, While apple, melon, strawberry, peach, She plants and puts within my reach; Regales with all the garden grows, Whate'er the orchard buds and blows; Lifts o'er my head her sylvan screens, And sows my slopes with evergreens, While odorous roses, mint, and thyme, Steep soul and sense in softer clime; Preserves me when lapsed memory slips Fading in sleep's apocalypse; Surprising tasks and leisures sends, And crowns herself to give me friends; The morn's elixir pours for me, And brims my brain with ecstasy.

Earth all is mine and mine the sheaves, I harvest all her Planter leaves.

iv.—the orchard.

Orchards are even more personal in their charms than gardens, as they are more nearly human creations. Ornaments of the homestead, they subordinate other features of it; and such is their sway over the landscape that house and owner appear accidents without them. So men delight to build in an ancient orchard, when so fortunate as to possess one, that they may live in the beauty of its surroundings. Orchards are among the most coveted possessions; trees of ancient standing, and vines, being firm friends and royal neighbors forever. The profits, too, are as wonderful as their longevity. And if antiquity can add any worth to a thing, what possession has a man more noble than these? so unlike most others, which are best at first and grow worse till worth nothing; while fruit-trees and vines increase in worth and goodness for ages. An orchard in bloom is one of the most pleasing sights the eye beholds; as if the firmament had stooped to the tree-tops and touched every twig with spangles, and man had mingled his essence with the seasons, in its flushing tokens. And how rich the spectacle at the autumnal harvest:

"Behold the bending boughs, with store of fruit they tear, And what they have brought forth, for weight, they scarce can bear."

Apples are general favorites. Every eye covets, every hand reaches to them. It is a noble fruit: the friend of immortality, its virtues blush to be tasted. Every Muse delights in it, as its mythology shows, from the gardens of the Hesperides to the orchard of Plato. A basket of pearmains, golden russets, or any of the choice kinds, standing in sight, shall perfume the scholar's composition as it refreshes his genius. He may snatch wildness from the woods, get shrewdness from cities, learning from libraries and universities, compliments from courts. But for subtlety of thought, for sovereign sense, for color, the graces of diction and behavior, he best betakes himself

"Where on all sides the apples scattered lie, Each under its own tree."

Or to his bins, best, Columella says, when beechen chests, such as senators' and judges' robes were laid in in his day; these to be "placed in a dry place, free from frosts, where neither smoke, nor any thing noisome may come; the fruit spread on sawdust, and so arranged that the fleurets, or blossom ends, may look downwards, and the pedicles, or stalks, upwards, after the same manner as it grew upon the tree; and so as not to touch one another. And better if gathered a little green; the lids of the chests covering them close."

The ancient rustic authors give very little information concerning the apples and pears of their time, thinking them too well known to be described, as an author writing of our time might of ours. Most of them had their names from men who brought them into Italy and there cultivated them, and, "by so small a matter," says Pliny, "have rendered their names immortal."

Phillips thus describes the favorites of his time, most of which we find in our own orchards, and still in good repute:—

"Now turn thine eye to view Alcinous' groves, The pride of the Phœacian isle, from whence, Sailing the spaces of the boundless deep, To Ariconian precious fruits arrived:— The pippin burnished o'er with gold, the moyle Of sweetest honied taste, the fair pearmain, Tempered, like comeliest nymph, with red and white; Nor does the Eliot least deserve thy care, Nor John's apple, whose withered rind, intrenched With many a furrow, aptly represents Decrepit age; nor that from Harvey named, Quick relishing. Why should we sing the thrift, Codling, or Pomroy, or of pimpled coat The russet; the red-streak, that once Was of the sylvan kind, uncivilized, Of no regard, till Scudamore's skilful hand Improved her, and by courtly discipline Taught her the savage nature to forget: Let every tree in every garden own The red-streak as supreme, whose pulpous fruit With gold irradiate, and vermilion spires, Tempting, not fatal, as the birth of that Primeval interdicted plant, that won Fond Eve, in hapless hour, to taste and die."

A quaint old Englishman, writing about orchards, quotes the proverb: "It will beggar a doctor to live where orchards thrive." So Cowley writes:—

"Nor does this happy place only dispense Its various pleasures to the sense, Here health itself doth live, That salt of life which doth to all a relish give; Its standing pleasure and intrinsic wealth, The body's virtue, and the soul's good fortune, health. The tree of life when it in Eden stood, Did its immortal head to heaven rear; It lasted a tall cedar till the flood, Now a small thorny shrub it doth appear, Nor will it thrive too everywhere; It always here is freshest seen, 'Tis only here an evergreen: If, through the strong and beauteous fence Of temperance and innocence, And wholesome labors and a quiet mind, Diseases passage find, They must fight for it, and dispute it hard Before they can prevail; Scarce any plant is growing here, Which against death some weapon does not bear: Let cities boast that they provide For life the ornaments of pride; But 'tis the country and the field That furnish it with staff and shield."

