Читать книгу Making Dances That Matter - Anna Halprin - Страница 6
ОглавлениеCONTENTS
| Introduction | 1 |
| 1. The Life/Art Process: An Approach to Making Dances That Matter | 8 |
| Ordinary Movement | 12 |
| Awareness of Your Embodied Self | 13 |
| When Ordinary Movement Becomes Dance | 15 |
| The Power of Body Wisdom | 18 |
| The Psychokinetic Visualization Process and Healing Through Dance | 19 |
| The RSVP Cycles | 25 |
| 2. A History of Circle the Earth and the Planetary Dance | 31 |
| 3. Circle the Earth: Dancing with Life on the Line | 49 |
| Day 1. The Beginning of Community | 53 |
| The Name Game | 57 |
| Trails | 59 |
| The Vortex Dance | 60 |
| First Self-Portrait Drawing: Who Am I? | 65 |
| A Special Ceremony: Presentation of the Feathers | 66 |
| Unifying Dance for Closure | 69 |
| Day 2. Planetary Dance | 71 |
| The Four Directions | 72 |
| The Earth Run | 73 |
| Day 3. Identifying the Central Theme: Life and Death | 74 |
| Tuning Up and Vortex Variations | 74 |
| Rising and Falling | 75 |
| Finding Community Values Through Valuaction | 78 |
| Learning How to Give Feedback | 79 |
| Visualization | 81 |
| Closure | 81 |
| A Building Tension | 82 |
| Day 4. Preparing to Confront the Dark Side | 83 |
| Tuning In to the Body Pulse | 84 |
| Introduction to the Warrior Movement | 84 |
| Guided Visualization: Finding a Safe Place | 86 |
| Lifting Score | 87 |
| “I Want to Live!” | 88 |
| Day 5. Releasing the Dark Side | 91 |
| Touch and Body Contour Scores | 91 |
| The Power of a Mask | 92 |
| Molding the Face | 93 |
| Drawing and Dancing a Mask | 94 |
| Day 6. Recovery | 99 |
| Active/Passive Score | 99 |
| Reinforcement Through the Four Golden Positions | 104 |
| Social Graphics Score | 105 |
| Day 7. Bringing the Tribe Together | 106 |
| Rising and Falling Revisited | 107 |
| Leading and Following | 108 |
| Four Golden Positions into Vortex Dance | 109 |
| Building a Mountain | 110 |
| Additional Movement Resources | 111 |
| Shifting to Performance Rehearsal | 112 |
| The Bridge | 114 |
| Sound Spiral | 115 |
| Day 8. Moving into Performance | 117 |
| Dress Rehearsal | 118 |
| Day 9. Performance Day | 120 |
| Tell the Truth | 120 |
| Designing the Set for the Performance | 122 |
| Preparing the Dancers for Performance | 124 |
| Preparing the Witnesses | 125 |
| And We Begin … | 127 |
| Feather Running | 128 |
| Identification | 128 |
| “I Want to Live!” | 128 |
| Rising and Falling | 129 |
| Vortex Dance | 131 |
| Confrontation | 132 |
| The Warrior and Monster Dances | 133 |
| The Witnesses’ Score | 134 |
| Release and Restoration | 138 |
| Restoration Song | 139 |
| The Bridge | 142 |
| Change | 143 |
| The Earth Run | 145 |
| Sound Spiral | 146 |
| Victory Dance | 146 |
| Closure of the Performance | 148 |
| Providing a Route Back to Daily Life | 148 |
| The Impact—Assimilation into Daily Life | 151 |
| Interlude: Dancing for Peace in Luanda, Angola, by Dana Swain | 156 |
| 4. Planetary Dance | 162 |
| An Opening Ceremony | 167 |
| Preparing the Participants | 168 |
| Tuning Up for the Earth Run | 173 |
| Additional Preparatory Scores | 174 |
| Setting an Intention | 177 |
| Preparing the Space | 179 |
| The Earth Run Score | 181 |
| After the Earth Run | 189 |
| The Impact of the Dance | 189 |
| Toward a Truly Global Dance | 196 |
| 5. Conclusion: Run with It! | 198 |
| Appendix A: Leading a Planetary Dance | 203 |
| Appendix B: Questions to Ask in Planning a Planetary Dance | 208 |
| Notes | 211 |
| Additional Resources | 213 |
| Acknowledgments | 215 |
| Index | 217 |