Читать книгу Locating Visual-Material Rhetorics - Amy Propen - Страница 7

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Illustrations

Figure 1: NASA Photo AS17–148–22727, 1972: “View of the Earth seen by the Apollo 17 crew traveling toward the moon.”

Figure 2: Park Map: Lowell National Historical Park.

Figure 3: Visitor Center: Main arches, approaching visitor center from parking lot.

Figure 4: Visitor Center: Just under and past the main arches, looking west.

Figure 5: Market Mills: Approaching the visitor center.

Figure 6: Market Mills: Under the arches with visitor center to the left.

Figure 7: Market Mills and Visitor Center: View from the northeast, Market Street side.

Figure 8: Wayfinding Sign.

Figure 9: Wayfinding Sign: Lucy Larcom Park.

Figure 10: Lucy Larcom Park: View of park facing northeast.

Figure 11: Informational Plaque: Industry Not Servitude.

Figure 12: Steps Sculpture.

Figure 13: Circular Fence Sculpture with Poem.

Figure 14: Path Marker 1: Front.

Figure 15: Path Marker 1: Back.

Figure 16: Path Marker 2: Front.

Figure 17: Path Marker 2: Back.

Figure 18: Path Marker 3: Front.

Figure 19: Path Marker 3: Back.

Figure 20: Path Marker 4: Front.

Figure 21: Path Marker 4: Back.

Figure 22: Seating Circle: Truth Loses Nothing Upon Investigation.

Figure 23: Seating Circle: Truth Loses Nothing Upon Investigation.

Figure 24: Fourteen Hour Clock: Front view.

Figure 25: Fourteen Hour Clock: Side view with petition inscribed.

Figure 26: Fourteen Hour Clock: Close-up view of inscription.

Figure 27: Lucy Larcom Park: From the north, facing southwest, with view of Fourteen Hour Clock and last path marker.

Figure 28: Boott Mills.

Figure 29: Boardinghouse Park: View with Boott Mills in the background.

Figure 30: Morgan Cultural Center (formerly a boardinghouse): View with side of Agent’s House/Park Headquarters visible in background.

Figure 31: Park Headquarters (formerly the Agent’s House).

Figure 32: Informational Plaque: The Lowell Sculptures: One, Two, and Three.

Figure 33: Sculpture One.

Figure 34: Sculpture Two: View with Sculpture One facing northwest on French Street.

Figure 35: Sculpture Three.

Figure 36: Concert Stage in Boardinghouse Park: Front view.

Figure 37: Concert Stage in Boardinghouse Park: Inside view.

Figure 38: Homage to Women.

Figure 39: Homage to Women: View of surrounding green space.

Figure 40: Homage to Women: Looking up.

Figure 41: Homage to Women: Close-up 1.

Figure 42: Homage to Women: Close-up 2.

Figure 43: Homage to Women: Close-up 3.

Figure 44: Homage to Women: Close-up 4.

Figure 45: Mercator Projection. Paul B. Anderson, 2002.

Figure 46: Authorized Deployment of LFA: 2002–2003.

Figure 47: Behrmann Projection. Paul B. Anderson, 2002.

Locating Visual-Material Rhetorics

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