Читать книгу Letters to the Dead: Things I Wish I'd Said - Ann Palmer - Страница 15

A Gentleman and An Intellect

HOWARD HAWKS - Birth name: Howard Winchester Hawks

Height 6’1”

BIRTH: May 30^th, 1896 - Goshen, Indiana

DEATH: December 26^th, 1977 - Palm Springs, California (aftermath of a fall) Ashes scattered in the desert near Calimesa, California

Dear Howard,

I don’t remember the exact occasion when I met you. It was through my friend, Diane, when the two of you were dating. She was comfortable dating “older men” - I was not, however, I am so grateful that, through her, I had the opportunity to get to know you, share your lovely home on our visits to Palm Springs and work in a one of your productions.

Diane encouraged me to drive down to Tucson when she was working on your film, “El Dorado.” Since small parts are often added on location, I hoped, by being in Tucson, a part might come up that you would cast me in. Even though I never got to work on “El Dorado” with so few parts for women, you did give me several days work on your movie, “Red line 7000.”

You were truly one of the great “class acts” of Hollywood as a talented producer and a man who exuded more class than the majority of Hollywood successes - a man of strength and power with sensitivity and kindness and such great dignity.

John Wayne was also an outstanding gentleman. I still have the autographed photo that he gave me hanging on my wall. I recall one day when I was sitting in the mess tent at the far end of the same table where he sat, an entourage of Princess Margaret’s came into the tent to meet him. With his introduction to the group, he turned and motioned toward me saying “Have you met Miss Palmer?” I was flabbergasted! He certainly did not have to include me but for me it proved what a gentle person and gentleman he was.

You won’t believe one of the things that stand out most prominently in my memory of you - your hand carved bar stools that you so carefully explained how you had carved with precision to fit the sitters back side! They were beautiful bar stools with the obvious fine craftsmanship that went into their creation. To think of a man of your stature directing your concentration intently on carving a piece of wood to fit a person’s bottom was amazing to me! We had such a good time when visiting your Palm Springs home.

Everyone who knew me knew about my overwhelming crush on Rock Hudson. You too, were willing to attempt a meeting for me. You tried to get him to come down to your house for a weekend visit and also have Diane and me there so that I could have time with him. Again, it failed, just as John Guedel’s plan failed when planning to get him on Art Linkletter’s “House Party” TV show for the purpose of having me in the audience and Art calling on me to come up on stage to meet him. I would have died of embarrassment if that had happened.

You did manage to get your script supervisor, Bruce Kessler, down for a weekend when we were there. Bruce was no Rock Hudson but at least he wasn’t gay. We liked each other and dated a bit through the next few years.

I am so glad I had an opportunity to really get to know you personally, especially the many times in Palm Springs where you were relaxed, free to be open and yourself. I so enjoyed hearing you talk about experiences you had through your many years of film making, the stars that you discovered and was behind their success as actors. You were such a successful producer long before I was born and certainly were one of the foundations the film industry was built upon. Your brilliance is never to be forgotten or your dry wit. Howard, I will always remember you with tremendous respect and admiration for your many talents, for being a fantastic host, for who you were and most of all your, dignity.

WIVES OF HOWARD HAWKS:

Athole Shearer (May 28^th, 1928 - 1940) (divorced)

Dee Hartford (February 20^th, 1953 - 1959) (divorced)

GENERAL INFORMATION:

Early in Howard Hawks’ life he was a pilot and a car race driver. He entered the world of motion pictures in silent movie days. As early as 1917 he was working as an Assistant Director. His relatives in the film industry reads like a Who’s Who list. He began directing was in 1926. As a producer/director he was successful in many genre, from comedies to westerns, he did them all. Many of the famous western movies were his productions. For seventy-five years or more Howard Hawks films have enchanted audiences, yet his name is not known by younger generations today. He had been very influential for young filmmakers through the years.

