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The apparently impossible transformations of this scene (when played by two actors only) may be thus explained:—

The costumes of Louis and Norna, being merely loose garments, afford opportunities for rapid change; and the indulgent audience overlooking such minor matters as boots and wigs, it became an easy matter for Jo to transform herself into either of the four characters which she assumed on this occasion.

Beneath the flowing robes of the sorceress Jo was fully dressed as Count Rodolpho. Laid conveniently near were the black cloak, hat, and mask of Louis,—also the white draperies required for the ghostly Theresa.

Thus, Norna appears in long, gray robe, to which are attached the hood and elf-locks of the witch. Seeing Hugo approach she conceals herself among the trees, thus gaining time to don the costume of Louis, and appear to Hugo who awaits him.

Hugo stabs and drags him from the stage. Louis then throws off his disguise and becomes Rodolpho, fully dressed for his entrance a moment later.

As Hugo does not again appear, it is an easy matter to assume the character of the spectre and produce the sights and sounds which terrify the guilty Count; then slipping on the witch's robe, be ready to glide forth and close the scene with dramatic effect.