Nor can we spare his praises of budding and grafting from our account:—

"We nowhere art do so triumphant see, As when it grafts or buds a tree; In other things we count it to excel If it a docile scholar can appear To nature, and but imitates her well: It overrules and is her master here: It imitates her Maker's power divine, And changes her sometimes, and sometimes does refine; It does like grace, the fallen tree restore To its blest state of Paradise before; Who would not joy to see his conquering hand O'er all the vegetable world command, And the wild giants of the wood, receive What laws he's pleased to give? He bids the ill-natured crab produce The gentle apple's winy juice, The golden fruit that worthy is Of Galatea's purple kiss; He does the savage hawthorn teach To bear the medlar and the pear; He bids the rustic plum to rear A noble trunk and be a peach; Even Daphne's coyness he does mock, And weds the cherry to her stock, Though she refused Apollo's suit, Even she, that chaste and virgin tree, Now wonders at herself to see That she's a mother made, and blushes in her fruit."

v.—sweet herbs.

"Thick growing thyme, and roses wet with dew, Are sacred to the sisterhood divine."

As orchards to man, so are flowers and herbs to women. Indeed the garden appears celibate, as does the house, without womanly hands to plant and care for it. Here she is in place—suggests lovely images of her personal accomplishments, as if civility were first conceived in such cares, and retired unwillingly, even to houses and chambers; something being taken from their elegancy and her nobleness by an undue absorption of her thoughts in household affairs. But there is a fitness in her association with flowers and sweet herbs, as with social hospitalities, showing her affinities with the magical and medical, as if she were the plant All-Heal, and mother of comforts and spices. Once the herb garden was a necessary part of every homestead; every country house had one well stocked, and there was a matron inside skilled in their secret virtues, having the knowledge of how her

"Herbs gladly cure our flesh, because that they Have their acquaintance there,"

her memory running back to the old country from whence they first came, and of which they retained the fragrance. Are not their names refreshing? with the superstitions concerning the sign under which they were to be gathered, the quaint spellings;—mint, roses, fennel, coriander, sweet-cicely, celandine, summer savory, smellage, rosemary, dill, caraway, lavender, tanzy, thyme, balm, myrrh; these and many more, and all good for many an ail; sage, too, sovereign sage, best of all—excellent for longevity—of which to-day's stock seems running low—for

"Why should man die? so doth the sentence say, When sage grows in his garden day by day?"

This persuasion that the things near us, and under our feet, stand in that relationship from some natural affinity they have to our welfare, appears to be most firmly rooted with respect to the medical herbs, whether growing wild in the fields and woods, or about the old homesteads, though the names of most of them are now forgotten. A slight reference to the herbals and receipt books of the last century would show the good uses to which they were applied, as that the virtues of common sense are also disowned, and oftentimes trodden under foot. Certainly, they are less esteemed than formerly, being superseded, for the most part, by drugs less efficacious because less related geographically to our flesh, and not finding acquaintance therewith. Doubtless many superstitions were cherished about them in ancient heads, yet all helpful to the cure. The sweet fennel had its place in the rural garden, and was valued, not as a spice merely, but as a sacred seed, associated with worship, sprigs of it, as of caraway and dill, being taken to the pews, for appetizing the service. So the balm and rue had their sacredness. Pliny commends these natives to every housekeeper. "A good housewife," he says, "goes to her herb garden, instead of a spice shop, for seasonings, and thus preserves the health of her family, by saving her purse." So the poet sends her there, too, for spouse-keeping.

"When Venus would her dear Ascanius keep, A prisoner in the downy bands of sleep, She odorous herbs and flowers beneath him spread, As the most soft and sweetest bed, Not her own lap would more have charmed his head."

vi.—table plants.

The last two centuries have added several plants of eminent virtues to the products of the orchard and garden. The cucumber, the potato, sweet corn, the melon, are the principal acquisitions, especially the last named, for that line of Marvell's—

"Stumbling on melons as I pass,"

must be taken rhetorically, since Evelyn informs us, this fruit had but just been introduced into England from Spain, in the poet's time, and the others but a little before. He says, "I myself remember when an ordinary melon would have sold for five or six shillings. 'Tis a fruit not only superior to all of the gourd kind, but paragon with the noblest of the garden." And of the cucumber, "This fruit, now so universally eaten, was accounted little better than poison within my memory." Columella shows some good ones growing in the Roman gardens:—