Читать книгу Making Dances That Matter - Anna Halprin - Страница 6
ОглавлениеCONTENTS
Introduction | 1 |
1. The Life/Art Process: An Approach to Making Dances That Matter | 8 |
Ordinary Movement | 12 |
Awareness of Your Embodied Self | 13 |
When Ordinary Movement Becomes Dance | 15 |
The Power of Body Wisdom | 18 |
The Psychokinetic Visualization Process and Healing Through Dance | 19 |
The RSVP Cycles | 25 |
2. A History of Circle the Earth and the Planetary Dance | 31 |
3. Circle the Earth: Dancing with Life on the Line | 49 |
Day 1. The Beginning of Community | 53 |
The Name Game | 57 |
Trails | 59 |
The Vortex Dance | 60 |
First Self-Portrait Drawing: Who Am I? | 65 |
A Special Ceremony: Presentation of the Feathers | 66 |
Unifying Dance for Closure | 69 |
Day 2. Planetary Dance | 71 |
The Four Directions | 72 |
The Earth Run | 73 |
Day 3. Identifying the Central Theme: Life and Death | 74 |
Tuning Up and Vortex Variations | 74 |
Rising and Falling | 75 |
Finding Community Values Through Valuaction | 78 |
Learning How to Give Feedback | 79 |
Visualization | 81 |
Closure | 81 |
A Building Tension | 82 |
Day 4. Preparing to Confront the Dark Side | 83 |
Tuning In to the Body Pulse | 84 |
Introduction to the Warrior Movement | 84 |
Guided Visualization: Finding a Safe Place | 86 |
Lifting Score | 87 |
“I Want to Live!” | 88 |
Day 5. Releasing the Dark Side | 91 |
Touch and Body Contour Scores | 91 |
The Power of a Mask | 92 |
Molding the Face | 93 |
Drawing and Dancing a Mask | 94 |
Day 6. Recovery | 99 |
Active/Passive Score | 99 |
Reinforcement Through the Four Golden Positions | 104 |
Social Graphics Score | 105 |
Day 7. Bringing the Tribe Together | 106 |
Rising and Falling Revisited | 107 |
Leading and Following | 108 |
Four Golden Positions into Vortex Dance | 109 |
Building a Mountain | 110 |
Additional Movement Resources | 111 |
Shifting to Performance Rehearsal | 112 |
The Bridge | 114 |
Sound Spiral | 115 |
Day 8. Moving into Performance | 117 |
Dress Rehearsal | 118 |
Day 9. Performance Day | 120 |
Tell the Truth | 120 |
Designing the Set for the Performance | 122 |
Preparing the Dancers for Performance | 124 |
Preparing the Witnesses | 125 |
And We Begin … | 127 |
Feather Running | 128 |
Identification | 128 |
“I Want to Live!” | 128 |
Rising and Falling | 129 |
Vortex Dance | 131 |
Confrontation | 132 |
The Warrior and Monster Dances | 133 |
The Witnesses’ Score | 134 |
Release and Restoration | 138 |
Restoration Song | 139 |
The Bridge | 142 |
Change | 143 |
The Earth Run | 145 |
Sound Spiral | 146 |
Victory Dance | 146 |
Closure of the Performance | 148 |
Providing a Route Back to Daily Life | 148 |
The Impact—Assimilation into Daily Life | 151 |
Interlude: Dancing for Peace in Luanda, Angola, by Dana Swain | 156 |
4. Planetary Dance | 162 |
An Opening Ceremony | 167 |
Preparing the Participants | 168 |
Tuning Up for the Earth Run | 173 |
Additional Preparatory Scores | 174 |
Setting an Intention | 177 |
Preparing the Space | 179 |
The Earth Run Score | 181 |
After the Earth Run | 189 |
The Impact of the Dance | 189 |
Toward a Truly Global Dance | 196 |
5. Conclusion: Run with It! | 198 |
Appendix A: Leading a Planetary Dance | 203 |
Appendix B: Questions to Ask in Planning a Planetary Dance | 208 |
Notes | 211 |
Additional Resources | 213 |
Acknowledgments | 215 |
Index | 217 |