Howard Hawks was known for his interest in women, not only his personal interest but allowing his women characters to be strong, tough, smart, touch talking with natural sounding dialogue. He was known for making stars; Carole Lombard was one of the first. He discovered several models and developed their careers as actresses. One was 19-year-old Lauren Bacall in 1944 and launched her successful career. Hawks cast her with Humphrey Bogart in To Have and Have Not and when their romance exploded, he quickly cast them in the even more successful The Big Sleep. He was influential in Cary Grant’s career and debuted young Montgomery Clift in Red River. Howard Hawks made many movies with John Wayne. He was more interested in craftsmanship rather than a work of art film. Howard Hawks was generous in helping young directors, and in 1974 he received a long overdue special Oscar. He lived from 1896 to 1977 and was a popular, versatile, stylistic Director during the studio era of Hollywood’s Golden Age.

TRIVIA:

Brother of Kenneth Hawks (I). Second cousin of actress Carole Lombard - Cousin-in-law of Clark Gable. Brother-in-law of Mary Astor. Cousin-in-law of William Powell, brother-in-law of Douglas Shearer and Norma Shearer, son-in-law of Edith Shearer. Brother-in-law of producer Ned Tanen. Brother-in-law of Eden Hartford.

PERSONAL QUOTES:

“There’s action only if there is danger.” “A good movie is three good scenes and no bad scenes.” “I’m a storyteller - that’s the chief function of a director. And they’re moving pictures, let’s make ‘em move!” “When you find out a thing that goes pretty well, you might as well do it again.”

PRODUCER/DIRECTOR:

Rio Lobo (1970), El Dorado (1967), Red Line 7000 (1965), Man’s Favorite Sport? (1964), Hatari! (1962), Rio Bravo (1959), Land of the Pharaohs (1955), Gentlemen Prefer Blondes (1953) O. Henry’s Full House (1952), Monkey Business (1952), The Big Sky (1952), The Thing From Another World (1951), I Was a Male War Bride (1949) A Song Is Born (1948), Red River (1948), The Big Sleep (1946), To Have and Have Not (1944), The Outlaw (1943), Air Force (1943), Corvette K-225 (1943), Ball of Fire (1941), Sergeant York (1941), His Girl Friday (1940), Only Angels Have Wings (1939), Bringing Up Baby (1938), Come and Get It (1936), The Road to Glory (1936), Sutter’s Gold (1936), Ceiling Zero (1936), Barbary Coast (1935), Twentieth Century (1934), Viva Villa! (1934), The Prizefighter and the Lady (1933), Today We Live (1933), La Foule hurle (1932), Tiger Shark (1932), The Crowd Roars (1932), Scarface (1932), The Criminal Code (1931), The Dawn Patrol (1930), Hell’s Angels (1930), Trent’s Last Case (1929), The Air Circus (1928), Fazil (1928), A Girl in Every Port (1928), Paid to Love (1927), The Cradle Snatchers (1927), Fig Leaves (1926), The Road to Glory (1926), Quicksands (1923).

WRITER: HAWKS wrote the story for the following:

Scarface (1983), Red Line 7000 (1965), Thing From Another World, The (1951), The Outlaw (1943), Indianapolis Speedway (1939) (story), Only Angels Have Wings (1939), Test Pilot (1938), The Road to Glory (1936), Viva Villa! (1934) (Contributing writer), La Foule hurle (1932), The Crowd Roars (1932), Scarface (1932), The Dawn Patrol (1930), Girl in Every Port, A (1928), Underworld (1927), Fig Leaves (1926), Honesty - The Best Policy (1926), The Road to Glory (1926), The Road to Yesterday (1925), The Dressmaker From Paris (1925), Tiger Love (1924), Quicksands (1923).

ACTOR:

Personal Journey with Martin Scorsese Through American Movies, A (1995), The Men Who Made the Movies: Howard Hawks (1973), Hedda Hopper’s Hollywood No. 3 (1942), Scarface (1932), 1925 Studio Tour (1925)

PRODUCTION MANAGER:

Code of the West (1925), Lord Jim (1925), The Light of Western Stars, The (1925), Adventure (1925), The Devil’s Cargo (1925), North of 36 (1924), Open All Night (1924)

ASSISTANT DIRECTOR:

Bob Hampton of Placer (1921), Dinty (1920), Go and Get It (1920), The Little Princess (1917), In Again, Out Again (1917/II)

EDITOR:

Empty Hands (1924), The Dawn of a Tomorrow (1924), The Heritage of the Desert (1924)