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Chapter 5

Sean Madigan is standing on Richmond Bridge staring down at the Thames. It is a glorious evening in early summer. Tyre tracks of pale cloud etch a ghostly path across the hyacinth-blue sky. The only hint of approaching night is the denser, more richly pigmented line of the distant horizon. The river is still busy, a thoroughfare of pleasure boats and smaller rowing boats. From where he stands he can see people strolling along the towpath or enjoying a drink outdoors in one of the riverside pubs, a mother pushing a double buggy, a man walking a dog, a family of ducks bobbing on the merry-go-round of the water.

In just under an hour he will be meeting Catherine. It is their third date and he is going to take her out to dinner at a pretty Italian restaurant on Richmond Hill. He has picked it mainly because of the views, the panoramic views over the river, though he has reconnoitred and glanced briefly at the menu. He knows she will like it. She isn’t hard to please, not one of those women who are forever summing you up, what you wear, if you’re mean or generous with your pennies, whether or not you take them somewhere besides the pub. Catherine appears content to be carried along with the current. As far as he can tell, and he admits that it is still early days, her nature is easy-going, self-contained, appreciative. She seems to enjoy listening to him talk, to his craic, to his jokes. And when he outlines his plans for setting up a business selling shampoo, her eyes follow his with interest. He recognizes that she is impressed. She sees he is a man with aspirations, that before long he will be making his mark. She has foresight, this English woman; she approves of his goals. She has the perception to look beyond an Irish navvy moving from one construction site to the next, to glimpse the man he will become. He is saving, puts by money each week, has worked out to the last detail what he will need to get his business up and running. He has sketched out his blueprint and she has encouraged him in his endeavours.

He met her at L’Auberge where she was waitressing. He liked the look of her straight away. Shoulder-length red hair tied back neatly with a velvet ribbon, and constrained green eyes that fluttered away from you and had to be coaxed back constantly. There was an immediate rapport between them. He didn’t imagine it, because she smiled and accepted the note he passed her with his ’phone number scrawled on it. And then she rang him no more than a week later. On their first night out he took her to the pictures to see The Poseidon Adventure. He put his arm around her protectively in the darkness. But that was all. For some reason he didn’t want to take advantage of this young woman, who dressed so demurely and who gave him licence to be whatever he wanted to be.

For their second date he suggested ice-skating and was surprised to see a flash of real anxiety light her otherwise placid eyes. So instead he took her shopping to Kensington Market, and out for lunch at a Beefeater. Catherine seemed delighted with that outing too, letting him choose an embroidered Indian smock for her, and a necklace of amber beads that stood out against her pale skin.

Her voice is very English, very posh. He hasn’t met her family yet but he expects that they are quite highbrow. If he is correct in his assumption, it means that he is already moving in the right circles. Who can say where their relationship may lead? He has only kissed her once so far, on the lips but chastely, her mouth firm and unyielding under his. He doesn’t mind. In fact he sort of approves in a masochistic way. She is a good girl, a virgin, he is sure of it. Ironically, she is just the sort his mother might select for him, except of course that she is English. He can wait. It will be all the more special when it comes. He will teach her the joy of lovemaking. But he will take it very gently, very slowly. After all, she is beginning to matter to him, so it is vital that he do things properly. When you stumble on a woman of Catherine’s class, you don’t want to go scaring her off.

The Water Children

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