Читать книгу The Other Side of the Coin: The Queen, the Dresser and the Wardrobe - Angela Kelly - Страница 37

FINDING

MY FEET

As my role progressed, I spent more and more time working on Her Majesty’s wardrobe and I started to notice that many of her outfits were made in similar colours. The Queen was wearing a lot of dark green, navy, and red, and I had also noticed that some of the older pieces – the stunning Hardy Amies evening gowns, for example – which had been the height of fashion a few years before, had begun to look a little tired. Spending time with The Queen had allowed me to understand better her likes and dislikes, and I sensed that she would enjoy more vibrant colours and some fresher designs. At this point Her Majesty’s outfits were still only made by designers and dressmakers outside the Palace.

On one occasion I mentioned to The Queen that the designers should be looking at brighter colours and new designs, but who was I to tell them? I had been Senior Dresser for a couple of years and in that time had become more confident, talking to The Queen more about her outfits. I think The Queen knew that I was loyal and would only ever be honest with her. I could not help thinking that The Queen’s style needed to change quickly, before she was made to look older than she was – which was what some of the old designs did. Some of the coats and dresses also had to be made shorter, as The Queen still had, and still does have, a good figure and excellent legs.

One day, The Queen invited me to join her the next time a designer, his team and the milliner came in for a fitting. I was slightly taken aback as I wouldn’t usually be present for fittings; usually I just saw the dressmakers into the room and would leave them to it, but this time I was asked to stay. I was also quite anxious as I knew I couldn’t hide my feelings very well: if an outfit did not suit Her Majesty, the expression on my face would make it clear to everyone what I thought. Even worse, if The Queen asked my advice, I would be forced to dismiss an outfit in front of its designer, or the hat in front of its milliner. Her Majesty would never want to hurt anyone’s feelings, even if I didn’t mind, and I would have to be honest about my opinion for her sake. Little did I know that this moment was yet another stepping stone for me, another door opening.

With the fitting under way, as I’d anticipated, the expression on my face started to give everything away and Her Majesty asked my opinion. This question didn’t go down well with everyone in the room. With bated breath they all turned to me for my answer and waited, and I could see the shock across their faces as I told them my thoughts: the hats were too masculine and their patterns too large. In terms of the outfits, The Queen needed something more chic, fitted and elegant. There was a shocked silence in the room after I spoke. I suspected that I would never be invited back, and I imagine the designer and milliner hoped as much, but Her Majesty continued to request my presence at fittings, to the dread of those designers. I became their worst nightmare.

I vividly remember one fitting where The Queen was draped in a very large piece of bold, jacquard material in a large print. Even a six-foot-tall model would have struggled to pull off something like that, and it absolutely drowned Her Majesty. Once again, I could not hide my disapproval when Her Majesty asked my thoughts. Without hesitation, I said, ‘No way! It doesn’t suit you at all and it is totally the wrong pattern.’ An awkward silence and an icy atmosphere descended on the room. Everyone in sequence turned their heads towards me with what felt like daggers in their eyes, except for The Queen who stared straight ahead and goodness knows what she was thinking. The atmosphere was ice cold. Just at that moment, The Duke of Edinburgh happened to walk past and Her Majesty asked what he thought of the material, knowing that, like mine, his feedback is always honest. ‘Is that the new material for the sofa?’ he joked, before continuing on his way. I excused myself, left the room, and privately punched the air with delight. I composed myself, then walked back into the dressing room where I noticed the material was being folded and put away unused. The Queen was thanking the designers and the milliner for their time and they left the room.

Shortly after that fitting, and experiencing my honesty, Her Majesty asked me to draw some of my own designs for what I thought she should wear. I told her I couldn’t – it had been a long time since I had sketched any outfits. ‘If I wanted an artist, I would hire one,’ The Queen said jokingly. And with that, I began rummaging through the parcels of gift materials, taking samples to show Her Majesty the wealth of beautiful silks and glorious patterns that she already had in her stockroom. Then I showed her some quickly drawn sketches of more fitted, stylish pieces. Thanks to my mum, I’d already had extensive training on the necessary skills but I was a little out of practice. I needed to refresh my memory quickly, considering that it was Her Majesty’s outfits I would be working on. Each was inspired by my own love of fashion and my mother’s elegant wardrobe – her perfectly tailored skirts and jackets. Sometimes I channelled the sensibility of my aunt Edwina – a designer, tailor, and dressmaker, who liked to dress more daringly. She was the first woman I saw in a transparent black chiffon blouse. The Queen saw my drawings of the designs, along with samples of the beautiful materials already being stored upstairs, and accepted them. The Queen liked the designs and suggested that we employ a machinist to help me. Before long, Her Majesty’s wardrobe was being revitalised as, piece by piece, vibrant colours and stylish cuts made their way onto the rails. More to the point, The Queen was happy. It is an honour to be the first ever in-house Designer to Her Majesty The Queen.

Her Majesty wore this for her 90th birthday in Windsor in 2016.