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Chapter Four

-Will-

I’m woken by Ellie shaking me.

“Come on, lazy bones,” she says, flooding the room with light. “They’ll be here in a minute.”

REM is still with me. “There was a piano,” I say. “And some hands, and I don’t know, maybe some water and…”

“You probably just needed to go to the loo,” Ellie says. “I always dream about water when I need to go. Always wakes me up, thank goodness – nobody wants the Yellow Sea in their bed.”

She kisses me, then leaves the room. I try to recapture the dream, but it’s too far away from me. So I come back into the now. I stretch out and look at my watch. 4pm! I’ve been asleep for two hours and my parents are indeed due. I feel a bit groggy, in need of some sugar, before we entertain. But no – there’s the doorbell. I pull myself off the bed, rake a hand through my hair in a bid to make it look a bit less like I’ve been in bed all afternoon – whether through sex or slumber – and canter downstairs.

Ellie hasn’t let them in. Apparently that’s my job. I take the chain off the door, open it up, and we’re both immediately engulfed in celebration.

“Congratulations darlings!” Mum says as she launches into the house. She gives me a hug and a kiss, waves at Ellie’s belly, then does a kind of air-hug at Ellie herself. “Don’t want to squash the son and heir!” she says. Her beaming face suggests she is over any angst about being a grandmother. She’s even wearing the dark-green linen ‘occasion jacket’ (I used to call it the ‘snazz jacket’) that she always wore for important client meetings.

Dad follows, less loudly, but with a firm handshake and a slap on the back. “Well done, Ellie. Well done, Will,” he says.

Mum leads the way through to the dining room. From her bag she produces twenty-week scan cupcakes and Appletiser (apparently that’s the done thing in Surrey these days). And she is beaming at us.

“Such happy news! Do let me see the scan.”

Ellie of course obliges, and we get into the family resemblance discussion again.

“Doesn’t he look like Will, though?” she asks, rhetorically.

And they agree, my parents, because they have to. If Ellie’s parents were here too, then maybe there’d be more debate. But of course, they’re not.

Then Ellie makes me hold the scan photo and stand next to Dad, so that the three of us Spears family males are in a line. She puts her head to one side.

“Hmm, don’t see it you know. Will and baby maybe, but not getting the cross-generational resemblance thing,” says Ellie.

Dad peers at the photo. “Ah, you know what it is? The baby already has more hair than me.” He rubs his balding head ruefully.

And then Ellie does her party trick. I should have seen this coming, really, she’s been going on about it so much.

“But I tell you who I do see a resemblance with,” she says. She goes over to the CD tower and pulls out the familiar red box, that she retrieved from the car earlier.

“Ellie,” I say, half-chiding her, but she is glowing and wonderful, so I can’t really reprimand her.

“No, no, it’s so funny, I have to show them. Drum roll please – we’ve found Will’s doppelganger. He is the spitting image of: Max Reigate, concert pianist.” And she flourishes the CD box proudly, holding it next to me and the baby photo for comparison.

I turn to Mum and Dad with a mock eye-roll, my half-apologetic smile already prepared.

But the smile dies. Because Mum and Dad are staring at the CD box without any hint of a smile on their faces. In fact, the old cliché that they look like they’ve seen a ghost could not be more true. Mum has turned pale. Dad is shooting anxious glances at Mum. I look at Ellie. She is still holding the box and grinning, but the grin has a fixed quality now. None of us speak. Then Ellie does her usual humour escape route thing.

“No, you don’t see the resemblance? OK, no offence taken. Specsavers have some great deals on right now, though.”

Mum seems to recover herself. “Don’t be daft, Ellie. Will’s just got one of those faces – resembles everyone. Or at least we both think so because we love him, hey?” She gives Ellie a ‘women-together’ sort of nudge. Ellie moves away.

“Yeah, I know they say love is blind but I have actually retained my 20-20 vision, Mrs S.” Oh dear. She’s using her haughty voice. A definite warning sign. Time to move things on.

“It’s true, I’m a mongrel,” I say. “I look like all sorts of people. Brad Pitt, David Beckham, Max Reigate… It’s a real curse.”

Ellie rolls her eyes at me. “They say new dads feel extra-confident, but Brad Pitt? Really? You’re not even blond!”

“But you look like every bit the Angelina, my darling,” I tell her, giving her a kiss.

But maybe Mum feels a bit nauseated by all the smooching, because she’s back on Max Reigate.

“Where did you get that CD, anyway?” Mum asks.

I look at Ellie. I don’t know where we got it. Ellie just produced it one day. “Look what I found,” she said. “Spooky, right – look at the nose, the eyes, the hair. It could be you. Or, like, your long-lost brother!” And we’d listened to the CD, which actually turned out to be pretty amazing, this romantic piano concerto full of clashing chords and little haunting riffs of melody. It starts off being all orchestral, and you’re just waiting in suspense for the piano to take over in its solo brilliance, because you know it will. Then once it does, you know nothing will be same again. It just haunts you, by its presence and its lack.

Ellie looks at Mum. “I borrowed it from your place,” she says to Mum, her voice level. “While we were watering your plants, when you were away, I came across it. I hope that’sOK?”

“You came across it?” Mum asks. Her voice is tight.

Ellie shrugs. “Yes.” She holds Mum’s gaze. It’s like a challenge.

I feel like I’m missing something. I look at Ellie but she is busy examining the CD case. Then she looks up.

“Let’s play it!” she says, brightly (defiantly?). “We’re meant to be celebrating, so let’s celebrate.”

“I’m not sure that’s such a good idea, Ellie love,” says Dad. “You’re meant to play babies whale music, aren’t you, not Ma – not this stuff.”

“My baby,” begins Ellie, then joins hands with me briefly, and corrects herself. “Our baby, is going to take after Will’s doppelganger and be an amazing musician. Not mess around with skeletons and brains like his nerdy dad. It’s all decided.”

Mum and Dad don’t look too pleased. But Ellie is already advancing to the CD player. And I get an outbreak of the goofy grins again at the thought of being a dad. Plus it is, as I’ve said, pretty amazing music.

“Put it on track three,” I say. “It’s the best bit.”

Ellie rolls her eyes. “Will always likes to get straight to the climax.”

I try to blush but I guess my parents kind of know we’re having sex. The evidence is protruding from Ellie’s belly. If not my tousled hair. Plus it’s like they’re not in the room. This is mine and Ellie’s and little (almost baby) Leo’s moment. We can do what we like. Mum is holding the Appletiser glass so tightly I am worried she might break it. Maybe I should offer her something stronger.

But then the room is filled with Max Reigate’s amazing sounds. The piano builds up in a wonderful rhythm of threes – ya da da, ya da da, ya da da – with chords separating then combining, unrelentingly crescendoing until my brain feels like it’s filled with blood, and with each beat of the piano hammers against the strings, there is more blood, pulsating to escape. And then –

“This is the best bit,” I say, waving my arms around, twirling about the room, in a way I know Ellie thinks is attention-seeking, but it’s how the music moves me. “Listen to how the violin and the piano are almost talking to each other, like a love affair, together coming closer and closer towards the climax, that wonderful pianorgasm and – ”

The music stops. But it’s not the end. Mum is standing next to the CD player, her finger on the stop button. Her back to the room.

“Mum, did you stop it? Sorry, did ‘pianorgasm’ offend you? It just…”

I trail off. Because Mum turns to face me. And she has tears in her eyes.

Hide And Seek

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